Fournier le jeune (51 risultati)

8° Gebundene Ausgabe. Condizione: Neu. 8°. 46 S. OPp. mit Stempeldruck. Veröffentlichung . für die Mitglieder der Maximilian-Gesellschaft ; Übersetzung, Satz und Druck: Lehrdruckerei der Technischen Hochschule Darmstadt) Buch ist neu, aus priv. Vorbesitz, ungelesen, ISBN: 9783921743393 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 299.…

Condizione: New.

20 : 11,5 cm. 46 Seiten, 2 Blatt. Original Leinenband.

Condizione: sehr guter Zustand. Gutes Exemplar.

46,(8) S. Orig.-Pappband. Kleines Exlibris auf vorderem Spiegel; ansonsten schönes Exemplar.

32mo., 110 x 80mm, 40 leaf facsimile printed on rectos only with six-leaf 'Not's by David Chambers, Nov.'74, and additional 2 leaf 'Notice', from his Cuckoo Hill Press, June 1975; fine in printed grey wrappers. 1000 copies printed by members of the society from a copy in the St Bridge Printing Library.…

Condizione: Gut. 46 S.; schöner, blindgeprägter Original-Pappband mit Rückenschild (Gestaltung von Gert Hoffrath, der Vorderdeckel wurde wohl mal überbogen, leicht angeknickt, sonst sehr gutes Exemplar); 8°. Druck der Lehrdruckerei der Technischen Hochschule Darmstadt. (= Jahresgabe der Maximilian-Gesellschaft für 1993).…

Hardcover. Condizione: Fine. Brown buckram gilt, DW, 24 mo., 52 pages printed on rectos only. Facsimile of the type specimen with a note and translation by David Chambers. One of 200 copies printed from Fournier types on dampened Barcham Green Dover handmade paper by the Cuckoo Hill Press for the Printing Historical Society. Small bookplate of the H. P. Kraus reference library, no other marks. A fine copy in a clear DW.…

46 S.; blindgeprägter Original-Pappband mit Rückenschild (Gestaltung von Gert Hoffrath); 8°. Sehr gutes, schönes Exemplar. Druck der Lehrdruckerei der Technischen Hochschule Darmstadt. (= Jahresgabe der Maximilian-Gesellschaft für 1993).

Hardcover. Condizione: Very Good. German Das Buch enthält zwei Kapitel aus dem berühmten ?Manuel typographique? von Pierre-Simon Fournier aus dem Jahr 1764, in denen die Kunst des Stempelschneidens und die Grundlagen der Typographie systematisch erläutert werden. Die Ausgabe vermittelt einen Einblick in die technischen Verfahren, die handwerklichen Grundlagen und die ästhetischen Prinzipien der Schriftgestaltung im 18. Jahrhundert. Ergänzt durch typographische Abbildungen und erläuternde Beispiele zeigt das Werk, wie Stempel, Punzen und Matrizen hergestellt werden und wie diese Prozesse die Entwicklung der europäischen Druckkunst prägten.…

Couverture rigide. Condizione: Bon. Paris . Jacques Damase . 1991 . Un cartonnage 12 x 22,5 cm , de 96 pages illustrées .

Condizione: Sehr gut. 46 S.; schöner, blindgeprägter Original-Pappband mit Rückenschild (Gestaltung von Gert Hoffrath); 8°. Sehr gutes, schönes Exemplar Druck der Lehrdruckerei der Technischen Hochschule Darmstadt. (= Jahresgabe der Maximilian-Gesellschaft für 1993).

Hamburg, Maximilian-Gesellschaft 1993. 46 S. gepr. OPbd. 20,2 x 12,0 cm. Erschienen in 1400 Exemplaren. Sehr gut.

Gebunden Sehr gut. Auflage 1400 Exemplare (Jahresgabe der Maximilian-Gesellschaft für 1993). Pappbezogener kartonierter Einband, blindgeprägt (Entwurf von Gert Hoffrath), montiertes Rückenschildchen, 46 paginierte Seiten, TADELLOS. +++ 12 x 20,7 cm, 0,15 kg. +++ Stichwörter: Typographie Lehrbuch Stempelschneiden Buchwesen Druckgeschichte Drucktechnik Gewicht in Gramm: 150.…

Hamburg, Maximilian-Gesellschaft, 1993. 8°. 46 (1) S., 3 Bll. / blindgepr. OPp. 1. Auflage. Hamburg, Maximilian-Gesellschaft 1993. 46, (8) S., blindgepr. OPp. 1. Auflage. * Eins von 1400 Exemplaren, in der Lehrdruckerei der Techn. Hochschule Darmstadt hergestellt. Orig.-Pappband mit Blindprägung auf beiden Deckeln, Rückenschild. In 1400 Exemplaren erschienen. - Sehr gutes, sehr frisches und sauberes Exemplar, fast wie neu. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Pappband. Fournier le Jeune, Pierre Simon. Die ganze Kunst des Stempelschneiders. Zwei Kapitel aus dem Manuel typographique, Paris 1764. Hamburg. 1993. 46, [8] S. 8°. OPappband mit Blindprägung. Eines von 1400 Exemplaren. Erschienen als Jahresgabe für Mitglieder der Maximilian-Gesellschaft. Übersetzung, Satz und Druck erfolgten in der Lehrdruckerei der Technichen Hochschule Darmstadt. Einband von Gert Hoffrath. Sehr frisch und wohlerhalten. …

Pinner (Middlesex), Cuckoo Hill Press, 1975. 12 x 9 cm. Bruin buckram. (64) bl., eenzijdig gedrukt op Barcham Green in 200 exemplaren. Herdruk van de uitgave uit 1742. Zeer gaaf en met (origineel?) plastic omhulsel.

