franklin ortiz (5 risultati)

Soft cover. Condizione: Good. 1st Edition. Text is in Spanish. Volume has some wear; front wrapper has tiny, very minor stain; tight, text clean. 13 p., with 3 maps on 2 folded plates. [O3:4] Size: 8 3/16 x 6 1/2 inches.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. J.D. Roybal (illustratore). First Edition Gold Charles W. Follett Award Very Good Hardcover Very Good Mylar Protected Dust Jacket Excellent Seventeenth century 'eye witness' account as the Pueblo 'Indians' rebel against the Spanish in Santa Fe and the church of the inquisition. Ex-Library book Minimal markings. Spine clean free of numbers.Pocket removed. Dust Jacket bright. Told from the Pueblo Native People's perspective. Alfonso Ortiz introduction.Decorative J.D. Roybal Pueblo color painting on cover and dust jacket.

Paperback. Condizione: Fine. Later printing. 8vo, 144 pages, white wrappers A powerful account of the successful Pueblo Native American uprising of 1680 against the Spanish control of the Southwest. "This is not a book which will rest easy on anyone's shelf, as indeed it should not." - Introduction by Prof. Ortiz.

Encuadernación de tapa blanda. Condizione: Bien. Julio Prieto (illustratore). 1ª Edición. 63 pgs y 1hs, 23cms x 17cms. Cubiertas originales ilustradas en buen estado. Texto semi-intonso en muy buen estado, viñetas de Julio Prieto.

Hardcover. Condizione: New. New hardcover in glossy case wraps. Text is clean and free of marks or underlining. (9.31 x 0.95 x 10.56 inches) Includes photo plates. 208 pp. Fast shipping in a secure book box mailer with tracking. Teresita Fernández's experiential and luminous works come to life in this monograph that reveals how one of America's most exciting installation artists investigates the intersection of culture and landscape. Teresita Fernández's dazzling large-scale sculptures and installations employ diverse materials--charcoal, ceramics, chrome, steel, onyx, wood, resin, and enamel--with an utterly immersive effect. Accompanying a retrospective of Fernández's career, and including images of her most recent installation, this book captures the powerful nature of an artistic practice exploring issues of perception, geography, ecology, history, and society. Featured works include Fire, her haunting ongoing series on the conceptual phenomena of landscape; Autumn (.Nothing Personal), created as a participatory space at Harvard University; and As Above, So Below, a series of immersive, interconnected installations referencing alchemy and the cosmos. Published with Phoenix Art Museum.