french singer (91 risultati)

Soft cover. Condizione: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

8vo. Original pictoral card covers (softback) (Fine). Pp. xv + 219 (no inscriptions).

Paperback. Condizione: Fair. First Edition. cover detached illustrated cover 5pp. Rare. Book.

FOTO, EIGENHÄNDIG SIGNIERT (dito : Presse-GF 1977 mit Unterschrift für Euro 48,-; weiße Karte mit Unterschrift für Euro 12,-; Grosses Albumblatt mit tollem, aufgezogenen Orig.-Porträt-GF, rückseitig ein weiteres vor Eiffelturm, mit eigenhändiger Empfehlung "Avec toute ma sympathie.", Unterschrift signiert, Euro 65,-; Großes Farbportraitkarte (8 to) eigenhändig signiert Euro 40,-).

Großes Szenefoto (Aufn. A. Pohlmann, Frankfurt) mit eigenhändiger Empfehlung, Unterschrift signiert, Iphigenie en Tausido , Saison 89 / 90.

Großes s/-Porträtfoto (im Kostüm,quer kl. 8°, leicht gegilbt) in Tinte eigenhändig signiert.

PATRICIA KAAS Mademoiselle singt den Blues, Mein Leben (Autobiografie mit Sophie Blandinieres) Edition Elke Heidenreich bei C. Bertelsmann München, 1. Auflage 2012, ERSTAUSGABE, 240 SS. gebunden (Hardcover 8 to), mit Schutzumschlag, Gebrauchsspuren - von Patricia Kaas mit Widmung für Richard,eigenhändiger Unterschrift signiert.

FOTO, EIGENHÄNDIG SIGNIERT.

Kleine Autogrammkarte (Visitformat, mit aufgezogenem Porträtnild, um 1940) eigenhändig signiert (dito : Porträtpostkarte, eigenhändig signiert mit Jahr 1937 Euro 75,-).

Schönes Original-Porträtfoto (geschminkt am Tisch, um 1950) mit 4-zeiliger, eigenhändiger Widmung, Empfehlung, Unterschrift signiert.

Farbportraitphoto (Repro) , eigenhändig signiert.

FOTO, EIGENHÄNDIG SIGNIERT (gr. Szenefoto).

No Binding. Condizione: Very Good. Original b/w portrait print photograph signed and inscribed by Marc Aryan as 'Gönül'e'. 15x10,5 cm. Henri Markarian, better known as Marc Aryan, was a French-Belgian singer, songwriter, and record producer of Armenian descent born as a French citizen, who also acquired Belgian citizenship after a long residency in the country. Marc Aryan was born to Lebanese Armenian parents who came from Malatya, Turkey. Henri Markarian initially released materials under the personal label Markal. He then changed the name of the label to Malatya where his parents came from. He recorded several songs for an album released in Brussels. With initial success, Henri Markarian decided to adopt the stage name Marc Aryan (derived from the pronunciation of his Armenian family name Markarian). After the successful years 1964 and 1965 locally, the years 1966 and 1969 proved to be his most prosperous years internationally. Marc Aryan enjoyed great popularity in the Middle East, particularly in Lebanon and Syria, where he also sang some songs in the Armenian language and in Eastern Europe and Latin America. He had some commercial success in Quebec, Canada's predominantly francophone province. Marc Aryan visited Turkey where his parents originated from. His success was huge after his release of the oriental-themed "Istanbul", one of his best-known hits that became an instant classic in Turkey. He also released a number of re-arrangements of his biggest hits in the Turkish language, following the example of famous European artists who had done the same as Salvatore Adamo, Johnny Hallyday, Sacha Distel, Enrico Macias, and Peppino di Capri. Turkish language versions in his album Istanbul'da include 9 songs including "Yalancisin", "Dünya Dönüyor", "Kalbin Yok Mu?" and others. The Turkish lyrics were mostly written by Fecri Ebcioglu. Signed by Author(s).

