Lingua: Inglese
Editore: Xlibris (edition Illustrated), 2009
ISBN 10: 1436398428 ISBN 13: 9781436398428
Da: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condizione: Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
EUR 10,12
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Aggiungi al carrelloCondizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloCondizione: New.
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Aggiungi al carrelloPaperback. Condizione: New. Illustrated.
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Condizione: New. Maud's Memoirs, Peter's Portrait, Sarah's Story (Paperback or Softback).
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Aggiungi al carrelloPF. Condizione: New.
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Aggiungi al carrelloCondizione: New. In.
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloGebunden. Condizione: New.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloCondizione: New. Illustrated.
EUR 85,09
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Aggiungi al carrelloCondizione: New.
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Aggiungi al carrelloHardcover. Condizione: Brand New. 300 pages. 9.01x6.00x0.90 inches. In Stock.
EUR 106,08
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer's own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations' awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject's vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the 'othered' nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.
EUR 92,87
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 36,70
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Aggiungi al carrelloBuch. Condizione: Neu. Maud's Memoirs, Peter's Portrait, Sarah's Story | Sarah Friars | Buch | Gebunden | Englisch | 2009 | Xlibris | EAN 9781436398428 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 23,84
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Aggiungi al carrellohardcover. Condizione: New.
Hardback. Condizione: New. In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer's own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations' awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject's vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the 'othered' nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.
EUR 161,31
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Aggiungi al carrelloHardcover. Condizione: Brand New. 300 pages. 9.01x6.00x0.90 inches. In Stock.
EUR 99,62
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer's own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations' awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject's vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the 'othered' nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.
Condizione: New.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 19,86
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Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Hardback. Condizione: New. In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer's own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations' awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject's vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the 'othered' nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 31,99
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.