paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
paperback. Condizione: Very Good.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
paperback. Condizione: Very Good.
paperback. Condizione: Good. Minor wear and creasing.
Lingua: Inglese
Editore: Coffee House Press, Minneapolis, 1992
ISBN 10: 1566890039 ISBN 13: 9781566890038
Da: Stephen Peterson, Bookseller, Eden Prairie, MN, U.S.A.
Trade Paperback. Condizione: Very Good. VG paperback.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Minneapolis: Coffee House Press, 1992, 1992
ISBN 10: 1566890039 ISBN 13: 9781566890038
Da: Virtuous Volumes et al., Wilson, WI, U.S.A.
Prima edizione
Soft Cover. Very Good. First Printing? 8vo - over 7¾" - 9¾" tall. ISBN:1-56689-003-9. Edges lightly worn, front corner lightly bent about 1/4" from tips. 131 pages.
Paperback. Condizione: Very Good.
Condizione: New.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Trade Paperback. Condizione: Fine.
Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: new. Paperback. The acclaimed poet's first collection of short stories illuminates worlds of the unfortunate and lives of the marginalized. "These fluid stories resonate with both internal and external dialogues in a variety of voices."--Publishers Weekly "Frym deserves admiration from all discriminating fiction readers."--Booklist Fiction. "These are pure stories. They are told because they have to be told, because the people in them exist in an un-narrated, anguished time that uses them without seeming purpose. Gloria Frym gives these lives back their stories. I felt - while overhearing these - the pleasure of being an intruder, a spy, a voyeur" -Andrei Codrescu. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 12,74
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 15,79
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Distance No Object, Gloria Frym turns her ironic, passionate gaze to post-Vietnam Berkeley and San Francisco. Private lives are still swept along by the currents of history, as in the sixties. But the names of the wars have changed.the bombs fall on Iraq, and "the war on poverty" becomes a war against the poor. The stories of Distance No Object evoke the deep frustrations between generations, friends, neighbors, and races. Yet civility, quotidian justice, a common language, and new love are imagined.and Kafka finds his true bride. "Frym turns an unflinching eye on human interaction, capturing casual and intimate exchanges between strangers on trains, estranged husbands and wives, and errant children and their parents in this sensitive and assured collection.Frym focuses on sensitive social issues.her politically charged narratives are among her best."--Publishers Weekly ".a collection that is possibly ahead of its time while it masquerades as an elegy for an end to an era."--Austin Chronicle "Quiet and moving in their intensity of feeling."--Kirkus Reviews "Put Gloria Frym's splendidly knowing vision of the urban with Grace Paley's and Stephen Dixon's.Her voice is tender, searching, and ever so slightly insolent--you greet these stories like friends stopping by unannounced, friends so beguiling that you wish they'd stay longer than they do."--Jonathan Lethem, author of Gun, with Occasional Music and Amnesia Moon "Gloria Frym's stories strike me as going directly to the heart in a rational way. They hurt by being clear and reasonable--like William Carlos Williams' poetry, say. But hurt doesn't mean hurt, exactly; it means affected in a necessary way."--Alice Notley, author of Mysteries of Small Houses Gloria Frym is no stranger to the literary scene, having been a writer and teacher for over two decades. She attended the University of New Mexico under the tutelage of poet Robert Creeley. "Creeley had quite a bit of national acclaim by that time," says Frym, "but I didn't know it. I just knew he was important to me and his presence brought a lot of important writers--Allen Ginsberg, Gary Snyder, Denise Levertov, and others--to what was essentially an outpost on Route 66."Gloria Frym is the author of a previous collection of short stories, How I Learned, as well as several volumes of poetry, including By Ear, Back to Forth, Impossible Affection, and the forthcoming Homeless at Home. She is also the author of a book of interviews, Second Stories: Conversations with Women Artists. Since 1987, she has been a member of the core faculty of the Poetics Program at New College in San Francisco.
