fremont robert editor (12 risultati)

paperback. Condizione: Fair.

Paperback. Condizione: Good.

Trade Paperback. Condizione: Good. No Jacket. good copy with some general wear and soiling. big collection of songs from the 1890s. large format book of sheet music. some edge and corner wear. pages clean and unmarked. 401 pages.

Soft cover. Condizione: Good to Very Good. Condizione sovraccoperta: No Dust Jacket. (14)401pp. Includes original covers in black & white. Foxing along edges. Promoting global literacy for over 30 years. Size: 4to - over 9¾" - 12" tall.

Trade Paperback. Condizione: Good. No Jacket. good copy with some general wear and soiling present. light rubbing on edges and spine. some soiling on covers. a few scattered age spots on index pages. music pages clean and unmarked. very large music book. 401 pages.

Paperback. Condizione: Very Good. 401 pages in glossy paper. Book lays flat on page 149. No other crease to spine. Clean and bright, mild edge wear to cover.

Paperback. No Jacket. Cover is in excellent condition, save for rubbing and slight corner bumping. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" tall.

Paperback. Condizione: New.

Paperback. Condizione: Good. 401 pages. heavy book check postage with us.

Pictorial card cover. Condizione: Very Good. First American Edition. 89 sheet music songs of the ninetys how can you not buy it! Its heavy so postage will be a bit more.

Paper Back. Condizione: Very Good. First Thus. 401 pp. book is heavy please email for shipping quote , see more music on our websitevanessaparkerrarebooks.com.

Trade paperback. Condizione: Good. Presumed First Edition, First printing. The format is approximately 9 inches by 11.75 inches. [12], 401, [1] pages. Illustrations. Musical scores. Cover has some wear, soiling and creases. Favorite Songs of the Nineties is a new work, first published by Dover Publications, Inc., in 1973. It consists of unabridged, unaltered republications of the sheet music for 89 popular songs (original publishers and dates of publications are indicated in the Contends. The work also contains an Editor's Preface and an Introduction by Man Morath. Robert Fremont has selected the songs, ballads, dance songs, comic songs, and marches that capture the era, and the songs that we still sing, attempting to recapture that time in our own special way. Some you may have seen before, but most, in their original editions, are completely unavailable anywhere else. So tune up your vocal cords, bring out the piano, grab your tootsie-wootsie, and replay the favorite songs of the 1890s. Max Edward Morath (October 1, 1926 June 19, 2023) was an American ragtime pianist, composer, actor, and author. He was best known for his piano playing and is referred to as "Mr. Ragtime". He was a touring performer as well as being variously a composer, recording artist, actor, playwright, and radio and television presenter. Rudi Blesh billed Morath as a "one-man ragtime army." Morath's work in television and theater during the 1960s preceded the 1970s ragtime revival and had an influence on how it was constituted. Eric Salzman wrote in Stereo Review: "[t]he person who kept rag alive almost single-handedly during all the dark years was really Max Morath." Have you heard the songs of that era when "After the Ball" started modern pop history by selling over 5 million copies, when the nation sang and danced to the beat of Tin Pan Alley, when sheet music was the medium for musical fame? You probably know the tunes and choruses; they are always favorites. But there were also verses and piano parts in the original sheets that are every bit as much fun to sing today. Whether soprano, alto, tenor, bass, piano player, even whistler, you will enjoy these original pages and see why millions in the Nineties made them their own favorite songs. Here is the original sheet music, complete with piano parts, singing parts, and the original covers, for 89 songs that span the mid-1880s to the mid-1900s. There are songs by the composers who made Tin Pan Alley history: Victor Herbert Gypsy Love Song, The Streets of New York, Toyland; George M. Cohan: Give My Regards to Broadway, Yankee Doodle Dandy, Forty-five Minutes from Broadway; Paul Dresser On the Banks of the Wabash Far Away, My Gal Sal; James Thornton When You Were Sweet Sixteen, The Streets of Cairo; Harry Von Tilzer A Bird in a Gilded Cage, Coax Me; Cole and Johnson Under the Bamboo Tree; Gus Edwards In My Merry Oldsmobile; and A. M. Hirsh Yale Boola. There are songs that were originally sung by: Miss Lillian Russell Somebody's Sweetheart I Want to Be; Eva Tanguay I Don't Care; Frank W. Shea Dear Old Girl; Du Rell Twin Brothers The Fountain in the Park; Leona Thurber In the Shade of the Old Apple Tree; Gus Williams Meet Me in St. Louis, Louis; Lottie Gilson You're Not the Only Pebble on the Beach; and Annie Hart Sweet Rosie O'Grady. Additional songs include The Band Played On; Bill Bailey; The Bowery; Break the News to Mother; Daisy Bell; Hello, Ma Baby; A Hot Time in the Old Town; Ida! Sweet as Apple Cider; In the Good Old Summer Time; Little Annie Rooney; My Wild Irish Rose; Wait 'till the Sun Shines, Nellie; You Tell Me Your Dream, I'll Tell You Mine; and 50 others, equally singable, equally popular in their time and ours.