Franchi franca (54 risultati)

paperback. Condizione: New. Skira March 2025.

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Paperback. Condizione: new. Paperback. One hundred years after the publication of the first Manifesto of Surrealism, an excursus on the movement through its magazinesPublished on the occasion of on the occasion of the centenary of the publication of the first Manifeste du Surrealisme (15 October 1924), the volume volume intends to reread the parabola of the movement through the study of some of the journals animated by its members, i.e. the collective products that most effectively revealed its interdisciplinary complexity and theoretical strength, but also its contradictions and internal conflicts. If the extraordinary London exhibition Dada and Surrealism Reviewed edited by Dawn Ades back in 1978 focused for the first time on the centrality of periodicals in the overall economy of the movement, Rosalind Krauss does not hesitate to define these publications as "the true surrealist object", works of art in themselves that challenge conventions and disciplinary boundaries in order to mix languages and forms of expression. The essays collected in this volume reveal the role played by journals as veritable laboratories of Surrealism. In the introduction to the volume Jacques Duerrenmatt explores Paulhan and Eluard's journal Proverbe (1920-21) while Franca Bruera and Elena Galtsova scour Litterature above all in search of the contributions of women. Andrea Zucchinali in his essay traverses the crucial junctures of the periodical La Revolution Surrealiste (the movement's official journal) from 1924 until its closure in 1929. Gianluca Poldi opens his contribution on La Revolution Surrealiste and on other Surrealist journals that hosted the surrealists' reflections on the processes and materials of painting. Arnauld Maillet reconstructs the experimental and pioneering vein of the journal L'age du cinema, while Anna Maria Testaverde and Elena Mazzoleni analyze Comoedia very attentive to the international theatrical avant-garde. The "surreal without surrealism" in the Italy of the Ventennio is the focus of Gabriele Gimmelli's contribution and with Elio Grazioli we move instead to American soil, where there the eclectic journal View. Alessandra Violi documents the Surrealist movement in Great Britain (from the small university magazine Experiment to Mass Observation) and Andrea Zucchinali offers a complete mapping of the journals at the end of the volume. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Franchi, Franca. Surrealism through Its Journals 1924-2024: Les portes du reve. 224 pages, including 35 color plates. 8vo, Skira, 2025. Dissecting the role of magazines and journals as laboratories for Surrealism, from Littérature to La Révolution Surréaliste and beyond Art historian Rosalind Krauss once defined Surrealist journals as "the true Surrealist object." These periodicals are works of art in themselves, ones that challenge conventions and disciplinary boundaries by mixing languages and forms of expression. Unlike the curious creations of Meret Oppenheim or the assemblages of Joseph Cornell, however, these collective publications revealed the movement's interdisciplinary complexity and theoretical strength, while exposing the internal conflicts among its practitioners. Published to follow the centenary of the publication of the first Manifeste du Surréalisme in October 1924, Surrealism through Its Journals reassembles the movement's rise and fall through its formative publications. Each chapter studies a different journal: beginning with the Dadaist Proverbe and Littérature; moving to the landmark La Révolution Surréaliste and Minotaure; to View magazine and its influence on Surrealism in the United States; and beyond. It illustrates how their production and circulation influenced artists who went on to become part of Surrealism's widening circle, including Max Ernst and Pablo Picasso. The book also explores periodicals that were not affiliated with the movement but displayed Surrealist elements, such as Italian humor papers in the years leading up to World War II. Generously illustrated with eye-catching articles and artworks, with a nod to the iconic pink fish from La Révolution Surréaliste on the cover, Surrealism through Its Journals is a thorough yet readable compendium of the movement's definitive publications, and will delight any art history aficionado or lover of ephemera.…

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Condizione: COME NUOVO. Prato, sopraTUTTOLIBRI cm.17x24, pp.137,(3), numerose foto e facsimile a un a colori nel testo , brossura, copertina figurata con bandelle.

