Francois quintin (34 risultati)

Softcover. Condizione: Très bon. Ancien livre de bibliothèque. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.…

First Edition. First edition and first printing. Hardcover. 111 pages. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Features text contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes 42 color images of which several are gatefolds, list of previous exhibitions, selected bibliography, and a checklist. A very near fine copy in a very near fine dust jacket. …

Wrappers. Condizione: Fine Condition. 48 pages. Softcover bound in stiff illustrated paper covers. Light handling wear to the covers, but still essentially crisp, tight, sharp, bright and clean condition with an uncreased spine and unmarked interior. Text in French with the introduction translated into English at the back. Published in conjunction with the exhibition.…

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Hardcover with dustjacket, 114 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Very Good.

Condizione: As New. Unread book in perfect condition.

Softcover, staple-bound, 24 pages; very good condition; light rubbing to covers; no internal marks.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover, unpaginted, in English and French; very good condition, except 1-inch crease to upper right corner of last 1/3 of the pages; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Brand New. 63 pages. 11.25x8.00x0.50 inches. In Stock.

Hardcover. First edition, first printing; in French. The catalogue for an exhibition of the work of Thomas Demand, held at the Fondation Cartier pour l'Art Contemporain, Paris, November 24, 2000 - February 11, 2001. Originally trained as a sculptor, Demand constructs life-size models of interiors and architectural exteriors using paper and cardboard. At first glance, Demand's works seem to present fragments of a hyperreal and familiar place but, before long, they reveal their true identity: a wholly artificial world reduced to generic forms. Photographs by Thomas Demand; essays by Francesco Bonami, Regis Durand, and Francois Quintin. 112 pages with 4 gatefolds: 50 color plates; 9 x 11.25 inches. Exhibition history, bibliography. Text in French. Condition: Fine/As New hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition (French). Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Includes texts (in French) by Francesco Bonami, Régis Durand and François Quintin, and an exhibition history and bibliography. 112 pp. with 29 four-color plates (with four 2-page gatefolds). 11-1/4 x 9 inches. Published on the occasion of the 2000 exhibition Thomas Demand at the Fondation Cartier pour l'art contemporain, Paris. New in publisher's shrink-wrap. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Behind Thomas Demand's impressive images, fragments of a hyper-realistic and familiar world, appears the singular echo of an 'other reality ,' from the archives, historic, political photos or more generally from media.".…

Hardcover. Condizione: Very Good. 1st Edition. Interior is like new, exterior is good. Pages clean and unmarked with no rips or creases. Binding tight. Boards and spine have several stains. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. International and expedited shipping may be extra due to weight. Photos available upon request.…

Wrappers. Condizione: Very Good. 24 pages. Oblong format softcover, staple bound with stiff printed paper covers. Slight wear to the edges, with some light creases to both right edges of the front cover. Binding remains solid, with a clean interior free of markings. Published in conjunction with the three person exhibition of the works of Jon Ippolito, Janet Cohen, and Keith Frank, held in New York from March 17-April 12, 1997.…

Condizione: New.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. In English.

Paperback. Condizione: Brand New. bilingual edition. 301 pages. 12.75x8.50x1.00 inches. In Stock.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : Hardcover, 64 pages, 68 color illustrations - First monograph. Ann Craven is, fundamentally, a painter. She paints the moon, birds, flowers, deer, or color stripes. She paints antiquated subjects, for she knows the symbolic power of the images accompanying us, even the most insignificant onesthose empty of content that our grandmothers would keep for no veritable reason, or the gold stars that a schoolgirl or boy pins up in their room with such pride. Her birds and flowers series endlessly interpret the essential painterly relationship between background and form, and the vibration of dazzling colors as so many signs of the times. Therefore everything is "painting," and all painting is equal in her eyes, whether copy or original, background color, abstract band, or bird on a branch.…

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 20,5 x 29 cm, Hardcover, 64 pages, 36 color illustrations - Gedi Sibony's sculptures and installations feature a singular aesthetics characterized by a sensual use of materials and forms. Cardboard, wood, carpet, plastic sheets, and latex paint are embedded into the exhibition rooms' architectural context. The interaction of these "materials without qualities" results in fragile arrangements which emphasize their particular tactile properties. The artist's "spatial collages" oscillate between object-like appearance and installation ensembles. They could be described as low-key high art.…

Softcover. Black illustrated wraps, stapled; 24 pp. with 4 color illustrations; Includes an introductory essay by Quintin and bios of the artists, with accompanying text by each artist as part of the artwork. VG- (scratches to wraps; two rubbed spots to front wrap; rubbed edge-wear. rubbing to corners & spine ends. rubbing to corners; lower corners have light crimp/crease).…

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 304 pages, 200 color illustrations - This publication brings forward the continuous commitment of Lafayette Fondation towards artistic and interdisciplinary production, on the eve of its forthcoming opening in Paris.

soft cover. Condizione: very good. first edition. In-8° broché, 2 pages.

4°, hardcover, dustjacket. 111 pp Like new. Sprache: Englisch Gewicht in Gramm: 0.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. Hardcover Samll Quarto dust jacket. gray papered boards, dust jacket, 111 pp.

Hardcover. Condizione: Brand New. 784 pages. 11.50x8.50x2.00 inches. In Stock.

Couverture souple. Condizione: Neuf. Edition originale. Paris 2008. 1 Volume/1. -- Neuf -- Broché cousu. ( 24 x 17,1 cm )( 646 gr ) ------- 208 pages. Illustrations ********************** "" Premier ouvrage monographique consacré à Céleste Boursier-Mougenot, cette publication, conçue par l'artiste / musicien français, adapte au format livre l'idée de dispositif qui caractérise son travail : il induit une situation spécifique, une relation particulière au travail de l'artiste et toutes les formes d'approches que cette relation suppose du point de vue du lecteur. Il est un matériau autant qu'un média. À l'instar de l'ensemble des matériaux ou moyens employés par Céleste Boursier-Mougenot dans ses réalisations, des mots, de la parole ou du texte trouvent leur place en tant que composants dans le processus du livre, et alimentent la démarche de l'artiste. Avec l' uvre intitulée Index, présentée pour la première fois au Frac Champagne-Ardenne à l'été 2006, le livre peut s'inscrire plus loin encore dans le processus de création. Céleste Boursier-Mougenot a conçu un programme informatique qui analyse l'activité scripturale et en extrait des éléments textuels pour produire une partition musicale. Cette partition est transmise à un piano de type Disklavier qui les joue en direct. Dans le livre Etats seconds, les textes sont interprétés musicalement par le dispositif d'index. "" ************************ ref fav-02-06 & ref att 902. …

Hardcover without dustjacket as issued, 212 pages; in English and French; very good condition, tiny bump to lower right corner tip of last few pages and rear cover; no internal marks. Foreign shipping may be extra.

Condizione: gut. Martin Margiela at Lafayette Anticipations. In deutscher Sprache. pages.