Francesca galloway kerry (22 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Francesca Galloway in association with the Antique Collectors Club; Woodbridge, 2007. Hardcover. A Very Good, silk illustrated cloth binding, binding sturdy and intact, mild rubbing along board edges, trace scattered foxing top text block edge, slightly bowed boards, without Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 176pp., color illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Condizione: Near Fine. 1st Edition. HARDBACK BOOK IN NEAR FINE CONDITION.

Hardcover. Condizione: Fine. 1st Edition, Illustrated Edition. 4to hardcover in black and white cloth boards. In fine condition with no faults. 195 pages.

Hardcover. Condizione: Fine. 1st Edition. Francesca Galloway / Antique Collector's Club, London, 2007. Hardcover, 176 pp. 1st edition. Large format. Record of a textile exhibition which took place from the 5th to 28th September 2007. Lavishly illustrated. No dust jacket, as issued. In fine condition. **Heavy or oversize Item. An extra shipping charge may apply.**.…

hardcover. Condizione: Very Good. In very good, unmarked condition. Cover is very good. Covers imprinted - no dust jacket. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Hard cover. Condizione: Very good. No jacket. Part I only. Spine is tight. Cover edges are lightly worn. Inside is clean and unmarked.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: New. **HARDBACK** **SHRINKWRAPPED**.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Presents a selection of more than 100 furnishing textiles and designs that range from a spectacular printed hanging designed by the Wiener Werkstätte artist, Dagobert Peche, between 1911 and 1918, to a series of dramatic woven, silk and metal wall coverings Les Colombes designed by Henri Stephany for the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes. The Art Deco period is well represented by the works of Raoul Dufy, Alberto Lorenzi, Robert Bonfils, Alfred Latour, Emile Alain Seguy and Paul Dumas. Although the majority of pre-Second World War textiles are of French origin, the exhibition also includes some rare British furnishing fabrics from the 1930s, in particular the iconic and very elegant Magnolia Leaf by Marion Dorn, woven in off-white and silver viscut by Warner and Sons in 1936. During this period, Britain attracted talented European designers, such as Jacqueline Groag and Marian Mahler who had trained with Josef Hoffmann at the Vienna Kunstgewerbeschule. They became highly influential in creating a 'New Look' that took hold of Britain after the austerities of the Second World War. 'The Festival of Britain,' held in 1951, was epitomised by Calyx which launched the career of its designer, Lucienne Day and is now considered to be a landmark of post-War design. So great was its success that several versions were produced as well as contemporary copies, all of which are reproduced here in spectacular colour. Two great textiles from the 1950s - Seaweed designed by Ashley Havinden in 1954 for Arthur Sanderson and Grecian by Alec Hunter in 1956 for Warner and Sons - bridge the gap between the spirit and elegance of the inter-War period and the new 'contemporary' look of the 1950s. Britain maintained its pre-eminent position in textile design throughout the 1950s, 1960s and early 1970s. This was because firms like Edinburgh Weavers, Heal and Sons and Hull Traders and museums such as the Whitworth Art Gallery in Manchester (the centre of the British textile industry) worked hard at integrating and promoting great design, often by well-known artists within the industry. Among the artists who worked with Edinburgh Weavers were Marino Marini, Victor Vasarely and Alan Reynolds. Britain was not alone in applying art to industry. An elegant example of Op Art is the work of the German artist, Wolf Bauer, whose 1969/70 designs for one of the leading American manufacturers, Knoll Textiles, is a highlight of this book.…

Condizione: New. pp. 200 170 Illus. (163 Col.).

Hardcover. Condizione: Fine. Pictorial cloth binding with white lettering of title down spine, a couple small stains on binding but nothing too noticeable. All pages are clean and clear. 318mm x 253mm.

Hardcover. Condizione: Brand New. 200 pages. 12.25x9.50x1.00 inches. In Stock.

Condizione: New.

Condizione: New. pp. 200.

Condizione: New. pp. 200.

Hardcover. Condizione: Fine. No Jacket. First Edition. Tight Firm Clean Copy - First Edition - No Signatures, Inscriptions Or Notations Discovered. Illustrated. Red And Yellow Pictorial Cloth Hard Cover With White Titles On Spine And Front - No Visible Wear. A Heavy Book Additional Piostage Will Be Requested For Overseas Delivery.…

Condizione: New. Presents a selection of more than 100 furnishing textiles and designs that range from a printed hanging designed by the Wiener Werkstatte artist, Dagobert Peche, between 1911 and 1918, to a series of woven, silk and metal wall coverings Les Colombes desig.

Hardback. Condizione: New. Presents a selection of more than 100 furnishing textiles and designs that range from a spectacular printed hanging designed by the Wiener Werkstätte artist, Dagobert Peche, between 1911 and 1918, to a series of dramatic woven, silk and metal wall coverings Les Colombes designed by Henri Stephany for the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes. The Art Deco period is well represented by the works of Raoul Dufy, Alberto Lorenzi, Robert Bonfils, Alfred Latour, Emile Alain Seguy and Paul Dumas. Although the majority of pre-Second World War textiles are of French origin, the exhibition also includes some rare British furnishing fabrics from the 1930s, in particular the iconic and very elegant Magnolia Leaf by Marion Dorn, woven in off-white and silver viscut by Warner and Sons in 1936. During this period, Britain attracted talented European designers, such as Jacqueline Groag and Marian Mahler who had trained with Josef Hoffmann at the Vienna Kunstgewerbeschule. They became highly influential in creating a 'New Look' that took hold of Britain after the austerities of the Second World War. 'The Festival of Britain,' held in 1951, was epitomised by Calyx which launched the career of its designer, Lucienne Day and is now considered to be a landmark of post-War design. So great was its success that several versions were produced as well as contemporary copies, all of which are reproduced here in spectacular colour. Two great textiles from the 1950s - Seaweed designed by Ashley Havinden in 1954 for Arthur Sanderson and Grecian by Alec Hunter in 1956 for Warner and Sons - bridge the gap between the spirit and elegance of the inter-War period and the new 'contemporary' look of the 1950s. Britain maintained its pre-eminent position in textile design throughout the 1950s, 1960s and early 1970s. This was because firms like Edinburgh Weavers, Heal and Sons and Hull Traders and museums such as the Whitworth Art Gallery in Manchester (the centre of the British textile industry) worked hard at integrating and promoting great design, often by well-known artists within the industry. Among the artists who worked with Edinburgh Weavers were Marino Marini, Victor Vasarely and Alan Reynolds. Britain was not alone in applying art to industry. An elegant example of Op Art is the work of the German artist, Wolf Bauer, whose 1969/70 designs for one of the leading American manufacturers, Knoll Textiles, is a highlight of this book.…