fritz eichenberg wood engravings (23 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Wood Engravings By Fritz Eichenberg (illustratore). Second Printing. 4to - over 9¾" - 12" tall. In pictorial jacket, 4to, 80pp. Illustrated with Wood Engravings By Fritz Eichenberg. (slight wrinkling to rear jacket panel).

Hardcover. Condizione: Good. No Jacket. Wood Engravings By Fritz Eichenberg (illustratore).

Hardcover. Condizione: Collectible, Fine. Condizione sovraccoperta: Near Fine. Wood Engravings By Fritz Eichenberg (illustratore). Large octavo, hardcover, in fine condition in near fine beige slipcase. Collectible (but unfortunately missing the "Sandglass" write up). Red cloth, gilt design on black circle on cover, pages edged in red on top. 343 pp. Begins with a letter from Capt. Gulliver to his cousin Sympson. An account of the Four Voyages into several remote nations o f the world; just as written down by Swift. Written in charming Old English.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. No Edition Stated. Book has slight fading to color on spine and top red page ends at spine; slipcase has some rubbing to bottom edge; Heritage Club Sandglass Number IX: 25 laid in; 234 pages.

Soft cover. Condizione: Very Good. Fritz Eichenberg Wood Engravings (illustratore). Original printing 1988 Clean tight strong unmarked copy. Eichenberg's great wood engravings. 258 pages. Christian Literature.

Hard Cover. Condizione: Very Good. No Jacket. Illustrated with Wood Engravings By Fritz Eichenberg (illustratore). Lower corner tips frayed on heel of spine corners, other corners lightly rubbed, tape sticker shadow on top front cover corner, former owner's bookplate on front endpaper. Translated from the Russian by Constance Garnett. With a Foreword by Sinclair Lewis. Reddish cloth with gold lettering on spine and front cover. 235 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Illustrated with Wood Engravings By Fritz Eichenberg (illustratore). First Thus. 8vo - over 7¾" - 9¾" In grey cloth with balck and silver titling, pictorial upper cover rendering, 8vo, 167pp. Illustrated with Wood Engravings By Fritz Eichenberg. #2137 of 3000 copies printed for this edition.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. Wood Engravings by Fritz Eichenberg (illustratore). Limited Edition. Copy No. 664 of three thousand copies printed; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with eight wood engravings by Fritz Eichenberg; lacks slipcase. Book.

Captures the mood of the original Russian edition. Publishers letter laid-in. Nice bright clean crisp copy 6-1/2 x 9-1/2, 235 pp, full-pg b/w illus. Fine unmarked, in Fine slipcase. Hardcover in orange cloth boards w decorative gilt, in plain reddish slipcase.

Pamphlet. Condizione: Used - Very Good. Printed in June, 1954 for Friends of the Curtis Paper Company, Newark, Delaware at The Spiral Press, New York. (20) pages. 9 x 6", printed wrapper. VG.

Condizione: Very Good. HB VG/no DJ in slip case! very gently used, minor show of wear, free of markings, modest age tanning / sunned spine.

Soft Cover. Condizione: Very Good. Wood Engravings By Fritz Eichenberg (illustratore). Probable First Printing Thus. Soft Cover. Very Good. Probable First Printing Thus. 8vo - over 7¾" - 9¾" tall. Top inch and side 1/5" of front cover browned, former owner's name written in ink on by top edge of front cover, price (?) marked out on top front corner. With an introduction by William Hubben. 47 pages.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. Illustrated by Fritz Eichenberg Wood Engravings (illustratore). Collector's Edition, full leather binding with elaborate gilt decoration on covers and spine. All edge gilt, ribbon in place, silk end papers, light sunning to edges. Nicely printed with clean, bright interior. Shadow, color fading on silk of inside cover where bookplate was removed. A lovely edition not to be confused with the faux leather or cloth editions. ; Collector's Edition; 8vo 8" - 9" tall; 234 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dj. Wood Engravings By Fritz Eichenberg (illustratore). Quarto, hardcover, VG in edgeworn slipcase. Turquoise cloth with red and gilt design, pages edged in red on all sides; Cliff notes laid in (softcover, yellow and black with explanations and summaries of book) An account of the Four Voyages into several remote nations o f the world; just as written down by Swift. In this edition the story has been especially edited for the younger reader. But the charming Old English is left intact. Book.

