freidman terry (6 risultati)

Paperback. Condizione: Good+. Used Internally Very Good. Quick flick through pages could not see any issues - All Pages appear clean and unmarked. A Very Good personal reading copy. Barcode sticker to back cover. ** 738g ** All orders are sent with a tracking /signature service for your peace of mind, so that you can keep tabs on your parcel. For overseas customers - on some sites we use, parcels weighing over the standard rate may incur an additional charge and we will then contact you with the additional shipping fee required. This is for the postage only we do not charge you for our time or our excellent packaging, which we are noted for. Dispatched in cardboard mailers within 24/48 Hours Mon - Friday 2pm, except bank holidays, otherwise next business day - excellent service guaranteed. ; 76 pages.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0901981567.

Soft cover. Condizione: As New. Condizione sovraccoperta: Fine. 1st Edition. Type: Book 1st printing. DJ shows very slight signs of use.

Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. A little light dust spotting on top edge. Jacket lightly dulled at spine. 310 x 250 mm. 152 pp. A study of Jacob Epstein's most controversial sculpture, the 'Rima' relief on the W. H. Hudson Memorial in Hyde Park, London. Illustrated with photographs, plans, drawings, and a large amount of Epstein's preparatory work. Studies in the History of Sculpture, Number 1. Book.

Near Fine in publishers decorated wrappers.151pp. Illustrated throughout. 1st edition. ISBN 0901981370.

Goldsworthy, Andy. ANDY GOLDSWORTHY: Time. With Chronology by Terry Friedman; 204 pp., over 500 color illustrations. Oblong 4to, cloth. New York, Abrams, 2000. The subject of these new works is the passage of time, using repeated images of the same landscape or object over a period of time to create a sculptural evolution of natural forces.