foulem léopold (13 risultati)

Condizione: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.

Hardcover without dustjacket as issued, 112 pages; in French; very good condition; a couple tiny bumps to edges of covers; owner's signature; no other internal marks. Foreign shipping may be extra.

Soft cover. [280 x 200mm]. 15pp. Stapled spine. Couple of small brown spots to front cover. Autographed and dated by Richard Milette. Good provenance, available on request.

Condizione: Very good.

Hardcover. Condizione: About fine. Condizione sovraccoperta: About fine. English Ed. Harrdcover in complete dj. 4to. 288 pp. Copiously illustrated with full-page colourplates; full catalogue of exhibited works illustrated with colour thumbnails at rear. Exhibition catalogue for Musee National des Beaux-Arts (Quebec), Gardiner Museum of Ceramic Art (Toronto), and Musee Picasso (Antibes). Translated from the French. 4to.

Soft cover. Condizione: Fine. Binding tight and square. Pages clean and free of writing or marks.

Soft cover. Condizione: Very Good. Catalogue of exhibition at the Gardiner Museum presenting the gay-themed ceramics of 3 French-Canadian artists. Numerous full page colour reproductions. Texts in French and English. Faint shelf wear to covers, otherwise a fine, unmarked copy with no noticeable signs of use. s180.

Soft cover. Condizione: Fine. Essays on ceramic art illustrated with black-and-white photographs. A fine paperback copy with only faint wear to covers and no marks, inscriptions or fading to inside pages. No crease to spine. Appears unread. 400 pages. s131.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 128 p. : col ill. ; 24 cm. ; ISBN 9781893164086, 189316408X OCLC 45466908 ; LCCN 2001270277 ; LC NK8730 .F47 2000 ; Dewey 738.8 ; green cloth in color photographic dustjacket ; Contents: The appeal of the teapot -- Studio potters -- Yixing influence and inspiration -- Tributes and inspiration -- Sculpture, pattern and abstraction -- Figure and narrative -- The teapot as subject ; "Teapots are complex objects steeped in world culture and art history. Their appeal -- conjuring images of afternoons in homey tearooms or elegant gatherings in grand hotels -- is universal. But a new generation of teapots has stood tradition on its ear. As author Leslie Ferrin says, "Today the teapot has one foot in the kitchen and the other in the art world." "For the artist, making a teapot provides daunting challenges. As the various parts -- body, lid, handle, spout and foot -- are assembled, each creator must solve technical difficulties within the context of design, function and scale. As a result, teapots are the objects with which artists in all media demonstrate the heights of their technical and creative abilities." "Teapots Transformed: Exploration of an Object tells the tale of this art form, from the traditional, functional teapot to an eclectic mix of contemporary designs. The exhilarating collection is presented in more than 120 vivid full-color photographs. The book will delight tea drinkers around the world, while providing inspiration for artists and a visual feast for the growing number of teapot collectors. Book jacket."--Jacket ; artists include Elain Alt, Stanley Mace Andersen, Daniel Anderson, Kate Anderson, Adrian Arleo, Arman, Robert Arneson, Rudy Autio, Chuck Aydiett, Ralph Bacerra, Clayton Bailey, D. hayne Bayless, Bennett Bean, Susan Beiner, James E Binnion, Susan Bostwick, Michael Boyd, Mark Burns, Donald Clark, Bruce Cochrane, Carol Cohen, Michael Cohen, Annette Corcoran, Michael Corney, David Damkoehler, Harris Deller, Paul A Dresang, Jack Earl, Raymon Elozua, Susan R Ewing, Laszlo Fekete, Leopold L Foulem, Viola Frey, Debra W Fritts, David Furman, David Gignac, Deborah Kate Groover, Chris Gustin, Dorothy Hafner, Mark Hewitt, Steven Hill, Albert Hodge, Kelly Torche Hong, Collie McLaughlin Hooven, Patrick Horsley, Woody Hughes, Sergei Isupov, Jan McKeache Johnston, Randy J Johnston, Laren Karnes, Beth Katleman, Miriam Kaye, Kady King, Karen Koblitz, Cindy Kolodziejski, Anne Kraus, Michael Lambert, Geo Lastomirsky, Leslie Lee, Ah Leon, Randy Long, Michael Lucaro, David Mackenzie, Warren MacKenzie, Thomas Mann, Louis Marsk, Richard Marquis, Kathryn McBride, Dennis Meiners, Richard Milette, Ron Nagle, Matt Nolen, Richard Notkin, Kevin J O'Dwyer, Jeff Oestrich, George Ohr, Ben Owen, Eunjung Park, Greg Payce, Lucian Octavius Pompli, Tom Rippon, Josilyn ock, Mary Roehm, Lesie Rosdal, Bird Ross, Kari Russell-Pool, Adrian Saxe, Scott Schoerherr, Nancy Selvin, Ellen Shankin, Mark Shapiro, Kathyn Sharbaugh, Richard Shaw, Cindy Sherman, Peter Shire, Linda Skora, Michael Simon, Farrady Newsome Sredi, Wayne Sutton, Richard Swanson, Akio Takamori, Jean Takayama-Ogawa, Claudia Tarantino, Irvin Tepper, Susan Thayer, Eric Van Emeren, Peter Voulkos, Barbara Walch, Patti Warshina, Kurt Weiser, Red Weldon-Sandlin, Beatrice Wood ; SIGNED by author ; FINE/FINE. Signed by Author(s). Book.

