Foreword by rockefeller nelson a (12 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Reprint. Owner blindstamp name on front blank. DJ is price-clipped and in a mylar protector. ; None as Issued.

Cloth. Condizione: Good. Condizione sovraccoperta: Fair. First edition. 4to, 263 pp., color throughout. African, Oceanic and Pre-Columbian Art. Upper corners of boards lightly bumped, remainder stamp on top edge, dampstain to lower portions of spine and boards; interior clean and unmarked. Jacket stained, handled, edgeworn, with several small chips and tears.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, 263 pages, illustrations (some colour); 30 cm. Photographs by Lee Boltin. Firm binding, clean inside copy. Age toning. Dust jacket price-clipped on the front flap. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** A lavish publication featuring the Nelson A. Rockefeller collection of ethnographic objects from Africa, Asia/Pacific, and Latin America, now part of the Metropolitan Museum of Art in New York. The designation of non-Western art as "primitive" has subsequently become politically incorrect; indeed, this publication - and the accompanying installation of the works - stirred vigourous debate about Western imperialism and the role of museums in appropriating cultural artifacts (including clothing, furniture, household utensils, tools, and ceremonial objects) from other societies under the rubric of "art." Nelson Rockefeller opened the Museum of Primitive Art in Manhattan in 1957 and presented this collection to the Metropolitan Museum in 1979 with the dedication of the Michael C. Rockefeller Wing. Richly illustrated with colour plates, organized thematically. Size: 4to.…

Hardcover. Condizione: Near Fine. Near Fine. Cloth, 263 pages, illustrations (some colour); 30 cm. Photographs by Lee Boltin. Firm binding, clean inside copy. Age toning. Dust jacket, with light shelfwear, protected in a mylar cover. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** A lavish publication featuring the Nelson A. Rockefeller collection of ethnographic objects from Africa, Asia/Pacific, and Latin America, now part of the Metropolitan Museum of Art in New York. The designation of non-Western art as "primitive" has subsequently become politically incorrect; indeed, this publication - and the accompanying installation of the works - stirred vigourous debate about Western imperialism and the role of museums in appropriating cultural artifacts (including clothing, furniture, household utensils, tools, and ceremonial objects) from other societies under the rubric of "art." Nelson Rockefeller opened the Museum of Primitive Art in Manhattan in 1957 and presented this collection to the Metropolitan Museum in 1979 with the dedication of the Michael C. Rockefeller Wing. Richly illustrated with colour plates, organized thematically. Size: 4to.…

Paperback. Condizione: Near Fine. 139 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held May 26 to September 1, 1969. Near fine. Firm binding, clean inside copy. Age toning. *** The 41st Vice President of the United States (serving under Ford), Nelson Aldrich Rockefeller (1908-1979), was Governor of New York from 1959 to 1973, a "liberal" Republican. The grandson of Standard Oil's founder John D. Rockefeller, Sr., he was President of the Museum of Modern Art from 1939 to 1958. During his tenure as President of MoMA, the institution became practically a wholly-owned subsidiary of the CIA with its international circulating exhibitions program. Size: 4to.…

Paperback. Condizione: Very Good condition. First Edition. New York: New School Art Center / Wollman Hall, 1967. Very Good condition. Art exhibition catalogue. Oblong. 9.75" wide by 8" tall. First Edition. Softcover (stapled wraps). Very Good condition. 41pp.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 263 pages, illustrations (some colour); 30 cm. Photographs by Lee Boltin. Near fine. Firm binding, clean inside copy. Age toning. Stated First Edition. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** A lavish publication featuring the Nelson A. Rockefeller collection of ethnographic objects from Africa, Asia/Pacific, and Latin America, now part of the Metropolitan Museum of Art in New York. The designation of non-Western art as "primitive" has subsequently become politically incorrect; indeed, this publication - and the accompanying installation of the works - stirred vigourous debate about Western imperialism and the role of museums in appropriating cultural artifacts (including clothing, furniture, household utensils, tools, and ceremonial objects) from other societies under the rubric of "art." Nelson Rockefeller opened the Museum of Primitive Art in Manhattan in 1957 and presented this collection to the Metropolitan Museum in 1979 with the dedication of the Michael C. Rockefeller Wing. Richly illustrated with colour plates, organized thematically. Size: 4to. Collectible.…

Decorative Hardcover. Condizione: Very Good. 140 pp. Over-sized and/or over weight book; extra postage required. Solidly bound copy with minimal external wear, crisp pages and clean text. Carl Laanes (Design) (illustratore).

