Frank tuttle director (5 risultati)
Altre immaginiDon Juan Quilligan [Two-Faced Quilligan] (Original screenplay for the 1945 film)
Frank Tuttle (director); Herbert Clyde Lewis (story); Arthur Kober, Frank Gabrielson (screenwriter); William Bendix, Joan Blondell, Phil Silvers (starring)
Editore: Twentieth Century-Fox, Los Angeles, 1944
- Brossura
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 245,58
EUR 8,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloShooting Final Draft script for the 1945 film, here under the working title "Two-Faced Quilligan." Production No. 911 and copy No. 6 rubber stamped on the front wrapper, with SHOOTING FINAL printed at the top right corner of same. Single annotation in the script, in manuscript pencil, noting three names, on the verso of last lea…f. Patrick Michael Quilligan (William Bendix), captain of a barge named Mary (named after his mother), meets and falls for two women (Joan Blondell and Mary Treen) who remind him of his beloved deceased mother, inadvertently marrying both. Set in Brooklyn and Utica, New York. Brown titled wrappers, noted as SHOOTING FINAL on the front wrapper, rubber-stamped copy No. 6 and production No. 911, dated DECEMBER 21, 1944. Distribution page present, with receipt intact. Title page present, dated December 21, 1944, noted as Shooting Final, with credits for screenwriter Arthur Kober. 127 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 1/2/45 and 2/28/45. Pages Near Fine, wrapper Very Good plus with large chip on right edge of front wrapper, bound internally with two gold brads.
Altre immaginiCharlie McCarthy, Detective (Original publicity photograph from the 1939 film)
Edgar Bergen, Charlie McCarthy, Mortimer Snerd, Robert Cummings, Constance Moore (starring); Frank Tuttle (director); Edward Eliscu, Richard Mack, Harold Shumate (screenwriters)
Editore: Universal Pictures, Universal City, 1939
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 111,63
EUR 8,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage publicity photograph of Edgar Bergen with Charlie McCarthy and Mortimer Snerd from the 1939 film, with a mimeo snipe attached to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the…head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. The third film to feature Edgar Bergen and his ventriloquist dummies Charlie McCarthy and Mortimer Snerd, and the first film to feature them in the lead. Bergen, McCarthy, and Snerd help solve the murder of a corrupt editor with ties to the mob. 10 x 8 inches. Near Fine.
Altre immaginiThe Glass Key (Two original photographs from the 1935 film)
Frank Tuttle (director); Dashiell Hammett (novel); Kathryn Scola, Kubec Glasmon, Harry Ruskin (screenwriters); George Raft, Edward Arnold, Claire Dodd (starring)
Editore: Paramount Pictures, Hollywood, 1935
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 156,28
EUR 8,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloTwo vintage photographs from the 1935 film. Snipe printed on the verso of each. Reference numbers are 1527-38 and 1527-56. Based on the novel by Dashiell Hammett, 8 x 10 inches. Near Fine with light soiling to the verso and light toning overall. Based on the 1931 novel by Hammett, and the third time one of his novels was adapted… to the screen, preceded by "The Maltese Falcon" (1931) and "The Thin Man" (1934). Grant US. Spicer US Precursor.
Altre immaginiThe Glass Key (Original photograph of Dashiell Hammett, George Raft, and Frank Tuttle on the set of the 1935 film)
Frank Tuttle (director); Dashiell Hammett (novel); Kathryn Scola, Kubec Glasmon, Harry Ruskin (screenwriters); George Raft, Edward Arnold, Claire Dodd (starring)
Editore: Paramount Pictures, Hollywood, 1935
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 401,86
EUR 8,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage photograph of author Dashiell Hammett, star George Raft, and director Frank Tuttle on the set of the 1935 film noir. Snipe, stamps, and annotations on the verso, all indicating that this photo was used a number of times since it was struck in 1935. Based on the 1931 novel by Hammett, and the third time one of his novels…was adapted to the screen, preceded by "The Maltese Falcon" (1931) and "The Thin Man" (1934). 8 x 10 inches. Very Good plus. Grant US. Spicer US Precursor.
This Gun for Hire (Original oversize photograph of Alan Ladd from the 1942 film)
Graham Greene (novel); Frank Tuttle (director); Albert Maltz, W.R. Burnett (screenwriters); Veronica Lake, Robert Preston, Laird Cregar, Alan Ladd (starring)
Editore: N.p., N.p., 1942
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 1116,26
EUR 8,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage oversize borderless double weight satin finish reference photograph of Alan Ladd from the 1942 film. An exceptionally scarce oversize portrait photograph of Ladd in his breakthrough role as the stoic, cat-loving hit man Philip Raven. Based on the 1942 novel "A Gun for Sale" by Graham Greene, the first of several films in… the noir cycle to be adapted from novels by Greene. The film was stuck in development purgatory for 6 years, and thankfully was not made until Paramount had the benefit of the influx of German craftsman from the great exodus under Hitler's campaign-the visual underpinnings of a new style. David Spicer (2010) notes that ". in his determination to cut costs, [former UFA art director Hans] Drier encouraged director Frank Tuttle and cameraman John Seitz to use mirrors, odd angles, low-key lighting and fog-bound exteriors to obscure the limited number of sets available. Seitz's [resulting] expressionist photography helps to create the sense of schizophrenia and entrapment in the psychologically damaged Raven (Ladd)." Set in San Francisco. 16 x 20 inches. Light edgewear, else Near Fine. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Selby US Master List, Canon. Silver and Ward US. Spicer US.
