Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
Da: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condizione: good.
paperback. Condizione: Fair.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: Foundation Press (edition 1), 2005
ISBN 10: 1587788756 ISBN 13: 9781587788758
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: University of North Carolina Press, Chapel Hill, NC, 2009
ISBN 10: 0807833029 ISBN 13: 9780807833025
Da: Banbury Road Books, Fountain Valley, CA, U.S.A.
Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Clean, unread copy in Fine (Near New) condition. Inscription by the author on the fly-sheet. No marking or writing in the book - text is completely clean, and the book appears unread. Covers are clean and show almost no shelf wear. Binding is firm. Dust jacket is clean and shows only very faint shelf wear. Inscribed by Author(s).
Lingua: Inglese
Editore: The University of North Carolina Press, 2009
ISBN 10: 0807833029 ISBN 13: 9780807833025
Da: Books Do Furnish A Room, Durham, NC, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Pages unmarked. Dust jacket glossy. Binding square & firm. Book.
Lingua: Inglese
Editore: The University of North Carolina Press, 2009
ISBN 10: 0807833029 ISBN 13: 9780807833025
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text is unmarked; pages are bright. Binding is tight and square. Dust jacket shows very little wear. 360pp.
EUR 42,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Harvard University Press, US, 2016
ISBN 10: 067497140X ISBN 13: 9780674971400
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 46,29
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Required to sign away their legal rights as authors as a condition of employment, professional writers may earn a tidy living for their work, but they seldom own their writing. Writing for Hire traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century. Catherine L. Fisk examines why strikingly different norms of attribution emerged in these overlapping industries, and she shows how unionizing enabled Hollywood writers to win many authorial rights, while Madison Avenue writers achieved no equivalent recognition.In the 1930s, the practice of employing teams of writers to create copyrighted works became widespread in film studios, radio networks, and ad agencies. Sometimes Hollywood and Madison Avenue employed the same people. Yet the two industries diverged in a crucial way in the 1930s, when screenwriters formed the Writers Guild to represent them in collective negotiations with media companies. Writers Guild members believed they shared the same status as literary authors and fought to have their names attached to their work. They gained binding legal norms relating to ownership and public recognition-norms that eventually carried over into the professional culture of TV production.In advertising, by contrast, no formal norms of public attribution developed. Although some ad writers chafed at their anonymity, their nonunion workplace provided no institutional framework to channel their demands for change. Instead, many rationalized their invisibility as creative workers by embracing a self-conception as well-compensated professionals devoted to the interests of clients.
Lingua: Inglese
Editore: Harvard University Press, Cambridge, Mass, 2016
ISBN 10: 067497140X ISBN 13: 9780674971400
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Required to sign away their legal rights as authors as a condition of employment, professional writers may earn a tidy living for their work, but they seldom own their writing. Writing for Hire traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century. Catherine L. Fisk examines why strikingly different norms of attribution emerged in these overlapping industries, and she shows how unionizing enabled Hollywood writers to win many authorial rights, while Madison Avenue writers achieved no equivalent recognition.In the 1930s, the practice of employing teams of writers to create copyrighted works became widespread in film studios, radio networks, and ad agencies. Sometimes Hollywood and Madison Avenue employed the same people. Yet the two industries diverged in a crucial way in the 1930s, when screenwriters formed the Writers Guild to represent them in collective negotiations with media companies. Writers Guild members believed they shared the same status as literary authors and fought to have their names attached to their work. They gained binding legal norms relating to ownership and public recognition-norms that eventually carried over into the professional culture of TV production.In advertising, by contrast, no formal norms of public attribution developed. Although some ad writers chafed at their anonymity, their nonunion workplace provided no institutional framework to channel their demands for change. Instead, many rationalized their invisibility as creative workers by embracing a self-conception as well-compensated professionals devoted to the interests of clients. Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 43,96
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 40,95
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: The University of North Carolina Press, 2014
ISBN 10: 1469622203 ISBN 13: 9781469622200
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 47,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 42,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 44,76
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Num Pages: 320 pages. BIC Classification: HB. Dimension: 169 x 244 x 31. Weight in Grams: 616. . 2016. 1st Edition. Hardcover. . . . .
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 40,31
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 40,35
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 44,91
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 55,20
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Num Pages: 320 pages. BIC Classification: HB. Dimension: 169 x 244 x 31. Weight in Grams: 616. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Harvard University Press 2016-10-07, 2016
ISBN 10: 067497140X ISBN 13: 9780674971400
Da: Chiron Media, Wallingford, Regno Unito
EUR 45,88
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Lingua: Inglese
Editore: The University of North Carolina Press, 2014
ISBN 10: 1469622203 ISBN 13: 9781469622200
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 62,31
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 51,42
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. reissue edition. 360 pages. 9.00x6.00x1.00 inches. In Stock.
Lingua: Inglese
Editore: The University of North Carolina Press, 2014
ISBN 10: 1469622203 ISBN 13: 9781469622200
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 56,37
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: University North Carolina Pr 2014-02-01, 2014
ISBN 10: 1469622203 ISBN 13: 9781469622200
Da: Chiron Media, Wallingford, Regno Unito
EUR 52,68
Quantità: 10 disponibili
Aggiungi al carrelloPaperback. Condizione: New.