Ferriani barbara (35 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New. Brand New.

Soft cover. Condizione: Very Good. 1st Edition. Slight outer wear, otherwise an overall clean copy with unmarked and undamaged pages.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Editor(s): Pugliese, Marina. Num Pages: 280 pages, 105 colour & 29 b&w illustrations. BIC Classification: ABC; AFKN. Category: (G) General (US: Trade). Dimension: 239 x 166 x 22. Weight in Grams: 924. . 2013. 1st Edition. Paperback. . . . . …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: new.

Paperback. Condizione: New. This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.…

Condizione: New. pp. 280 154 Illus. (105 Col.).

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Editor(s): Pugliese, Marina. Num Pages: 280 pages, 105 colour & 29 b&w illustrations. BIC Classification: ABC; AFKN. Category: (G) General (US: Trade). Dimension: 239 x 166 x 22. Weight in Grams: 924. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condizione: new. Paperback. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.This volume is the English edition of the first book published in Italy to address the history and conservation of installation art. With an introduction by noted art historian Germano Celant, it includes essays by museum director and art historian Marina Pugliesetracing the evolution of this art form, beginning with the experimental exhibitions of the early twentieth centuryand by contemporary art conservator Barbara Ferriani, who addresses the problems associated with the assembly and installation of these works as well as their re-presentation and conservation. Other expert contributors address the specific nature of video installations, the role of interviews with living artists, and tools and techniques for documenting ephemeral works of art. The second part of the book is dedicated to specific installations by artists such as Mario Merz, Anselm Kiefer, and Bill Viola, whose works exemplify this unique art form. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Brand New. reprint edition. 291 pages. 9.50x6.50x0.75 inches. In Stock.

Condizione: New. In English.

Condizione: New.

Condizione: New. pp. 280.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine.

hardcover. Condizione: Sehr gut. 184 Seiten; 9783906915616.2 Gewicht in Gramm: 3.

Condizione: Good. 291 pp. 8vo. Soft, pictorial green wrappers with French folds. Near fine. Color plates. Includes additional texts by Iolanda Ratti, Fabiana Cangia, Rafaela Trevisan, Sandra Divari, Nicoletta Boschiero, Emanuela Mazzonis and Alessandra Barbuto. Includes works by Matthew Barney, Alexander Brodsky, Anselm Kiefer, Mario Merz, Rudolf Stingel and Franz West and Bill Viola. …

Condizione: New. Gives posterity to rarely-seen-before works in HWLA exhibition (Spring 2020)Places Fontana as a key critical contributor to the evolution of conceptual artWidens international audience s awareness of and interest in Fontana s creative outputKlappent.

Paperback. Condizione: New. This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.…

Paperback. Condizione: new. Paperback. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.This volume is the English edition of the first book published in Italy to address the history and conservation of installation art. With an introduction by noted art historian Germano Celant, it includes essays by museum director and art historian Marina Pugliesetracing the evolution of this art form, beginning with the experimental exhibitions of the early twentieth centuryand by contemporary art conservator Barbara Ferriani, who addresses the problems associated with the assembly and installation of these works as well as their re-presentation and conservation. Other expert contributors address the specific nature of video installations, the role of interviews with living artists, and tools and techniques for documenting ephemeral works of art. The second part of the book is dedicated to specific installations by artists such as Mario Merz, Anselm Kiefer, and Bill Viola, whose works exemplify this unique art form. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…