Softcover. First Edition. 4to. 138 pp. Softcover. Black and white image on cover and throughout. Very Good in pictorial wrappers.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Hardback. 29.5x22.5cm. 263 pages including 254 colour plates. Clean & tight book. No inscriptions. JACKET HAS EDGE WEAR WITH A 1.5cm TEAR AT THE SPINE TOP. Dispatched Royal Mail TRACKED 24 next working day or sooner securely boxed in cardboard. ref Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection. Text by Douglas Newton. Foreword by Andre Malraux. Introduction by Nelson A. Rockefeller. Colour photos by Lee Boltin. Published in 1980 by Thames & Hudson, London. Colour photos by Lee Boltin (illustratore).…

Paperback : soft cover edition in good or better condition, some slight wear to edges, as normal for age of book. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Please send us a note if you have any questions. Thank you. Some b/w Illustrations (illustratore). Book.…

Hardcover. Condizione: Very Good. Dust Jacket Included. 1st Edition. English text; Hardcover (two hardcover volumes in buckram bound with dust jackets in splicase. Gilted upper side of the text block on both volumes); 25.6 x 35 cm; 5.3 Kg; 704 pages with 103 colour plates and 100 monochrome illustrations; Used books with signs of wear, namely on the dust jackets that show minor wear marks throughout and edge wear on both volumes. Interior in very good condition with minor signs of wear, some pages at the bottom right side on volume 2 show signs of have been bent in the past. The slipcase has signs of wear throughout, namely a few wear marks on the bottom, a bumped corner also at the bottom and two small pen marks in one of the sides. Very good condition overall.; This century has brought a growing awareness of the vast scale of Chinese export of decorative arts from the seventeenth century onwards. Until very recently however this subject had been very little studied, overshadowed as it was by the ever-widening perspectives of China's ancient past. It was nevertheless through this trade, and especially its ceramic wares, that the unique artistic creativity of the Chinese first became widely known and appreciated. This book aims to provide the most detailed and penetrating analysis yet made of the porcelains produced for Western markets during these centuries examining in its seven hundred pages and as many illustrations (one hundred of them in colour) all their many-sided attractions. The often unusual forms of the porcelain, their decorative styles and traditions, the endlessly varying subjects that they portray - and above all the continuous interchange in such themes between the Chinese manufacturers and decorators and their distant clients in the West, by means of the historic trading companies - all these are studied and interpreted more fully, and tabulated more practically for reference than ever before. The work also examines other export goods - painted enamels, carvings in ivory or soapstone, and reverse paintings on glass, to name only a few - which are represented by notable pieces. The material illustrated here is from one of the greatest collections of expert porcelain: assembled with care over nearly fifty years, it contains much that is rare or unique. Mr. and Ms. Motteheded have collected with clear-sighted purpose from the start, in a way no museum can hope to do so, so that today the wealth of rarities in their collection is matched only by its comprehensiveness, providing an ideal foundation for such a study. The authors are well equipped to write a major work on this subject, John Ayers, Keeper of the Far Eastern Section at the Victoria and Albert Museum, London, is a noted authority on Chinese and Japanese ceramics whose numerous writings include four volumes on the Baur Collection (Geneva, 1968-74). David Howard's book Chinese Armorial Porcelain (London, 1974) has given an entirely new emphasis in the study of export porcelain, its design and dating, as well as the social history behind the great East India Companies. With its superb illustrations and analytical, yet highly readable text, this book offers an indispensable new source of information for the student and the collector.…