francesca baldassari (101 risultati)

PAPERBACK. Condizione: Very Good. Top fore-edge corners of wraps and pages and light bumping to tail of spine, else Fine. Well packaged in a box; ships with tracking.

Oversized Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Book and dust jacket in unworn, unmarked condition.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. Dust jacket in like new condition. A clean copy in excellent condition, appears unread. Color photography. Binding is tight. Secure packaging for safe delivery.

Softcover, 40 pages; in English with Italian at rear; good condition; pages curl upwards at right edge; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. light shelfwear, NICE! Oversized.

Hardback. Condizione: New.

Hardcover. Condizione sovraccoperta: Very good. 61 pp. Very good condition; a few touches of wear on edges of covers.

Softcover. Condizione: Near Fine. Beautiful fresh As New condition.

Condizione: Fine. *Price HAS BEEN REDUCED by 10% until Monday, June 29 (weekend SALE item)* large quarto, 174 pp., Hardcover, NEW!!! in a fine dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fast shipping with free delivery confirmation. Size: Folio. Book.

Condizione: COME NUOVO. Pienza, Museo Diocesano di Pienza cm.24x28, pp.22, 16 illustraz. bianco e nero e a colori nel testo, brossura con bandelle e copertina figurata a colori. Collana Museo Diocesano di Pienza,7.

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. Oversized beautiful fresh copy with pictorial jacket ever so lightly rubbed along upper edge of front of the jacket. ; 178 pages.

Paperback. Size: 9.5"x12.25", 39pp., 25 illus. Text in English & Italian. As new, clean, tight & bright condition.

Paperback. Condizione: Used: Very Good. includes as lay-in a card from GA for two paintings; essay is thorough; VG overall, no marks, a hint of shelfwear; no creases; interior is VG; art gallery exhibition catalog; binding is tight.

Hardcover. Condizione: VG/VG. Gray boards with red lettering on upper cover and spine, black DJ with color illustration. [ii] 64 pp, profuse color and b/w images. Exhibition held 7 January - 9 February 2011 and featuring the work of 18 artists, with many large plates and detailed views of most. From the foreword/preface: "The aim of this exhibition is to present to the public a survey of Italian Old Masters from the 17th and 18th centuries, from Cavalier d'Arpino to Giandomenico Tiepolo. Ninety years after Ugo Ojetti's seminal exhibition, "La Pittura Italiana del Siecento e Settecento" at Palazzo Pitti, Florence, this show intends to reassert the importance within art history of Italian painting in the centuries following the Renaissance.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. The book has sound hinges but leans to the right just slightly. Pages are clean with no creases, marks, wrinkles or stains. Outer covers and spine are clean but with a few small scrapes. Cover corners are not bumped and there is no rub wear to edges or corners. The book's dust jacket is not price-clipped and is entirely clean. Slight wear to top and bottom edges. One 1/2" tear at the top right corner of the back panel. Slight scratches to the back panel. (Note: Photos may show a flash reflection.) PayPal always welcome. We pack all our books with care and ship in cardboard boxes. Shipment outside of the United States may require extra funds. Additional photos emailed upon request.

Softcover. Condizione: VG. Black & color illus. wraps, French flaps, 39 pp., BW & color illus. Text is in English and Italian. Focuses on this one specific painting by Italian painter Sebastiano Ricci (1659-1734). With background information and close-up details of this and other relevant works.

Paperback. Condizione: Fine. Qto.,39 pages, illustrated with colour plates. A Fine copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. hardcover, fine, clean, unmarked pages, text, good binding, clean covers fast shipping.

Softcover. Color illus. wraps; 102 pp.; 22+ color plates, numerous bw figures. Parallel text, Italian and English; Accompanied an exhibition presented by Maison d'Art and Piero Corsini, Inc.; Contains twenty-two works with extensive annotations, including pieces by Jacopo Bellini, Paolo Monaldi, Francesco Foschi, El Greco, Francesco Rustici, and others. VG- (A few spots of soiling to wraps).

cm 22x30 pag. 160 ill. cent col e b/n c.m. New York, Galleria Moretti dal 01/05 al 25/05/2012. Questo bel catalogo, riccamente illustrato e commentato, testimonia il coraggioso tentativo del gallerista italiano di cercare il consenso internazionale di collezionisti, storici dell'arte e mercanti attratti oggi quasi esclusivamente da Caravaggio, Leonardo e Michelangelo. Italiano/Inglese.

hardcover. Condizione: fine. Condizione sovraccoperta: near fine. Moretti (illustratore). First. well illustrated in black and white and color. 174 pages. 4to, blue cloth, d.w. Florence: Centro Di, 2012. Fine in a near fine dust wrapper.

Cartonato. Condizione: fine. Testo Italiano e Inglese.Firenze, 2002; cartonato, pp. 65, ill. b/n e col., tavv. col., cm 25x32. Libro.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine hardcover in a Fine dust jacket. First Edition, First Printing. Overall a bright and attractive copy with no sign of wear or aging. Color and b&w images throughout. Text in English and Italian. 174 pp.

