fox jon michael (29 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PF. Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Good. 4th Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: good. Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

Condizione: New. Klappentextrnrn What do I do with a degree in creativity? n n nThis question is a variant of What s in it for me, the question we all ask when faced with change. This book examines the question of why one might pursue the.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: New.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condizione: New. In.

Hardback. Condizione: New. This book addresses a fundamental concept in political thought-the "state of nature"-through a comparative and cross-cultural approach. Western social contract thinking usually falls along lines identified with scholars like Hobbes or Rousseau, with accordant debate over whether humans are good, bad, or just selfish; conflict prone or cooperative; egocentric or altruistic; with subordinate discussions about the proper limits of sovereign authority. Depending on how one views the "natural" condition of human beings and the communities which they build, various questions arise. What constitutes a "good" or natural political order? What is the best basis for understanding the "nature" of sovereignty or political legitimacy, and what is its future? In an age of increased global interaction and potential cultural, civilization-based, misunderstanding, this volume takes the Hobbesian rhetorical device of a pre-social contract "state of nature" and seeks to address this concept-and thereby, many of the aforementioned questions-in light of contributions from non-Western thinkers. In our globalizing age when cultures and peoples increasingly talk and interact, it is not viable to use only Western political thinkers to address allegedly universal concepts. So we overtly seek to break open the frame of reference for any future discussion of the "state of nature." This volume adds to the emerging body of work grouped under the heading "comparative political thought" and serves as a model for how key political concepts may be addressed in a comparative and cross-civilizational manner. Chapters engage Chinese, Indic, Polynesian, Jewish, Babylonian, and Islamic interpretations of this fundamental question of politics. In addressing competing interpretations of the state of nature, the exclusionary hegemonic aspects of the Western canon may be both exposed and potentially reconciled with alternative visions of political behavior, legitimacy, justice, rights, and "appropriate" social and political behavior.

Hardback. Condizione: New. This book addresses a fundamental concept in political thought-the "state of nature"-through a comparative and cross-cultural approach. Western social contract thinking usually falls along lines identified with scholars like Hobbes or Rousseau, with accordant debate over whether humans are good, bad, or just selfish; conflict prone or cooperative; egocentric or altruistic; with subordinate discussions about the proper limits of sovereign authority. Depending on how one views the "natural" condition of human beings and the communities which they build, various questions arise. What constitutes a "good" or natural political order? What is the best basis for understanding the "nature" of sovereignty or political legitimacy, and what is its future? In an age of increased global interaction and potential cultural, civilization-based, misunderstanding, this volume takes the Hobbesian rhetorical device of a pre-social contract "state of nature" and seeks to address this concept-and thereby, many of the aforementioned questions-in light of contributions from non-Western thinkers. In our globalizing age when cultures and peoples increasingly talk and interact, it is not viable to use only Western political thinkers to address allegedly universal concepts. So we overtly seek to break open the frame of reference for any future discussion of the "state of nature." This volume adds to the emerging body of work grouped under the heading "comparative political thought" and serves as a model for how key political concepts may be addressed in a comparative and cross-civilizational manner. Chapters engage Chinese, Indic, Polynesian, Jewish, Babylonian, and Islamic interpretations of this fundamental question of politics. In addressing competing interpretations of the state of nature, the exclusionary hegemonic aspects of the Western canon may be both exposed and potentially reconciled with alternative visions of political behavior, legitimacy, justice, rights, and "appropriate" social and political behavior.

Hardcover. Condizione: New.

Condizione: New. Print on Demand pp. 178.

Condizione: New. Print on Demand pp. 178.

Encuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Condizione: New. PRINT ON DEMAND pp. 178.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Soft cover. Condizione: Good+. 1st Edition. Limited first edition of 500 copies, of which 50 are numbered and signed by many of the poets [this being copy 10/50], here signed by 20 of the authors, including Douglas Blazek, Alta, and Pete Winslow. Printed card wrapper. Some spotting on front cover; light edgewear. Many of the poems show a previous owner's minor marginalia, typically just a simple check mark, question mark, or exclamation mark, and occasionally a one word review like ''ok''. Includes ten pages of portraits of the poets, taken by Harold Adler, and two pages showing reproductions of fliers for the COSMEP event. 70 pages. A mimeo copy the first issue of the ''Little Mag Report'' is laid-in. This book was the result of four nights of readings in Berkeley in May 1968, which accompanied the Conference of Small-Mag Editors & Pressmen (COSMEP). The readings were held at Dwinelle Hall, the Berkeley Art Center, and at Shakespeare & Co. Over 60 poets read, and all were invited to submit one poem/one page. Contributors to this volume ('x' for those who signed): John Q. Adams (x), Harold Adler, Alta (x), David Hueschke Argo, Harvey Bialy (x), John Melville Bishop III, Douglas Blazek (x), Charlie Bordin (x), Marilyn Cadogan, Andy Clausen, Bob Dawson, Susan Efros, Hilary Ayer Fowler (x), David Gitin, Morton Grinker, Jon Grube (x), Steven A. Hagerth, Ben L. Hiatt (x), Hugh Fox, Richard Krech (x), Lowell Levant (x), Michael Makowsky (x), Paul Mariah (x), Ron McNicoll, David Melnick (x), Patricia Parker (x), Charles Potts, Ronald Silliman, John Oliver Simon (x), Hester G. Storm, sunshine, John Thomson (x), Michael Upton (x), vanish, D. r. Wagner, Joel Waldman (x), Pete Winslow (x), Carl Woideck, Paul Xavier (x), and Al Young. Signed by Author(s).

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'What do I do with a degree in creativity 'This question is a variant of 'What's in it for me,' the question we all ask when faced with change. This book examines the question of why one might pursue the formal study of creativity, with 30 stories of actual applications of creativity, creative problem solving, and change leadership, told by those who studied at SUNY Buffalo State's International Center for Studies in Creativity.The 30 stories are presented in five parts, each reflecting one area touched by studying creativity: personal growth and transformation, careers and callings, business and organizational creativity, education, and applications of creativity. In these chapters you will find a story or two (or ten) that resonate with you, and help you to answer the question for yourself.Why Study Creativity helps you to discover the value for you in studying and applying creativity in your life and work.

Taschenbuch. Condizione: Neu. Why Study Creativity? | Jon Michael Fox (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2016 | ICSC Press | EAN 9780984979561 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.