Frances colpitt (169 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: very_good.

Paperback. Condizione: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Softcover. Condizione: Fair. No Jacket. In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period--enthusiasm for innovation and a passionate commitment to intellectual inquiry--Colpitt provides an excellent documentary history that is both thorough and nonpartisan. Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Former library book. Significant damage due to wetness. Boards are moderate to severely edgeworn. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

68 pages, illustrated. Rear wrapper (cover) fading otherwise a clean very good paperback exhibition catalog in decorative wrappers (soft cover book).

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Published by Cambridge University Press, 2002. Octavo. Paperback. Book is like new.

Condizione: New. Brand New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New.

Paperback. Condizione: Very Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. Condizione: Good Plus. First Edition. [ART]. Hills Snyder, Frances Colpitt, Jacqueline Gilliam, Enrico Lunghi. "Hills Snyder: Gloville [English, French]." Luxembourg: Casino Luxembourg, 1998. First edition. English language. Softcover with pictorial wrappers and laid-in insert. Nonfiction art catalog with critical texts and full-color illustrations. 8 1/2 x 6 inches. 6 oz. 48 pp. Shelf-wear. Rubbing on wrappers. Text clean. Good Plus. ISBN: 2919893114. ASIN: B00G2YAQAM. "Representative pieces and several essays about the Texas artist from his 1998 exhibition.".…

Paperback. Condizione: new. Paperback. An exhibition of recent photography organized by Frances Colpitt, Color Pictures examines color as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the merger of art and photography from the 1970s to the present. During this period, both the photo world and the art world were transformed by the conflict between photographys high technical and aesthetic standards and the intentionally amateur and nonchalant approach to the camera by conceptually-oriented artists who used the camera to document their often ephemeral materials and elusive ideas. Their rocky fusion led not only to the acceptance of the photographic medium as a legitimate tool for art making, but also to unparalleled growth in the number of artists using the camera in the 1980s and 1990s. Both the exhibit and the catalogue offer a variety of insights into the meaningful role of color in visual art and in the visible world. The catalogue includes essays and color plates from the exhibition, as well as an introductory essay by Colpitt that outlines the issues at stake in the use of color in recent photography. Commentaries on Individual artists were written by graduate students in TCUs School of Art who participated in a graduate art history seminar, Photography In/As/ Not As Art, spring 2012. An exhibition of recent photography organised by Frances Colpitt, Color Pictures examines colour as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the merger of art and photography from the 1970s to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New. Brand New.

Condizione: New.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condizione: new. Paperback. Documenting the work of twelve contemporary sculptors from Texas, Material Culture was published to accompany the exhibition of the same name at TCU in 2008. Both representational and abstract, the works in the exhibition were made from readymade and commonplace materials with an emphasis on craft, process, and the use of the hand. Providing a survey of the ongoing embrace of object making in Texas, the essays in this book examine formal, conceptual, cultural, and social issues from American and international perspectives. The authors do not argue for a regional sensibility, given the irrelevance of regionalism in our global society, but for the strength of an art that celebrates material culture in an increasingly dematerialized world. Artists represented include Helen Altman, Richie Budd, Margarita Cabrera, Bill Davenport, Jonathan Durham, Lily Hanson, Joseph Havel, Jessica Halonen, Katrina Moorhead, Chris Sauter, Polly Lanning Sparrow, and Brad Tucker. Multiple color photographs document the works as they appeared in the exhibition. Each artist is also represented by an extensive biography and bibliography. Documents the work of twelve contemporary sculptors from Texas. This book includes essays that examine formal, conceptual, cultural, and social issues from American and international perspectives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780295972367.…

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

paperback. Condizione: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condizione: Near Fine. xii, 270 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. *** "Frances Colpitt chronicles the Minimal art movement of the 1960s, now thought to be the most influential artistic development of this lively decade. Maintaining the original spirit of the period - enthusiasm for innovation and a passionate commitment to intellectual inquiry - Colpitt provides an excellent documentary history that is both thorough and nonpartisan." - Publisher. *** CONTENTS: Process issues. New materials and techniques; Color; Monochromatic painting; "The vanishing base"; Internal issues: composition. Nonrelational composition; Figure-ground; The hegemony of shape; Systematic order; External issues: the spectator. The concept of presence; Significance of scale; Architecture and the environment; Michael Fried's theory of theatricality; The spectator's experience; Theoretical issues. Abstraction and the subversion of illusion; Reality and the condition of objecthood; "Boring" art; Interest as a value; Art or non-art: the relevance of theories; Appendix: Exhibitions and reviews, 1963-68. Size: 8vo.…