foreword by jill (32 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. Very good hardcover with very good dust jacket. Previous owner's bookplate partially removed from front pastedown. DJ has rubbing. Else very good+.

Cloth. Condizione: Very Good. First Edition. This is a very nice copy of a womens issue autobiography book called Shaping My Feminist Life, a memoir written by Kathleen C. Ridder, with a foreword by Jill Ker Conway. The book is in very good condition with tight binding, some nice black and white photographs and 199 pages. Size: 8vo - over 7¾" - 9¾" tall.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Warner Books. February 2003.

Paperback. 336p., wraps, very good condition. Perspectives on Underdevelopment.

Hardcover. Condizione: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Wraps. Condizione: Very Good. First Edition.

Hardcover. Condizione: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardcover. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Standard used condition. Reading copy or better. Used Book.

Paperback. Condizione: Very Good. Very good, pages are clean and unread, however there is some shelf wear on cover, including some marking and creasing Shipped from the UK within 2 business days of order being placed.

Red Cloth. Condizione: FINE ( AS BRAND NEW). Author Photograph By Timothy Greenfield - Sanders (illustratore). This is the GENUINE First Edition. A lovely copy E-mail for details Size: 8vo - over 7¾" - 9¾". Not Signed.

Hardcover. Condizione: Near Fine. With Color illustrations and Photographs (illustratore). NF/VG+. Bright and attractive hardcover with dust jacket. 2010. Many illustrations. 1 1/2 tear on foot of spine. Very nice copy.

Soft cover. Condizione: Good. 1st Edition. Clean and firmly bound with minor creases on covers.

Hardcover. Condizione: Fine. Dust Jacket Included. 1st Edition. 26x26cm. First US edition / First printing thus. 160pp with numerous colour, monochrome and other illustrations, chronology, bibliography, and index; patterned endpapers. Hardback / hard cover: dark green boards, backstrip titled in gilt. FINE copy in FINE unclipped dust jacket.

Paperback. [30]p., wraps, 5.5x8 inches, profusely illus., spine sunned else very good condition. Documentation of exhibits and events at Free Parking, a temporary art gallery run by the Institute for Optimistic Living from 1996 to 1997.

Paperback. Condizione: New.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Brand New. 1st edition. 336 pages. 9.50x7.75x1.25 inches. In Stock.

