ferstenberg helen (14 risultati)

Paperback. Condizione: New. Paperback in like new condition. Unused shop stock with minor shelfwear, no faults. AD. Used.

Condizione: Good. Volume 34. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780820469621.

Condizione: AS NEW. Etat de NEUF / AS NEW condition 3039101528 9783039101528 PC443 1.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

Condizione: New. In.

Condizione: New. Series: North American Studies in Nineteenth-century German Literature and Culture. Num Pages: 229 pages. BIC Classification: DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 152 x 226 x 14. Weight in Grams: 344. . 2003. New. paperback. . . . .

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a Jewish participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Series: North American Studies in Nineteenth-century German Literature and Culture. Num Pages: 229 pages. BIC Classification: DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 152 x 226 x 14. Weight in Grams: 344. . 2003. New. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a «Jewish» participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a Jewish participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a «Jewish» participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 234 pp. Englisch.