Foster gus (28 risultati)

paperback. Condizione: Very Good.

Condizione: Very good. light shelfwear. 0 47 p. Includes illustrations.

Paperback. Condizione: Very Good.

Trade Paperback. Condizione: Used - Very Good. 'The American Rockies' presents an extraordinary visual diary of Gus Fosters Rocky Mountain odyssey with his panoramic camera. Foster climbed the major peaks along the backbone of the continent from the Canadian border to the border with Mexico, photographing the spectacular landscape sometimes at greater than 360 degrees. As James Enyeart writes in 'A Travelers Notebook': A lifetime of travel places Gus Foster in a succession of artists who have gained insight and inspiration from the exotic and unfamiliar. Fosters panoramic photographs enable even the armchair traveler to experience the enormous grandeur of the Rockies. Essays included are by James Enyeart, Anne and John Marion Professor of Photographic Arts and the Director of the Marion Center at the College of Santa Fe; Alan Wallach, Ralph H. Wark Professor of Art and Art History and Professor of American Studies at the College of William and Mary; Roger Badash, Fosters longtime climbing companion; and Gus Foster. Book has minor shelf wear. …

Soft cover. Condizione: Very Good. 80 pages, many color photographs, some covering more than 360 degrees. Book is clean and binding is tight. Some corner wear and a slight crease on the front cover from being put into storage in a smaller space that would be required. All in all, a rather swell copy. Gus Foster (illustratore).…

Paper Back. Condizione: Very Good. No Jacket. unpaginated; SC staple-bound; reds&white w/no title; some rub w/clean,tight pgs. DJ vellum w/blk.; some rub & in pieces (included); 8 fold-out panoramics taken on a walk of the Tokaido Road. Foster, Gus (illustratore).

First Edition. First edition. Oblong softcover. 12 pages. Exhibition catalog for a show that ran March 13 through June 27, 1993. Essay by Carroll T. Hartwell. Includes several color images. A fine copy in stapled wrappers.

Paperback. Condizione: Fine. 1st. 80 pages, chiefly colour illustrations; 18 x 31 cm. Exhibition held May 16 to August 22, 1999. Firm binding, clean inside copy. *** "In 1972 while driving around California, Gus Foster photographed through his car window, using his camera as a notebook, a record of where he had been. The experience photographing--and later, filming--through the moving car's window greatly influenced his later use of panoramic cameras and his exploration of time. Foster was also impressed by landscapes of the mountain West by pioneer photographers Carleton Watkins, Timothy O'Sullivan, and W. H. Jackson that documented the majestic vastness of the Rocky Mountains. He would spend fifteen years photographing the Rockies, crossing the continent from Canada to Mexico, and climbing the highest summits carrying a load of equipment much like these early photographers. This retrospective monograph is a remarkable visual record of Foster's forty-five-year journey making panoramic images and details the photographer's travels across North America and beyond. From Alaskan glaciers to Times Square in New York City, he turned his cameras on high mountain terrain and desert and urban lowlands, as well the massive acreage used for food production with its landscapes of wheat, corn, wild rice, and other crops. Also included is a selection of Time Photographs made with a portable panoramic camera capturing multiple revolutions of more than 1000 degrees while literally recording multiple moments in time in a single image. The scale of Foster's photographs--prints measuring up to sixteen feet--are distinctive and impressive. The 360-degree angle of a Foster panorama, writes Evan M. Maurer, 'turns in a circle; at one glance, you can see everything around you--to infinity from any point on the compass. As Gus told me, 'It's like having eyes in the back of your head.'" - Publisher. *** CONTENTS: A traveler's notebook: reconstructing feelings, by James L. Enyeart; A spin in the wilderness, by Roger Badash; Scenic overlook, by Alan Wallach; View from the top, by Gus Foster. Size: Oblong.…

Soft cover. Condizione: Very Good. Fascinating display of a variety of pieces in many media. Gus Foster himself is a recognized photographer as well as art collector. Nice condition, no flaws of note.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First Printing. 159 pp. Oblong Folio. Clean, crisp copy with dust jacket in mylar cover. The title says it all, simply amazing. Foster, Gus (illustratore).