Pas de couverture. Condizione: Assez bon. Authentic signed card. A magazine photo is pasted to the card. Size : 21x15 cm. Condition : folded, please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Eigenhändige Unterschrift in Tinte mit Jahr 1959 BEILAGE : 2 Porträtbilder in 4 to (Repro) (dito zum gleichen Preis : Albumblatt (kl. 8 to, mit seitlich angeklebter Zeitungskarikatur von Ole Jensen, darunter fremd handschriftlich bezeichnet und datiert 23.4.1952), eigenhändig signiert).

Kleines Albumblatt (blanko, 1 S. quer kl. 16°) in Tinte mit eigenhändiger Unterschrift und Jahr 1949 signiert BEILAGE : Reproporträtfoto.

Eigenhändiger Brief / Dokument in Tinte signiert mit Unterschrift signiert 1933 BEILAGEN : Repro-Porträtfoto, Archiv-Informationen.

Kleines Farbportraitfoto mit eigenhändiger Widmung, Unterschrift signiert (dito : Farbportrait-Grossfoto (4 to, 2 verschiedene Motive vorhanden), eigenhändig signiert je Euro 65,-).

Pas de couverture. Condizione: Bon. Rare - Album page signed in the 60s in Paris. + Photo 15x15 cm (recent print). A photo of Rudolf Serkin is pasted on the back of the page. Size : 11x14 cm. Condition : please see scans. Provenance : Annette Lenoble collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condizione: Bon. Authentic photo postcard signed in 1951. Size : 14x9 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condizione: Satisfaisant. Authentic signed program photo. Size : 15x12.5 cm. Condition : to flatten a little, slight traces of humidity, please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condizione: Bon. Album page signed in person in 1986 in Paris. + Photo 23x15 cm (recent print). Size : 21x14 cm. Condition : please see scans. Provenance : impressive collection of a Parisian autograph hunter called Thierry (or Terry). Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condizione: Très bon. Nice authentic photo signed in person in Cannes in 1987. Size : 12.5x17.5 cm. Condition : please see scans. Provenance : Georges Flour (1945-2013) collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Eigenhändiges Albumblatt (1 S. 8°), in Tinte mit Ort, Datum, Datum, Unterschrift signiert Paris, Juillet 1944 - Eloge de l enseignement du mime G. Wague. Auverso autorisation de reproduire. Texte destine a la plaquette de Wague: sans la pensee, mais non reproduit. - Rückseitig eigenhändige Authorisierung für den französischen Schauspieler GEORGES WAGUE (1874-1965, French mime, teacher and silent film actor ) mit Ort, Datum, Unterschrift signiert. Paris, 31.VII.1944 BEILAGE : Repro-Porträtfoto.

Eigenhändiger Brief (3 S. kl. 8°, mit grün gedruckten Initialen am Kopf), in Tinte mit Ort, Datum, Datum, Unterschrift signiert Neuilly, Dimanche 16 Fevier (18)68 - in französisch, an Mon cher Bonnesseur BEILAGE : Repro-Porträtfoto.

Oblong small 8vo. 1 p. "En souvenir de mon concert du 28 avril 1928 Budapest". - In pencil.