EUR 13,88
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 16,93
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Distance No Object, Gloria Frym turns her ironic, passionate gaze to post-Vietnam Berkeley and San Francisco. Private lives are still swept along by the currents of history, as in the sixties. But the names of the wars have changed.the bombs fall on Iraq, and "the war on poverty" becomes a war against the poor. The stories of Distance No Object evoke the deep frustrations between generations, friends, neighbors, and races. Yet civility, quotidian justice, a common language, and new love are imagined.and Kafka finds his true bride. "Frym turns an unflinching eye on human interaction, capturing casual and intimate exchanges between strangers on trains, estranged husbands and wives, and errant children and their parents in this sensitive and assured collection.Frym focuses on sensitive social issues.her politically charged narratives are among her best."--Publishers Weekly ".a collection that is possibly ahead of its time while it masquerades as an elegy for an end to an era."--Austin Chronicle "Quiet and moving in their intensity of feeling."--Kirkus Reviews "Put Gloria Frym's splendidly knowing vision of the urban with Grace Paley's and Stephen Dixon's.Her voice is tender, searching, and ever so slightly insolent--you greet these stories like friends stopping by unannounced, friends so beguiling that you wish they'd stay longer than they do."--Jonathan Lethem, author of Gun, with Occasional Music and Amnesia Moon "Gloria Frym's stories strike me as going directly to the heart in a rational way. They hurt by being clear and reasonable--like William Carlos Williams' poetry, say. But hurt doesn't mean hurt, exactly; it means affected in a necessary way."--Alice Notley, author of Mysteries of Small Houses Gloria Frym is no stranger to the literary scene, having been a writer and teacher for over two decades. She attended the University of New Mexico under the tutelage of poet Robert Creeley. "Creeley had quite a bit of national acclaim by that time," says Frym, "but I didn't know it. I just knew he was important to me and his presence brought a lot of important writers--Allen Ginsberg, Gary Snyder, Denise Levertov, and others--to what was essentially an outpost on Route 66."Gloria Frym is the author of a previous collection of short stories, How I Learned, as well as several volumes of poetry, including By Ear, Back to Forth, Impossible Affection, and the forthcoming Homeless at Home. She is also the author of a book of interviews, Second Stories: Conversations with Women Artists. Since 1987, she has been a member of the core faculty of the Poetics Program at New College in San Francisco.
Soft cover. Condizione: Very Good. A very good condition copy. Light shelf wear. Faint creases and so one. Sticker scar on spine panel. The binding remains tight. Internally, a previous owner name softly in pencil on half-title. The pages are toned but otherwise free from markings or marginalia. A copy which remains in excellent reading condition.
Soft cover. Condizione: Fine. Signed on the half title page: "Gloria Frym, Berkeley, 9.24.06".
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Coffee House Press, Minneapolis, Minnesota, 1992
ISBN 10: 1566890039 ISBN 13: 9781566890038
Da: Eel River Books, McKinleyville, CA, U.S.A.
Prima edizione Copia autografata
Paper Wrappers. Condizione: Fine. First Edition. Signed by author on title page. 131 pages. Fine copy in wrappers (paperback). Signed by Author.
paperback. Condizione: Fine. like new softcover. clean text. no marks. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.
Editore: Berkeley: Creative Arts (1991)., 1991
Da: Jeff Maser, Bookseller - ABAA, Berkeley, CA, U.S.A.
Prima edizione
First edition. [78 pp]. Fine in glossy illustrated wrappers; a trade paperback original.
paperback. Condizione: Good. Fast Shipping - Safe and Secure 7 days a week!
paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!
paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!
Lingua: Inglese
Editore: City Lights Books, Monroe, OR, 1999
ISBN 10: 0872863581 ISBN 13: 9780872863583
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In Distance No Object, Gloria Frym turns her ironic, passionate gaze to post-Vietnam Berkeley and San Francisco. Private lives are still swept along by the currents of history, as in the sixties. But the names of the wars have changed.the bombs fall on Iraq, and "the war on poverty" becomes a war against the poor. The stories of Distance No Object evoke the deep frustrations between generations, friends, neighbors, and races. Yet civility, quotidian justice, a common language, and new love are imagined.and Kafka finds his true bride."Frym turns an unflinching eye on human interaction, capturing casual and intimate exchanges between strangers on trains, estranged husbands and wives, and errant children and their parents in this sensitive and assured collection.Frym focuses on sensitive social issues.her politically charged narratives are among her best."-Publishers Weekly".a collection that is possibly ahead of its time while it masquerades as an elegy for an end to an era."-Austin Chronicle"Quiet and moving in their intensity of feeling."-Kirkus Reviews"Put Gloria Frym's splendidly knowing vision of the urban with Grace Paley's and Stephen Dixon's. Her voice is tender, searching, and ever so slightly insolent-you greet these stories like friends stopping by unannounced, friends so beguiling that you wish they'd stay longer than they do."-Jonathan Lethem, author of Gun, with Occasional Music and Amnesia Moon"Gloria Frym's stories strike me as going directly to the heart in a rational way. They hurt by being clear and reasonable-like William Carlos Williams' poetry, say. But hurt doesn't mean hurt, exactly; it means affected in a necessary way."-Alice Notley, author of Mysteries of Small HousesGloria Frym is no stranger to the literary scene, having been a writer and teacher for over two decades. She attended the University of New Mexico under the tutelage of poet Robert Creeley. "Creeley had quite a bit of national acclaim by that time," says Frym, "but I didn't know it. I just knew he was important to me and his presence brought a lot of important writers-Allen Ginsberg, Gary Snyder, Denise Levertov, and others-to what was essentially an outpost on Route 66." Gloria Frym is the author of a previous collection of short stories, How I Learned, as well as several volumes of poetry, including By Ear, Back to Forth, Impossible Affection, and the forthcoming Homeless at Home. She is also the author of a book of interviews, Second Stories: Conversations with Women Artists. Since 1987, she has been a member of the core faculty of the Poetics Program at New College in San Francisco. The college town of Berkeley in the 1990s is the setting for these poetic short stories of experience and despair. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 16,78
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.