Funnell jeff (2 risultati)

Rielisms
Boyle, John; Racette, Sherry Farrell; Favell, Rosalie; Funnell, Jeff; Hannan, David; Lemay, Marcien; McMaster, Gerald; Newdigate, Ann; Nugent, John; Poitras, Jane Ash
- Brossura
Da: Werdz Quality Used Books, Winnipeg, MB, CanadaWerdz Quality Used Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 22,06
EUR 26,18 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Fine. Inscribed by M. LeMay; Clean, tight, unmarked; absolute minimal wear; An exhibition that raises a challenging question for Canadians: whose hero is Louis Riel? In doing so, this exhibition furthers the Gallery's commitment to examine visual culture from a diversity of cultural perspectives and in re…lation to the aesthetic, social, historical, and political import of art.
Editore: Southern Alberta Art Gallery, 1991
- Brossura
Da: L. Lam Books, Winnipeg, MB, CanadaL. Lam Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 40,52
EUR 13,11 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Very Good. No Jacket. 55 pp. with B/W illustrations and biographical notes. Catalogue for an exhibition from March 22 to April 21, 1991 at the Southern Alberta Art Gallery. "In April of 1988, Jeff Funnell made ninety-one sketches while attending the two week coroner's inquest into the police shooting of J….J. Harper, a Cree Indian from Winnipeg. This series of drawings records local history in the making, and itself an historical document, recording the anatomy of a criminal hearing which exonerated a white police officer of the killing of a native man. Accompanying the sketches are the judges published verdict and a slow-motion video recording of a police recreation of the event. These persuasive official versions of the story contrast with Funnell's intentionally low-tech and subjective-looking pencil and pen marks, which seem to take on an even greater authenticity juxtaposed with the television images and printed word. In raising native issues, Funnell's series becomes implicated in current debates going on in the Canadian art community concerning the representation of non-dominant cultural groups.".