Text by James Elliot Singer. Foreword by David F. Friedman. Text in English, French & Italian. Heavily Illustrated. (illustratore). Very Good (covers nice; contents clean & tight). Quarto: pictorial red wraps; 160 pages First Edition. First in a series. Signed by David F. Friedman on page 48 during a Cinema Wasteland convention before he died in 2011. The book features Russ Myer (King of the Nudies); David F. Friedman (Sultan of Sleaze); Herschel G. Lewis (Godfather of Gore); Harry H. Novak (Wizard of the Box Office); Doris Wishman (Grand Dame of Gimmick); Robert Lee Frost (Duke of Sadism); A.C. Stephen (Prince of Confidential) and their lusty and buxomy stars: Lorna Maitland, Erica Gavin, Tura Satana, Babettte Bardot, Pat Barrington, Marsha Jordan, Uschi Digart, Rene Bond, Sgaron Kelly, Dyanne Thorne, Chesty Morgan, Kitten Natividad and many more! Friedman wrote the Foreword to this book and has a chapter dedicated to him. Friedman [1923-2011] was a regional marketing man for Paramount Pictures and sensed the money in independent distributing. He started his own company in the 1950s, which mainly produced so-called nudie-cutie films that came close to the legal limits for pornography at the time. This trend was followed by the sexploitation and ?roughie? genres, depicting simulated sex with a more violent edge, often horror- or crime-related. Friedman went on to produce in the 1963 film "'Blood Feast," an American exploitation film often considered the first "gore" or "splatter" film. Books signed by Friedman are uncommon. This copy is the first edition in a series of different ?Bizarre Sinema? books published between 1995 (this edition) and 2009. Signed.

8vo. 3¼ pp. on bifolium. To an unnamed recipient, probably concerning his efforts to reach a journalist at Le Petit Journal in an unspecified project: "J'ai fait demander à Beauduin, au Petit Journal, à plusieurs reprises. Je n'ai jamais pu le voir. [.] Enfin hier, j'ai pu mettre un de ses collègues au courant de nos désirs. Mais je n'ai pas grande confiance dans le résultat de cet entretien. Il me vient une idée. J'ai un ami très sérieux et très serviable au Petit [.]".

Leinen-Autogrammkarte, eigenhändig signiert - mit s/w-Fotopostkarte unter dunkelblaues Passepartout (1 S. 4°) gerahmt (dito : FOTO, EIGENHÄNDIG SIGNIERT - schönes 60'er Euro 85,-) (dito : Programmheft des Nachtclub / Night Club TITO S (Palma, Pb. kl. 4°, Kordelheftung, 1969), 16 nn. SS. mit vielen Fotos - auf seinem ganzseitigen Foto darin eigenhändig signiert Euro 95,-).

4to. 174 pp., 173 pp., 43 pp. Two typed manuscripts bound in original wrappers, with parts loosely inserted. Autograph manuscript loose. Manuscripts for the second volume of his memoirs "Ma route et mes chansons", which is subtitled "Londres, Hollywood, Paris" and was published in 1947 by Éditions Julliard. - The ensemble consists of 18 chapters, of which 17 are typed and one is handwritten. Compared to the published work, three chapters are missing: the introduction "Je vais sur mon chemin", chapter XV "La Petite Marcelle", and XVIII "My American Best Pote". - The first typed manuscript comprises 13 chapters bound in wrappers and 4 loosely inserted chapters. The end of the chapter entitled "It Was So Beautiful" is lacking (the last three pages have been removed with scissors). There are numerous small autograph corrections in blue ink, and an autograph page in pencil inserted. - The second typed manuscript is identical to the first, but was corrected by another hand in red pen. The end of chapter "It Was So Beautiful" is also cut out from this volume, but inserted loosely. - The autograph manuscript is entitled "Des souvenirs et des roses" (chapter XIX of the published work) and bears corrections in red pen from the same hand as the corrections in the second typed manuscript. Chevalier remembers his time in America: "Allongé sur une chaise longue - au milieu des autres voyageurs, l'horizon me semble un écran de dimensions gigantesques, où défilent des foules de visages et où des scènes, des sketches s'interposent comme si, au moment de remettre pour de bon les pieds dans mon pays, la mer américaine avant de les engloutir, tenait à me les faire bouillonner, sautiller dans mon cur, devant les yeux. Comme un immense lot de souvenirs à triller, à choisir. Comme des artistes qui viennent saluer à la fin d'une représentation pour se rappeler à la mémoire du spectateur et pour venir quêter leur petite part d'applaudissements. Tous ces visages, Maurice, ont été des visages estimables, et il est juste qu'ils laissent en ton "toi-même" des traces de ce qu'ils ont ajouté à ton jugement des hommes et des femmes [.]".