Slipcased Cloth Over Boards. Condizione: Very Good. No Jacket. Eichenberg, Fritz (wood engravings) (illustratore). This book is in very good condition with tight binding and clean text. There is minor wear on the slipcase. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: As New. No Jacket. 1st Edition. First printing, 1977. As new & unread with tight/unopened binding. Black genuine leather, all gilt edges, ribbon marker, silk moire endpapers, illustrated. See photos.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. Fritz Eichenberg Wood Engravings (illustratore). Sandburg Poems selected by Lee Bennett Hopkins. Great frame worthy wood engravings by Fritz Eichenberg. ( 6x7 1/2 ) Fine as new unmarked copy with very light edge wear to bright clean jacket. Gift Worthy.

Hardcover. Condizione: New. Condizione sovraccoperta: Slipcase Very Good ++. Wood Engravings by Fritz Eichenberg (illustratore). Limited Edition. Limited Edition, this being #1329 of 3000 Copies. Illustrated by Fritz Eichenberg. Includes the two page Publisher's Sheet. [6], 167pp, [3], bound in illustrated gray cloth, with the binding and hinges tight, NO LABELS INSCRIPTIONS, NOR MARKINGS. The slipcase shows a slightly darkened spine.

Hard Cover. No Jacket. HBNODJ Issued, Bound in Genuine Black Tooled Leather with Gold Gilt Decorations & Ribbon Bookmark, Minor Wear Interior Nice, tight Clean, F/F, NODJ, Pages edges Gold Gilt,235 pgs.

Hardcover. Condizione: As New. No Jacket. First printing of Collector's Edition, 1980. As new & unread with tight/unopened binding. Black genuine leather, all gilt edges, ribbon marker, silk moire endpapers, illustrated. See photos.

Full-Leather. Condizione: Fine. Eichenberg, Fritz (wood-engravings) (illustratore). Limited Edition. The Collector's Library of Famous Editions. Full dark blue leather with gilt titles and decorations; all edges gilt; silk moire endpapers; ribbon page marker. Notes from the Archives laid in. BB.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Original cloth-backed pictorial boards. Miniature format. Spine gap mid volume, the occasional minor spot. Slight sunning/edgewear to boards, spine sunned. [40]pp. ; 24mo 5" - 6" tall.

Prints. Condizione: Near Fine. Folio [39 cm] Two suites of loose prints (the suites are issued in two states). 13 prints printed on white paper, 12 of which are signed; 13 prints printed on cream-colored paper, 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper, the only difference being the paper. The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. *Does not contain the introduction by Leonard Baskin or the descriptive letterpress text.*. With signed self-portraits by the following artists: -Fred Becker (1913-2004). Born in Oakland, California, and active in St. Louis, Missouri and New England. -Jack Coughlin (b. 1932). Born in Greenwich, Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings, etchings, and lithographs of literary figures and musicians. (Information obtained from Brier Hill Gallery, Boston, MA). -John DePol (1913-2004). A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg (1901-1990). A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. (Westmont Ridley-Tree Museum of Art) -Raymond Gloeckler (1928-2022). Born in Portage, Wisconsin. While still a student, he taught art, via a government program, in rural schools. Later, he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures, and bold, expressive, satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow (b. 1942). An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man, nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations, through which the viewer traverses, to the delicate and contained world of his houseplants, where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger (b. 1941). One of the two female artists represented here. Born in Chicago, Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute, and is linked to her equally long, frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time, printing industry technology had moved on, supplanting woodblock engravings with line drawings and photography. 'A dying art,' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago, hub of an enormous catalog business, there were still a few commercial wood-engraving establishments turning out the precise, detailed images more typical of the previous century. One of them, Sander Wood Engraving, on Dearborn Street, was where Professor Troy, a committed modernist, sent his students to buy the best material: rare, English-grown, boxwood blocks. "'He warned us,' Jaidinger recalls, 'If you go to Sander and buy your wood from them, don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin (1936-1994). Born in Elgin, Illinois, and a graduate of the Art Institute of Chicago. He was also active in Roosevelt, New Jersey. His work is held in private museums and collections throughout the world, including th.