Condizione: Fine. Many leaves of folded plates, plus other illustrations. Light grey linen boards, printed labels to spines. A fine set. I. Manuel typographique, 1764; II. Manuel typographique, 1766; III. Fournier on typefounding, 1930.

small 8vo. full brown leather, border stamped in blind on the front and rear boards, gilt ornaments on spine, title in second compartment, five raised bands, all edges stained red, marbled endsheets. (1)ff.-92, (3), -263 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie, & prouver que Guttemberg n'en est pas l'Inventeur. Two works bound in one. Very rare first edition (Bigmore and Wyman p.228). Private bookplate of Jackson Burke on the verso of the front free endpaper. Contemporary boards with some rubbing to the spine and extremities, corners a bit worn, gilt on the spine is lightly flaking, evidence of bookplate removal to front and rear pastedowns. Else a fine copy of this very scarce work. Two works bound together. Complete titles are: Dissertation sur l'origine et les progrès de l'art de graver en bois (1758) and De l'origine et des productions de l'imprimerie primitive en taille de bois (1759). Fournier (1712--1768) was born in Paris and trained as a wood engraver. He later turned to steel engraving. In the first essay, Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. The second volume follows this up with further discussion of the origins of woodcut prints. Fournier wrongly disputes the dating of Mr. De Bure le Jeune concerning the Gutenberg Bible, but he is the first, (with the help of an observation by Gerard Meerman), to note the progressive increase in the number of lines per page in the early stages of Bible production. full brown leather, border stamped in blind on the front and rear boards, gilt ornaments on spine, title in second compartment, five raised bands, all edges stained red, marbled endsheets.…

Hardcover. Condizione: Very Good. 1st Edition. Engraved frontispiece by Gravelot and sixteen folding engravings at the rear. Occasional examples of music types and ornaments within the text. Old calf, rebacked, with new green leather label, titled in gilt, all edges marbled, old marbled endpapers, predominantly blue and orange. A very bright crisp copy. This first volume contains a description of the engraving or cutting of the characters and the casting of types; the second consists of 186 pages of specimens of type and 101 alphabets, ancient and modern, with explanations of them. …

First edition, 2 vols., 8vo (163 x 105 mm), vol. I: xxxii, 323, [5]pp., with half-title, engraved frontispiece by Gravelot, 16 folding engraved plates at rear; vol. II: [2], xliv, 306pp., including 250 pages of specimens of which 15 show his music types (5 folding, 2 printed in red and black), engraved frontispiece by De Sève, engraved titles within ornamental borders, internally very clean with just occasional light spotting, nice wide margins, cont. calf, joints rubbed and lightly cracked, smooth spines with red morocco lettering pieces, head and tail of spines chipped, corners rubbed through to boards, but still a very good set. Fournier's pioneering study of typefounding and punchcutting, illustrated with engraved plates of the tools used for those processes and the most important book on French eighteenth-century typography. It is a spirited masterpiece of technical writing, intended to explain to the layman the intricacies and nuances of the typographical art. The second volume is really a type specimen book, illustrating samples of approximately one hundred ancient and modern alphabets. It is also one of the most exquisite examples of French rococo book production, making use of Fournier's own printing types and ornaments. Updike's opinion of Founrnier's work is unequivocal "The Manuel Typographique is a work which no student of French typography can afford to be without." Bigmore & Wyman I, p. 228; Audin, 55 & 56; Updike I, p. 260. …

8vo (179 x 115 mm), 5 works in one, [4], 92, [4]; 263, [1]; 62; 84; 14pp., with additional collective title page and table of contents, engraved portrait of Fournier, marbled endpapers, contemporary smooth calf, joints slightly cracked, spine tooled in gilt with a red morocco label lettered in gilt, lightly rubbed but a nice tight copy. Collective, second issue of the sheets of the first editions of four works by Fournier on the origins of typography. They originally appeared in 1758-61, to which Barbou has added for this collection a brief new tract by Fournier, Lettre a M. Freron. The publisher has also supplied a collective title and a table of contents. Provenance: Bookplate of 'Cte. L. de B.' with device "Cunctis nota fides", i.e. Comte Léon de Bastard d'Estang. (1822-1861); red morocco booklabel of Eduardo J. Bullrich (1895-1951); bookplate of Major J. R. Abbey (1894-1969). Bigmore & Wyman, I, 228; Updike I, p. 253. …

