Finnane antonia (74 risultati)

Condizione: Very Good. Condizione sovraccoperta: 48099532. 1781721767. 6/17/2026 6:42:47 PM.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: new. Paperback. In this sumptuously illustrated book, Antonia Finnane proves that vibrant fashions were a vital part of Chinese life in the late imperial era, when well-to-do men and women showed a keen awareness of what was up-to-date. Though foreigners who travelled to China in the early decades of the twentieth century came away with the impression that Chinese dress was simple and monotone, the key features of modern fashion were beginning to emerge, especially in Shanghai. Men in blue gowns donned felt caps and leather shoes, girls began to wear fitted jackets and narrow pants, and homespun garments gave way to machine-woven cloth, often made in foreign lands. These innovations marked the start of a far-reaching vestimentary revolution that would transform the clothing culture in urban and much of rural China over the next half century. Through Finnanes meticulous research, we are able to see how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution led to the variegated, globalised wardrobe of today. She brilliantly connects Chinas modernisation and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs. The achievement of Finnanes overwhelming scholarship (which she wears casually) is to restore fashion transient display for sexual and/or social status to contemporary Chinese history, which also means understanding even terrible aspects of that history as fashions. The GuardianThis attractive and approachable book presents an overview of Chinese dress, both male and female, from the late imperial period to the presentIt is a significant addition to the literature andI know of no immediate competitors with which this can be compared. Its publication is to be welcomed as a contribution to the debates about culture, modernity and gender in twentieth-century China, and, more widely, to the growing body of work on clothing and identity. Verity Wilson, formerly Curator of Costume, Victoria and Albert Museum, London Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China's modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2023. Paperback. . . . . .

paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. 392 pages. 8.50x5.32x1.18 inches. In Stock.

Condizione: New.

Paperback or Softback. Condizione: New. How to Make a Mao Suit: Clothing the People of Communist China, 1949-1976. Book.

Condizione: New.

Condizione: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China's modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text clean and unmarked. Binding tight. Covers have very light wear. Edges of pages have light wear. Dust jacket has light wear.

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. In this sumptuously illustrated book, Antonia Finnane proves that vibrant fashions were a vital part of Chinese life in the late imperial era, when well-to-do men and women showed a keen awareness of what was up-to-date. Though foreigners who travelled to China in the early decades of the twentieth century came away with the impression that Chinese dress was simple and monotone, the key features of modern fashion were beginning to emerge, especially in Shanghai. Men in blue gowns donned felt caps and leather shoes, girls began to wear fitted jackets and narrow pants, and homespun garments gave way to machine-woven cloth, often made in foreign lands. These innovations marked the start of a far-reaching vestimentary revolution that would transform the clothing culture in urban and much of rural China over the next half century. Through Finnane's meticulous research, we are able to see how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution led to the variegated, globalised wardrobe of today. She brilliantly connects China's modernisation and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs. 'The achievement of Finnane's overwhelming scholarship (which she wears casually) is to restore fashion transient display for sexual and/or social status to contemporary Chinese history, which also means understanding even terrible aspects of that history as fashions.' - The Guardian'This attractive and approachable book presents an overview of Chinese dress, both male and female, from the late imperial period to the present.It is a significant addition to the literature and.I know of no immediate competitors with which this can be compared. Its publication is to be welcomed as a contribution to the debates about culture, modernity and gender in twentieth-century China, and, more widely, to the growing body of work on clothing and identity'. Verity Wilson, formerly Curator of Costume, Victoria and Albert Museum, London Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Condizione: New.

Condizione: New. In.

Hardback. Condizione: New.

Condizione: New. Num Pages: 360 pages, Illustrations (some col.), 1 col. map. BIC Classification: 1FPC; HBJF. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 244 x 165 x 28. Weight in Grams: 1044. . 2007. Hardcover. . . . .

Soft cover. Condizione: Good. No Jacket. 1st Edition. The true saga of the Jewish refugees who arrived in Darwin upon the ship Hwa Lien in 1947.A generally unknown story. None.

Taschenbuch. Condizione: Neu. Neuware - Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China's modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.…

hardcover. Condizione: New.