Soft cover. Condizione: Fine. 1st Edition. 1st Printing. Signed. 45 pages. Published in 1997. Exhibition Catalog. One of the most beautiful books on contemporary ceramic art ever published. The first and only edition. Published in a small and limited print run as a softcover original only that sold out upon publication. The Exhibition Catalog is now rare. An austerely elegant production by the Musee du Quebec: Regular-sized volume format. Red softcovers with titles on the cover, as issued. Art by Leopold Foulem, Paul Mathieu, and Richard Milette. Essay (in French) by ceramic expert/scholar Paul Bourassa. Printed on pristine-white, glossy stock paper in Quebec, Canada to the highest standards. Without DJ, as issued. Published on the occasion of the landmark exhibition of the same name held at the Musee du Quebec in 1997. Presents the ceramic art of the reigning Canadian triumvirate: Leopold L. Foulem, Paul Mathieu, and Richard Milette. A movement unto themselves. They and their highly provocative and brilliant work are rightly seen as expressions of the singular, unusual, "queer" self, in all its performative gestures: "Explores the concept of camp as manifested in the works of three important Canadian ceramic artists. Camp has been identified as a concept, an aesthetic sensibility, and a form of oppositional critique central to gay and lesbian culture. Camp has been variously understood to include elements of irony, exaggeration, excess, humor, sentimentality, theatricality, artifice, parody, and devotion; as a disputed field of appropriation and counter-appropriation; and of alternative signifying codes. Leopold L. Foulem, Paul Mathieu, and Richard Milette have made Camp (and gay male culture) a central part of their respective artistic practice. Their shared perception that they are outside of the artistic and social mainstream has helped drive them to create an aesthetically powerful and intellectually engaging body of work that is rooted in and critical of conventional art history, ceramic history, and contemporary culture" (David Kaye). This intellectual baggage aside, the pieces do speak for themselves: They are objects of beauty that will give enormous pleasure to anyone with an open mind and regardless of one's sexual identity, orientation, or preference. An absolute "must-have" title for Foulem/Mathieu/Milette collectors. This copy is very prominently and beautifully signed and inscribed in blue ink-pen on the title page by the artists: "Dear Martha, Warmest regards, Leopold Foulem, Richard (Milette). It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is an authority in the art photography world, and also a ceramic art expert. This title is now collectible. As far as we know, this is the only such double-signed copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. Three of the finest ceramic artists of our time. A fine copy. Signed by Author.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Fine in very good(-) dust jacket which has 3/4" tears to tail of spine folds and bottom of jacket flaps at the folds, now in a protective mylar sleeve. Catalog of an exhibition held at the Musée national des beaux-arts du Québec, May 6-Aug. 29, 2004, the University of Toronto Art Centre, Sept. 28, 2004-Jan. 23, 2005 and at the Musée Picasso, Antibes, Feb. 12-May, 29, 2005, 29 cm, 287 pages, illus., chiefly colour, bibl., index.

Hardcover. Condizione: Fine. English language edition. An as-new copy still in publisher's shrink-wrap. 287 pages. s239.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Harrdcover in complete dj. Copiously illustrated with full-page colourplates; full catalogue of exhibited works illustrated with colour thumbnails at rear. Exhibition catalogue for Musee National des Beaux-Arts (Quebec), Gardiner Museum of Ceramic Art (Toronto), and Musee Picasso (Antibes). Published in English as "Picasso and Ceramics". Text in French. 4to.