8vo. Full period French binding in Calf, five raised bands, gilt ornamentation on spine, author and title in gilt on red leather spine label in second compartment. 263 pages. First edition (Bigmore and Wyman p.228). Minor soiling to the text block, else a fine copy. In this volume, Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. "Peter Simon Fournier, a French engraver and letter-founder, was born at Paris, 1712, and died 1768. He studied under Colson, painter of the Academy of Saint Luc, and devoted himself first to the art of wood-engraving; he afterwards, as an engraver on steel, rendered himself famous in all countries. In some of his works he seeks to prove that Gutenberg is not the inventor of printing, and maintains that long before Gutenberg engraving on wood had been employed for printing images and inscriptions; that during his residence in Strasburg, Gutenberg attempted the application of this art to the printing of books, and that on his return to Mayence he first printed the Donatus and the Catholicon of Johannes de Janua with engraved and solid blocks. Fournier's ingenious theories were ably refuted by Baron Heinecken in his "Idée Générale d'une Collection complette d'Estamples" (Leipsic: 1771)" Bigmore & Wyman, p 229. Full period French binding in Calf, five raised bands, gilt ornamentation on spine, author and title in gilt on red leather spine label in second compartment.…

large 12mo. unbound, cord tied, housed in a green half-morocco goat over cloth boards clamshell case, spine tooled in gold leaf with title, author, and date. 92, (3) pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie, & prouver que Guttemberg n'en est pas l'Inventeur. Very rare first edition (Bigmore and Wyman p.227). Unbound textblock lightly soiled with minor creasing at corners. Faint moisture staining throughout, with some affecting the text. In this text, Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believed that the technology Gutenberg made popular existed long before the German printer's work. Fournier also followed up this text with two additional works which are not present: De l'origine et des productions de l'imprimerie primitive en taille de bois (1759) and Observations sur un ouvrage intitulé Vindiciae Typographicae (1760). These two works provided further discussion of the origins of woodcut prints, including a passage refuting popular belief about the origin wood engraving and some ideas for further study. Fournier (1712--1768) was born in Paris and trained as a wood engraver and type founder, being a member of the 18th century dynasty of the well-known Fournier family. He later turned to steel engraving. He published a table of the proportions of the different printing characters whose purpose was to propose for all typefaces a fixed measurement in "typographic points" and a systematic gradation. He worked closely with the collaborators of the Encyclopédie, providing the printer Le Breton with all the documentation relating to the typographic foundry and plans for his own instruments, as well as providing Diderot with his collection of ancient alphabets. Finally, after multiple disputes with his Parisian colleagues, he became infamous for the printing of his famous Manuel Typographique (1764, 1766) just prior to his death. unbound, cord tied, housed in a green half-morocco goat over cloth boards clamshell case, spine tooled in gold leaf with title, author, and date.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1791 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 18 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 18 Fournier, Jean-Baptiste, le jeune.,Fournier, Jean-Baptiste, le jeune,L'Aulnaye, M. de (Franc?ois Henri Stanislas), 1739-1830. Histoire ge?ne?rale et particulie?re des religions et du culte de tous les peuples du monde, tant anciens que modernes,Didot, Pierre-Franc?ois, 1731-1795, printer.…

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 92. A perfect gift for your loved ones. Reprinted from 1965 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 92.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 116. A perfect gift for your loved ones. Reprinted from 1758 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 116.…

Limited edition, no. 5 of 600 copies. Oblong 4to. Bound in red cloth by Zaehnsdorf, gilt to all all sides, plain blue cloth slipcase. Reproductions of the original examples of print types throughout, many folding. A few bumps to the slipcase, very good. The first 25 copies were not made available for sale, this copy coming from the estate of one of the publishers.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1742 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 91 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 91.…

Original. Tome I (1764): XXXII (mit Frontispiz, Titel) + 323 S. (davon 53 S. mit Typenbeispielen) + (5) S. + XVI gefaltete schwarz-weiße Kupfertafeln. Tome II (1766): 2 Bl. (Frontispiz, Titel) + XLIV S. + 1 Titelbl. + 306 S. (davon 250 S. mit Schriften, Typen, Vignetten, Notenschriften - diese meist ausfaltbar, einige in Scharz-Rot -, sowie mehr als 100 Alphabete). Marmorierte Vorsätze. Marmorierte Kalbledereinbände mit 5 Rückenbünden, 2 rot-goldenen Rückentitelschildchen und reicher goldgeprägter Rückenverzierung. Ca. 16,5 cm x ca. 11,5 cm. - Aus privatem Vorbesitz. Nahezu nicht berieben oder bestoßen. Schwacher Stempel verso Frontispiz, sonst keine Einträge. Papier nahezu nicht gebräunt, nur vereinzelt gering altersfleckig. Bindung sehr gut und fest. Zustand sehr gut bis gut. Auf Wunsch senden wir gerne Fotos des Werkes.…