Editore: Random House, New York, 1936
Da: Aladdin Books, Fullerton, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. First American Edition. Very good with some darkening to gutter of endsheets probably due to type of glue used in manufacturing book. Tight and clean. NO dust jacket.
Editore: Washington: United States Government Printing Office - War Department, 1953
Da: Betterbks/ COSMOPOLITAN BOOK SHOP, Burbank, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Smithsonian Institution Bureau of American Ethnology Bulletin 154. Octavo in paper wraps. B&W illustrations, charts, maps. Condition: minor soiling to wraps; else very good. Pages: xviii, 336.
Editore: Random House, New York, 1936
ISBN 10: 1199338095 ISBN 13: 9781199338099
Da: Strand Book Store, ABAA, New York, NY, U.S.A.
Hardcover. Condizione: Good. A novel of the human spirit triumphant over a world gone mad.
Lingua: Inglese
Editore: Random House, London, 1936
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: As New. First American Edition. Xviii, 174 Pp. Brown Cloth Stamped In Gilt And Black. First American Edition, First Printing Stated, Trade Issue With Dj Priced $1.75. First Major Novel About The German Concentration Camps, Later De Rigour For Governments Almost Everywhere When They Find It Convenient. By The Nobel Prize Honoree Andre Malraux, Later French Minister Of Culture (Which Is A Thing). Book Is Near Fine, No Marks, Clean, Faint Signs Of Use. Dust Jacket Has Some Wear With Chipping At Edges, Loss Of Part Of Author's Name On Spine. From The Library Of George Slaff Of The Southern California Aclu, But Nor Marked As Such.
Editore: Random House, New York, 1936
Da: Hoffman Books, ABAA, IOBA, Columbus, OH, U.S.A.
Prima edizione
Hardcover in dust jacket. Condizione: Very Good-. First Edition. 174 pages, brown cloth with black and gilt stamping. Very Good in an edge-chipped dust jacket.
Editore: Boni and Liveright, New York, 1923
Da: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
Prima edizione
Condizione: Near Fine. First Edition. First edition, first printing of one of the most influential works of the Harlem Renaissance. 239 pp. Bound in publisher's grey cloth stamped in marigold and dark blue; lacking the dust jacket. Near Fine with light wear to tips, trivial soiling to spine, and offsetting at endsheets and preliminary sheets. Front free endpaper chipped and slightly wormed, rear end paper lacking, tidemark at top edge of rear pastedown. A much nicer copy than normally encountered. Toomer's collection of 13 prose vignettes set in Washington D.C. and Georgia, initially overlooked when first published. "His friend Langston Hughes declared, 'Cane contains the finest prose written by a Negro in America and, like the singing of Robeson, it is truly racial.'" Blockson 63, Perry 431, Schomburg p.13.
Editore: Boni & Liveright, New York, 1923
Da: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
Prima edizione Copia autografata
Condizione: Very Good. First Edition. First edition, first printing of the classic Harlem Renaissance novel. Extremely rare, signed by Jean Toomer and inscribed to a former owner on the front free endpaper, "To Fay De Frantz with warm regards for one who feels so warmly about this book and its author [signed] Jean Toomer". Bound in publisher's buff cloth stamped in yellow and black; lacking the scarce dust jacket. Very Good with light lean to binding, light soiling and wear to cloth. Pages tanned, small tear and crease to the top of the front free endpaper, several margins show chips or short mended tears at the fore edge. Glue repair to hinge at rear pastedown and evidence of removal of an old bookseller ticket with offsetting to the rear free endpaper. The first appearance of a classic of modern American fiction and pinnacle of the Harlem Renaissance. In his foreword Waldo Frank dubs it "a harbinger of the South's literary maturity: of its emergence from the obsession put upon its mind by the unending racial crisis-an obsession from which writers have made their indirect escape through sentimentalism, exoticism, polemic, 'problem' fiction, and moral melodrama. It marks the dawn of direct and unafraid creation." Signed copies are incredibly scarce.