Hardcover. Condizione: Very Good. 1st Edition. First edition. Hardback. 27 × 27.5cm, 119pp. Ellen Gallagher has emerged as one of the most acclaimed young artists in the United States over the past decade, and this book will be the first to present a significant body of recent work in one volume. Gallagher inflects the surface of her layered drawings and paintings with unique irony and wit. They refer obliquely to a history of African American stereotypes through minute interventions on the canvas: tongues, eyes, wigs, and lips appear like individual musical notes. Their lack of fully formed bodies underlines the manner in which these stereotypical images were used: appearing as disembodied parts in advertisements, toys, and other products of the popular culture. It is through repetition of this limited vocabulary of signs that meanings are established and transformed in Gallagher's work. The large-scale paintings in the exhibition and this accompanying book explore her personal iconography of forms. Included will be Gallagher's recent all-black paintings as well as a carefully selected group of drawings from the artist's own collection. In addition, it features an extensive interview with the artist, for which she has executed several drawings specifically to illustrate this section, as well as critical essays on the work. Condition: Very good condition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First Touchstone hardcover edition. , 1st printing ; x, 260 pages : illustrations ; 24 cm ; ISBN 9781476785653, 9781476785677, 9781476785660, 1476785651, 1476785678, 147678566X ; OCLC 898161071 ; sky-blue and blue cloth in photographic color dustjacket ; Contents: Why I'm weird -- What avatar should I be? -- Jail bait -- Hollywood: Not a meritocracy? -- Quirky addiction = Still an addiction -- The Guild: A ruthless beginning -- Web series: A DIY journey -- We made something! #lookit -- Convention fevah -- The deletion of myself -- #GamerGate and meeeeee! -- It's been real ; The instant New York Times bestseller from "queen of the geeks" Felicia Day, You're Never Weird on the Internet (Almost) is a "relentlessly funny and surprisingly inspirational" (Forbes) memoir about her unusual upbringing, her rise to internet stardom, and embracing her weirdness to find her place in the world. When Felicia Day was a girl, all she wanted was to connect with other kids (desperately). Growing up in the Deep South, where she was "home-schooled for hippie reasons," she looked online to find her tribe. The Internet was in its infancy and she became an early adopter at every stage of its growth-finding joy and unlikely friendships in the emerging digital world. Her relative isolation meant that she could pursue passions like gaming, calculus, and 1930's detective novels without shame. Because she had no idea how "uncool" she really was. But if it hadn't been for her strange background-the awkwardness continued when she started college at sixteen, with Mom driving her to campus every day-she might never have had the naive confidence to forge her own path. Like when she graduated as valedictorian with a math degree and then headed to Hollywood to pursue a career in acting despite having zero contacts. Or when she tired of being typecast as the crazy cat-lady secretary and decided to create her own web series before people in show business understood that online video could be more than just cats chasing laser pointers.Felicia's rags-to-riches rise to Internet fame launched her career as one of the most influential creators in new media. Ever candid, she opens up about the rough patches along the way, recounting battles with writer's block, a full-blown gaming addiction, severe anxiety, and depression-and how she reinvented herself when overachieving became overwhelming. ; Showcasing Felicia's "engaging and often hilarious voice" (USA TODAY), ; You're Never Weird on the Internet (Almost) is proof that everyone should celebrate what makes them different and be brave enough to share it with the world, because anything is possible now-even for a digital misfit. --Source: Publisher ; Kathryn Felicia Day is an American actress, singer, writer, and web series creator. She is the creator and star of the web series The Guild, a show loosely based on her life as a gamer. She also wrote and starred in the Dragon Age web series Dragon Age: Redemption. ; FINE/FINE. Book.

Hardcover. Condizione: Near Fine. First Edition. Large 4to. With jacket. 238 pp. Copiously illustrated (with great colour photography) throughout. Near as-new with just a little rubbing to jacket. FINE / VG+.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Inscribed by the author on the half title page: "For Dr. Roman Vishniac who makes feel very lazy--With love, Jill Krementz February 23rd, 1973." Vishniac was an acclaimed photographer. 95 pages of 96 strikng b & w photographers. Tan cloth with blue lettering on spine, small chip bottom corner of back of DJ. Inscribed by Author(s).

Hardcover. Condizione: Used.

First edition, first printing Fine bright boards in near fine pictorial dust jacket with gentle use. Profusely illustrated throughout with the photographer's Southern portraits. Quite attractive.

Hardcover. Condizione: Brand New. 160 pages. 8.00x5.50x1.00 inches. In Stock.

Cloth. Condizione: Very good. Condizione sovraccoperta: very good. First Edition. [xxx], 481p. 1st printing. Brown spots on top page edges, crease and tear on back cover panel probably from the manufacturing process, jacket edges lightly scraped and spine sunned. Examination of the impact and threats to the desert from different perspectives, including human populations, climate change, roads, soils, and plants. Includes bibliographical references. B&w illustrations and photographs and 6 leaves of color plates. (9-1/2"x6-1/2").

Softcover. Condizione: Near fine. First edition thus. Quarto (11" x 8-1/2"). 119, (1)pp. Bibliography. Wraparound color photo softcover with brown & gray shaded spine lettered in brown. This is an exhibition catalog profusely illustrated with color photos taken over approximately 30 years. This work accompanied the exhibition of the same name held at the Institute of Contemporary Art/Boston, June 1-September 3, 2007.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Signed by the artist - Elisabeth Frink - in black ink on the inside title page; also personalized inscription in the same black ink from the artist on the inside end page from "Alex and Lis" with Alex being the artist's third husband Alexander Csaky; also laid in is an exhibit card for the artist from Galerie Simonne Stern in New Orleans. Housed in original slipcase box with dust jacket. Light shelf wear; light toning and soiling to the slipcase. Uncommon as signed. Signed by Author(s).