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. In 1972 while driving around California, Gus Foster photographed through his car window, using his camera as a notebook, a record of where he had been. The experience photographing -- and later, filming -- through the moving cars window greatly influenced his later use of panoramic cameras and his exploration of time. Foster was also impressed by landscapes of the mountain West by pioneer photographers Carleton Watkins, Timothy OSullivan, and W. H. Jackson that documented the majestic vastness of the Rocky Mountains. He would spend fifteen years photographing the Rockies, crossing the continent from Canada to Mexico, and climbing the highest summits carrying a load of equipment much like these early photographers. This retrospective monograph is a remarkable visual record of Fosters forty-five-year journey making panoramic images and details the photographers travels across North America and beyond. From Alaskan glaciers to Times Square in New York City, he turned his cameras on high mountain terrain and desert and urban lowlands, as well the massive acreage used for food production with its landscapes of wheat, corn, wild rice, and other crops. Also included is a selection of Time Photographs made with a portable panoramic camera capturing multiple revolutions of more than 1000 degrees while literally recording multiple moments in time in a single image. The scale of Fosters photographs -- prints measuring up to sixteen feet -- are distinctive and impressive. The 360-degree angle of a Foster panorama, writes Evan M. Maurer, turns in a circle; at one glance, you can see everything around you -- to infinity from any point on the compass. As Gus told me, 'Its like having eyes in the back of your head'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. &Uumlber den AutorGus Foster was born in Wisconsin. He graduated with a degree in art history from Yale University in 1963, and became Curator of Prints and Drawings at the Minneapolis Institute of Art, a position he held for ten years.

Hardback. Condizione: New. New Book, Direct from Publisher.

Hardcover. Condizione: new. Hardcover. In 1972 while driving around California, Gus Foster photographed through his car window, using his camera as a notebook, a record of where he had been. The experience photographing -- and later, filming -- through the moving cars window greatly influenced his later use of panoramic cameras and his exploration of time. Foster was also impressed by landscapes of the mountain West by pioneer photographers Carleton Watkins, Timothy OSullivan, and W. H. Jackson that documented the majestic vastness of the Rocky Mountains. He would spend fifteen years photographing the Rockies, crossing the continent from Canada to Mexico, and climbing the highest summits carrying a load of equipment much like these early photographers. This retrospective monograph is a remarkable visual record of Fosters forty-five-year journey making panoramic images and details the photographers travels across North America and beyond. From Alaskan glaciers to Times Square in New York City, he turned his cameras on high mountain terrain and desert and urban lowlands, as well the massive acreage used for food production with its landscapes of wheat, corn, wild rice, and other crops. Also included is a selection of Time Photographs made with a portable panoramic camera capturing multiple revolutions of more than 1000 degrees while literally recording multiple moments in time in a single image. The scale of Fosters photographs -- prints measuring up to sixteen feet -- are distinctive and impressive. The 360-degree angle of a Foster panorama, writes Evan M. Maurer, turns in a circle; at one glance, you can see everything around you -- to infinity from any point on the compass. As Gus told me, 'Its like having eyes in the back of your head'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condizione: Neu. Neuware - In 1972 while driving around California, Gus Foster photographed through his car window, using his camera as a notebook, a record of where he had been. The experience photographing--and later, filming--through the moving car's window greatly influenced his later use of panoramic cameras and his exploration of time. Foster was also impressed by landscapes of the mountain West by pioneer photographers Carleton Watkins, Timothy O'Sullivan, and W. H. Jackson that documented the majestic vastness of the Rocky Mountains. He would spend fifteen years photographing the Rockies, crossing the continent from Canada to Mexico, and climbing the highest summits carrying a load of equipment much like these early photographers. This retrospective monograph is a remarkable visual record of Foster's forty-five-year journey making panoramic images and details the photographer's travels across North America and beyond. From Alaskan glaciers to Times Square in New York City, he turned his cameras on high mountain terrain and desert and urban lowlands, as well the massive acreage used for food production with its landscapes of wheat, corn, wild rice, and other crops. Also included is a selection of Time Photographs made with a portable panoramic camera capturing multiple revolutions of more than 1000 degrees while literally recording multiple moments in time in a single image. The scale of Foster's photographs--prints measuring up to sixteen feet--are distinctive and impressive. The 360-degree angle of a Foster panorama, writes Evan M. Maurer, 'turns in a circle; at one glance, you can see everything around you--to infinity from any point on the compass. As Gus told me, 'It's like having eyes in the back of your head.''.…