Taschenbuch. Condizione: Neu. Neuware -One hundred years after the publication of the first Manifesto of Surrealism, an excursus on the movement through its magazinesPublished on the occasion of on the occasion of the centenary of the publication of the first Manifeste du Surréalisme (15 October 1924), the volume volume intends to reread the parabola of the movement through the study of some of the journals animated by its members, i.e. the collective products that most effectively revealed its interdisciplinary complexity and theoretical strength, but also its contradictions and internal conflicts. If the extraordinary London exhibition Dada and Surrealism Reviewed edited by Dawn Ades back in 1978 focused for the first time on the centrality of periodicals in the overall economy of the movement, Rosalind Krauss does not hesitate to define these publications as 'the true surrealist object', works of art in themselves that challenge conventions and disciplinary boundaries in order to mix languages and forms of expression. The essays collected in this volume reveal the role played by journals as veritable laboratories of Surrealism. In the introduction to the volume Jacques Dürrenmatt explores Paulhan and Éluard's journal Proverbe (1920-21) while Franca Bruera and Elena Galtsova scour Littérature above all in search of the contributions of women. Andrea Zucchinali in his essay traverses the crucial junctures of the periodical La Révolution Surréaliste (the movement's official journal) from 1924 until its closure in 1929. Gianluca Poldi opens his contribution on La Révolution Surréaliste and on other Surrealist journals that hosted the surrealists' reflections on the processes and materials of painting. Arnauld Maillet reconstructs the experimental and pioneering vein of the journal L'âge du cinéma, while Anna Maria Testaverde and Elena Mazzoleni analyze Comdia very attentive to the international theatrical avant-garde. The 'surreal without surrealism' in the Italy of the Ventennio is the focus of Gabriele Gimmelli's contribution and with Elio Grazioli we move instead to American soil, where there the eclectic journal View. Alessandra Violi documents the Surrealist movement in Great Britain (from the small university magazine Experiment to Mass Observation) and Andrea Zucchinali offers a complete mapping of the journals at the end of the volume. 256 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -One hundred years after the publication of the first Manifesto of Surrealism, an excursus on the movement through its magazinesPublished on the occasion of on the occasion of the centenary of the publication of the first Manifeste du Surréalisme (15 October 1924), the volume volume intends to reread the parabola of the movement through the study of some of the journals animated by its members, i.e. the collective products that most effectively revealed its interdisciplinary complexity and theoretical strength, but also its contradictions and internal conflicts. If the extraordinary London exhibition Dada and Surrealism Reviewed edited by Dawn Ades back in 1978 focused for the first time on the centrality of periodicals in the overall economy of the movement, Rosalind Krauss does not hesitate to define these publications as 'the true surrealist object', works of art in themselves that challenge conventions and disciplinary boundaries in order to mix languages and forms of expression. The essays collected in this volume reveal the role played by journals as veritable laboratories of Surrealism. In the introduction to the volume Jacques Dürrenmatt explores Paulhan and Éluard's journal Proverbe (1920-21) while Franca Bruera and Elena Galtsova scour Littérature above all in search of the contributions of women. Andrea Zucchinali in his essay traverses the crucial junctures of the periodical La Révolution Surréaliste (the movement's official journal) from 1924 until its closure in 1929. Gianluca Poldi opens his contribution on La Révolution Surréaliste and on other Surrealist journals that hosted the surrealists' reflections on the processes and materials of painting. Arnauld Maillet reconstructs the experimental and pioneering vein of the journal L'âge du cinéma, while Anna Maria Testaverde and Elena Mazzoleni analyze Comdia very attentive to the international theatrical avant-garde. The 'surreal without surrealism' in the Italy of the Ventennio is the focus of Gabriele Gimmelli's contribution and with Elio Grazioli we move instead to American soil, where there the eclectic journal View. Alessandra Violi documents the Surrealist movement in Great Britain (from the small university magazine Experiment to Mass Observation) and Andrea Zucchinali offers a complete mapping of the journals at the end of the volume. 256 pp. Englisch.…

paperback. Condizione: New. 1st.