Condizione: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Hardcover. Navy cloth. Navy dust jacket with color pictorial front. 174 pp. Color and bw plates. In Italian and English. From gallery website: One of the highlights of the exhibition, Susanna at the Bath with Maids by Ottavio Vannini (1585-1644), is a glorious example of the work of this iconic Florentine artist. Born in Florence, he trained in Rome under Anastasio Fuontebuoni and in Florence under Domenico Passignani. This picture presents Susanna at a well, bathing with the help of her handmaidens while the two elders in the background are plotting to falsely accuse her of adultery. The large marble fountain is reminiscent of the Ferrucci fountain at Palazzo Pitti. (price 350,000) This date of the painting corresponds to the artist's return to Florence for the execution of the fresco at the Villa of the Imperial Hill (Villa del Poggio Imperiale) and that of his well-known work Rebecca and Eliezer at the Well, c.1626-27, now in the Kunsthistorisches Museum in Vienna. Madonna and Child with the Infant St John the Baptist by Lorenzo Lippi (Florence, 1606-1656) portrays the Virgin seated with the Christ Child on her lap, reaching out to the cross held by the infant St John. Lippi trained in the early 1620s in the workshop of Matteo Rosselli. As Rosselli's most faithful pupil, he assisted the master for over a decade, imitating his vividly pictorial style until the 1640s when he sought inspiration elsewhere. This work, dating from the early 1630s, demonstrates Lippi's clear preference for religious themes in the early part of his career. The narrative character of the scene and the soft rendering of the draperies reflect the style of his teacher while showing his pictorial grasp of reality and naturalism. The sacredness of the iconography, expressed by the large haloes over the heads of the Madonna and St John, does not prevent the painter from emphasising the group's affectionate and human character. Lippi's reputation is undoubtedly destined to grow. Documents confirm that, by around 1655, Lippi was considered among the greatest of living Florentine painters and yet with the passing years his star has rather waned. However, paintings attributed to him that have recently come to light only serve to underline his talent. (price 150,000) The exhibition will be curated by Francesca Baldassari, an independent scholar in Florence who has achieved international recognition for her expertise on Florentine painting of the 17th and 18th centuries. She is the author of monographs on Tuscan artists of the period, Carlo Dolci, Cristoforo Munari, Giovanni Domenico Ferretti and Simone Pignoni as well as two important books on the period, in both English and Italian, La collezione Piero ed Elena Bigongiari. Il Seicento fiorentino tra favola e dramma and La Pittura del Seicento a Firenze. Indice degli artisti e delle loro opera. In addition she has contributed significant studies to artists working outside the Florentine Seicento and Settecento such as the Emilian artist Guercino and Amedeo Laini and Giacinto Gimignani, both from Pistoia. Seicento Fiorentino will be the fourth exhibition Dr Baldassari has curated for the Moretti Gallery, having previously curated exhibitions staged in the gallery in Florence. VG (top edge of dj is wrinkled).

Hardbound. Condizione: VG. Beautiful dark green cloth with color illustration tipped on and gilt lettering; 63 pp. with numerous bw and color illustrations. Text in Italian and English, with several images of each work, including full-page plates and smaller figures; 14 important nature paintings from the 17th and 18th centuries; beautifully-reproduced illustrations with excellent, lengthy descriptions.

Softcover. Glossy black color-illustrated softcover with gold lettering. 135 pp. Mainly color illustrations. Published in conjunction with an exhibition at the Davis Museum from February 10- July 9, 2017 and at the Nasher Museum of Art at Duke University from August 24, 2017- January 14, 2018. Carlo Dolci (1616-1687), arguably the greatest painter in 17th-century Florence, was admired and patronized by the city's leading families. Best known for his half-length and single-figure devotional pictures, Dolci was also a gifted painter of altarpieces and portraits. Written by a team of distinguished scholars, The Medici's Painter offers new archival discoveries and insights and features cross-disciplinary approaches to Dolci's life and art and the cultural and political contexts in which he worked. The volume sheds new light on Dolci's significant and impressive body of work. The painter understood the power of his paintings to inspire contemporaries, and his works continue to compel individuals to look closely and feel deeply about art. Contents as follows: Carlo Dolici : a chronology -- Diligenza pratica paziente : The painting of Carlo Dolci / Francesca Baldassari -- Looking at Carlo Dolci / Edward Goldberg -- Carlo Dolci and the art of the past / Scott Nethersole -- Doctor and Confratello : Antonio Lorenzi's patronage of Carlo Dolci / Lisa Goldenberg Stoppato -- A taste for Carlo Dolci on both sides of the Atlantic / Eve Straussman-Pflanzer -- Plates : selected works in the exhibition. VG, very minor wrinkles at spine.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: very good.