finkel charles (23 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Acceptable. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Very Good. No Jacket. box 19 5½"x8¼"; 399 pages; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Includes the following articles: Foreword by Glenn Stout; Introduction by Bill Littlefield; Blonde and Sand by Tony Hendra; Asphalt Legends by Rick Telander; Bird-Watching as a Blood Sport by David James Duncan; Resurrecting the Champ by J. R. Moehringer; On Planet Venus by Linda Robertson; Cale Registering on a Hook by Robert Cole; Over the Hill, My Ass! By Rick Telander; My Body, My Weapon, My Shame by Elwood Reid; 'Uno.Dos.Tres.Urrrnggghhh!' by Tad Friend; Golf's Saving Grace by David Finkel; The Man. Amen by Charles P. Pierce; The Case Against Golf by Bruce McCall; A Big Game by Charles P. Pierce; The Hustle by Tim Layden; Far Beyond a Mere Marathon by David Ferrell; A Delicate Balance by Gary Smith; Goofy Golf by Thomas Korosec; Tackling the Competition by John Seabrook; Coming of Age on the 50-Yard Line by Robert Andrew Powell; Fallen Star 'Goose' Ligon Is Looking for a Miracle by Pat Forde; Late Bloomer by Tom Boswell; The Hit King by Scott Raab; Kid Dynamite Blows Up by David Remnick; Betrayal of Trust by Johnette Howard and Lester Munson; A Man's Appreciation for Women Athletes by Steve Marantz; The Soccer Parents by Susan Sterling.

Paperback. Condizione: Very Good. Revised Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade paperback. Condizione: Very Good. A must have for the home brewer. With information on the history of beer, roasting malt, mashing, fermentation, tasting and more. A master of brewing science, Randy Mosher applies his restless curiosity and creative energy toward the art of brewing. As a veteran and award winning brewer, Randy Mosher knows the rules of brewing and when to break them.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Fine. Illustrated by Charles Finkel and Randy Mosher (illustratore). First Edition. A clean and pristine copy, which is important, since this is a workbook meant to be filled in by the reader. There are no signs of prior use. This looks like a useful book indeed. Fast shipping world wide, with tracking number supplied. ; 10.90 X 8.40 X 0.70 inches; 286 pages.

Paperback. Condizione: Brand New. 144 pages. 9.00x6.00x0.31 inches. In Stock.

Softcover. Condizione: Near Fine. First edition. Printed white wrappers. Modest age-toning, near fine. Essays and poetry contributions by Erling Larsen, Allen Tate, John Wain, Robert Sward, Jack Anderson, Charles Black, John Tagliabue, Mark Strand, Donald Finkel, Scott Bates, Louis O. Coxe, Lewis Turco, Kimon Lolos, William Stafford, Daniel Hoffman, Donald Petersen, Ernest Kroll, John Lucas, David Cornell DeJong, Michel Butor, and Donald Schier.

Paperback. Condizione: Very Good. Later Edition. ISBN Staplebound, 8 by 11 inch, 39 page Trade Paperback Booklet. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers. Author is a Seattle Ale importer and this publication is a great history and a clip art source for ale labels. No statement of later printing on copyright page. 0.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Very Good Hardback. Condizione sovraccoperta: Very Good Dj in Plastic Cover. Charles Goodwin (illustratore). Little marking no tears.

Softcover. Condizione: Near Fine. First edition. Octavo. 68pp. Stapled wrappers. Wrappers lightly age-toned, near fine. Stories and poetry with contributions by Howard Nemerov, John Gardner, Alice Bloom, Tom Garst, Constance Urdang, Donald Finkel, Stanley Elkin, Terrence Des Pres, Pamela White Hadas, Albert Lebowitz, William Gass, John Morris, Ruby Cohn, Jacqueline Hoefer, and Charles O. Harman.

Softcover. Condizione: Fine. Single issue. 44pp. Stapled wrappers. Near fine. Poetry. Scarce, *OCLC* locates no copies.

Hardcover. Condizione: New. 1st Edition. First edition, first printing. Limited edition of 2,000 signed and stamped-numbered copies. Signed on the limitation page by Heinecken (the book was shrink-wrapped by the publisher after it was signed). Hardcover. Black cloth-covered boards with title debossed on cover and stamped in silver on spine, no dust jacket as issued. Photographs, prints, mixed-media works and text by Robert Heinecken. Edited by James Enyeart. Contributions by Marvin Bell, Carl Chiarenza, Candida Finkel, Charles Hagen, William Jenkins and John Upton. Includes a chronology, exhibition history and bibliography. Designed by Peter A. Andersen. 160 pp., with 58 four-color and 39 black and white plates printed on 100-lb. Quintessence dull book paper by Garder/Fulmer Lithography, Buena Park, California. 9-1/4 x 12-1/4 inches. Out of print. Scarce. This is the first major publication of Heinecken's work. New in publisher's shrink-wrap and original cardboard shipping box (signed before packaging). About Robert Heinecken: Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described ?para-photographer,? Heinecken was always challenging the conventions of the then-accepted ?canon? of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him. Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes. In addition to offset lithography and etching, he made use of film transparencies, photographic emulsion on canvas, gelatin silver prints mounted to wood (e.g., "Multiple Solution Puzzle" Series), Polaroid materials, mixed media collage and photograms (e.g., ARE YOU REA and Recto/Verso Series). His source materials included popular ?lifestyle? magazines, advertising, images taken directly from television screens, pornography and news photographs. Through his ground-breaking works, Heinecken transformed American notions of consumerism, war, eroticism and mass media. From Robert Heinecken (in the mid-1960s): "We constantly tend to misuse or misunderstand the term reality in reference to photographs. The photograph itself is the only thing that is real, that exists. (There is a vast difference between taking a picture and making a photograph.)." An excerpt from a text written by Carl Chiarenza (in 1976): "He uses existing photographs. and their reproductions because they have littered the world and our minds with unlimited examples of every conceivable image of truth, beauty, banality, eroticism, brutality, pornography, consumerism, political idea, personality, idol, and ideal. Indeed one is hard put to name anything that has not been replaced by a photographically derived image. His recycling of these images makes this astounding point before making any other. Heinecken knows the photograph is not real. He also knows that most of us still believe it is. The camera eye is lusty and insatiable, a perfect match for Heinecken's eye." Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corps, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico. Signed by Author. Signed.