No Binding. Condizione: Very Good. ORIGINAL 1930s MAGAZINE ILLUSTRATION SCRAPBOOK — 27 ORIGINAL CUT-OUTS IN CUSTOM BOX An unusual and visually striking original scrapbook of 1930s American magazine illustration, preserving 27 leaves of original magazine cut-outs from the Golden Age of American illustration and scrapbook-making. The collection presents a lively cross-section of commercial illustration from the period, with clean, brightly colored, upbeat imagery drawn from contemporary American magazines. Represented artists include Alan Foster, Robert Fawcett, George de Zayas, Anthony Fraioli, Robert O. Reid, Jorj Harris, and Gaspano "Gus" Ricca, among others. The illustrators represented here worked across such important periodicals as The Saturday Evening Post, Collier's, Holiday, Cosmopolitan, Harper's Bazaar, The New Yorker, Liberty, and Time, as well as advertising and other commercial publications. Particularly notable is the representation of Robert O. Reid, whose distinctive cartoon-like illustrations appeared on Collier's covers and as story illustrations and advertisements during a relatively brief period of professional prominence. Also represented is Gus Ricca, whose work appeared in The New Yorker, Liberty, Time and Collier's before his later career in pulp magazines and comic books. The scrapbook itself is an interesting piece of vernacular collecting and preservation, reflecting the period fascination with clipping, arranging and saving the era's colorful magazine art. The 27 original disbound leaves have been repaired with contemporaneous material. The leaves, together with the original boards, are housed in an unusual custom-made protective box measuring approximately 11 x 14½ inches. A colorful and uncommon survivor documenting both the Golden Age of American commercial illustration and the popular culture of 1930s magazine publishing. Of interest to collectors of American illustration, magazine history, advertising art, graphic arts, ephemera and vintage scrapbooks.…

No Binding. Condizione: Very Good. ORIGINAL SCRAPBOOK of 1930s MAGAZINE ART in a custom-made box, 11"x14.5", housing (27) leaves of magazine illustrations from the golden era of American magazine illustrations and scrapbook-making. The cut-outs are clean, brightly colored, upbeat and a good representation of 20th century illustration art. Magazine illustrators include: Alan Foster-- a prolific illustrator for the Saturday Evening Post & Colliers, known for his droll humor and sports pics. Robert Fawcett-- who did story illustrations and full-page ads, appearing in The Saturday Evening Post, Collier's, Holiday and Cosmopolitan. George de Zayas-- a Mexican caricature artist, was best known for work that appeared in Collier's, Harper's Bazaar, and the magazine section of the New York Herald Tribune. Anthony Fraioli. Robert O Reid-- for about 3 years, Reid made amusing, cartoonish illustrations which appeared on Collier's magazine covers and inside as story illustrations, as well as advertisements. Before and after that blaze of professional glory, little of Reid can be readily found. Jorj Harris-- whose work appeared in national magazines as covers, cartoons, illustrations and national advertising campaigns. Gaspano "Gus" Ricca- whose artwork was seen in The New Yorker (1928), Liberty (1933), Time (1934), Collier's (1935), before he pivoted to pulps & comic books. All original (27) disbound leaves were repaired with contemporaneous material; along with the original boards are housed in a custom-made box, 11"x14.5".…