Taschenbuch. Condizione: Neu. Neuware -One hundred years after the publication of the first Manifesto of Surrealism, an excursus on the movement through its magazinesPublished on the occasion of on the occasion of the centenary of the publication of the first Manifeste du Surréalisme (15 October 1924), the volume volume intends to reread the parabola of the movement through the study of some of the journals animated by its members, i.e. the collective products that most effectively revealed its interdisciplinary complexity and theoretical strength, but also its contradictions and internal conflicts. If the extraordinary London exhibition Dada and Surrealism Reviewed edited by Dawn Ades back in 1978 focused for the first time on the centrality of periodicals in the overall economy of the movement, Rosalind Krauss does not hesitate to define these publications as 'the true surrealist object', works of art in themselves that challenge conventions and disciplinary boundaries in order to mix languages and forms of expression. The essays collected in this volume reveal the role played by journals as veritable laboratories of Surrealism. In the introduction to the volume Jacques Dürrenmatt explores Paulhan and Éluard's journal Proverbe (1920-21) while Franca Bruera and Elena Galtsova scour Littérature above all in search of the contributions of women. Andrea Zucchinali in his essay traverses the crucial junctures of the periodical La Révolution Surréaliste (the movement's official journal) from 1924 until its closure in 1929. Gianluca Poldi opens his contribution on La Révolution Surréaliste and on other Surrealist journals that hosted the surrealists' reflections on the processes and materials of painting. Arnauld Maillet reconstructs the experimental and pioneering vein of the journal L'âge du cinéma, while Anna Maria Testaverde and Elena Mazzoleni analyze Comdia very attentive to the international theatrical avant-garde. The 'surreal without surrealism' in the Italy of the Ventennio is the focus of Gabriele Gimmelli's contribution and with Elio Grazioli we move instead to American soil, where there the eclectic journal View. Alessandra Violi documents the Surrealist movement in Great Britain (from the small university magazine Experiment to Mass Observation) and Andrea Zucchinali offers a complete mapping of the journals at the end of the volume.…

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Paperback. Condizione: new. Paperback. One hundred years after the publication of the first Manifesto of Surrealism, an excursus on the movement through its magazinesPublished on the occasion of on the occasion of the centenary of the publication of the first Manifeste du Surrealisme (15 October 1924), the volume volume intends to reread the parabola of the movement through the study of some of the journals animated by its members, i.e. the collective products that most effectively revealed its interdisciplinary complexity and theoretical strength, but also its contradictions and internal conflicts. If the extraordinary London exhibition Dada and Surrealism Reviewed edited by Dawn Ades back in 1978 focused for the first time on the centrality of periodicals in the overall economy of the movement, Rosalind Krauss does not hesitate to define these publications as "the true surrealist object", works of art in themselves that challenge conventions and disciplinary boundaries in order to mix languages and forms of expression. The essays collected in this volume reveal the role played by journals as veritable laboratories of Surrealism. In the introduction to the volume Jacques Duerrenmatt explores Paulhan and Eluard's journal Proverbe (1920-21) while Franca Bruera and Elena Galtsova scour Litterature above all in search of the contributions of women. Andrea Zucchinali in his essay traverses the crucial junctures of the periodical La Revolution Surrealiste (the movement's official journal) from 1924 until its closure in 1929. Gianluca Poldi opens his contribution on La Revolution Surrealiste and on other Surrealist journals that hosted the surrealists' reflections on the processes and materials of painting. Arnauld Maillet reconstructs the experimental and pioneering vein of the journal L'age du cinema, while Anna Maria Testaverde and Elena Mazzoleni analyze Comoedia very attentive to the international theatrical avant-garde. The "surreal without surrealism" in the Italy of the Ventennio is the focus of Gabriele Gimmelli's contribution and with Elio Grazioli we move instead to American soil, where there the eclectic journal View. Alessandra Violi documents the Surrealist movement in Great Britain (from the small university magazine Experiment to Mass Observation) and Andrea Zucchinali offers a complete mapping of the journals at the end of the volume. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Brossura. Condizione: new. A cura di Franchi F. Milano, 2024; br., pp. 160, ill. col., cm 16,5x24. Il volume prende avvio dallo studio di dodici diorami parigini di fine Ottocento e inizio Novecento provenienti da una collezione privata di Bergamo, capace di restituire un interessante spaccato della vita domestica e culturale della Parigi otto-novecentesca. Si intende così esplorare l?immaginario letterario del tempo che torna senza tregua sulle immagini in movimento messe in scena dal diorama. Da meravigliosa invenzione spettacolare parigina che risale al 1822, il diorama continuerà a catturare lo sguardo degli spettatori e dei letterati anche quando diventerà un prezioso oggetto in scatola, esposto nelle vetrine dei negozi dei passages di Parigi per attrarre i passanti ad entrare nei negozi. Pur partendo dai dodici diorami in scatola francesi provenienti da Bergamo, il volume collettaneo indaga la complessità delle variazioni del diorama nella cultura visuale e nella letteratura occidentali, evidenziando il valore di una tecnica poco nota che seppe però anticipare il cinema e la realtà virtuale, educando lo sguardo dello spettatore a orientarsi e immergersi nei nuovi spazi della modernità. Libro.…