Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Very Good. no dust jacket as issued No dust jacket. With very good dust jacket. Oversized.
Editore: RISD (Rhode Island School of Design) Museum, 2019
Da: Katsumi-san Co., Cambridge, MA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Top corner of the first page has a small red heart stamp; volume has minor wear; tight, text clean. 96 p., well illustrated; a supplemental foldout is laid in loosely at front. [br 22: grn cov fld w/words].
Lingua: Inglese
Editore: Lund Humphries, First Edition, FIRST PRINTING, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: KULTURAs books, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Fine. 4to 11" - 13" tall; 144 pages.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Lingua: Inglese
Editore: Yale University Press, New Haven and London, 2013
ISBN 10: 0300135483 ISBN 13: 9780300135480
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. 246 pages. Hardcover. Texts in English. Corners of the boards are mildly bumped, with general shelfwear to the edges and associated rubbing to the dustjacket. Else, the binding is solid, the interior clean and free of markings. Beautifully illustrated with 194 color and 13 black and white reproductions. Bound in cloth covered boards, wrapped in an illustrated paper dustjacket, and published on the occasion of the exhibition held from September 27, 2013-January 5, 2014. Book.
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: VG+: As new in shrinkwrap. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 28,96
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. Like New (bump to upper edge of spine).
EUR 42,41
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2025
ISBN 10: 1606069659 ISBN 13: 9781606069653
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 52,28
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and while an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made created fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies. Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Durer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, GB, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condizione: New. This book is the first full-length study into the multifarious influence of Renaissance prints on maiolica and bronze. Focusing on designs by major artists such as Andrea Mantegna, Antonio del Pollaiuolo, Raphael, Michelangelo, Parmigianino, and Albrecht Dürer, the book tells the story of how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs, creating a shared visual canon across artistic media and geographical boundaries. Prized by princes and popes, and collected by scholars and diplomats, brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. They are also among the least familiar, even to lovers of early modern art. Although seemingly unrelated and usually exhibited in isolation, ceramics and bronzes are in fact bound by the complex network of connections they share with prints and illustrated books. Sharing Images provides a comprehensive introduction to different aspects of the phenomenon, from the role of 15th-century prints and the rediscovery of ancient art to the importance of illustrated books and the artistic exchanges between Italy and northern Europe.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.
Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Da: The Roving Eye Books, Ridgely, MD, U.S.A.
Prima edizione
Hardcover. Condizione: New. No Jacket. 1st Edition. Elegantly printed study of how images were transformed into designs in sculpture,ceramics, bronze relief, with focus also on illustrated books, glazed Italian ceramics, Renaissance prints.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 38,10
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Yale University Press 2021-09-28, 2021
ISBN 10: 0300256361 ISBN 13: 9780300256369
Da: Chiron Media, Wallingford, Regno Unito
EUR 37,21
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Majestic Books, Hounslow, Regno Unito
EUR 49,46
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2025
ISBN 10: 1606069659 ISBN 13: 9781606069653
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and while an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made created fascinating hybrid works that blurred the boundaries between the two media, pushing against modern definitions and hierarchies. Lines of Connection charts these historical and geographical continuities for the first time by bringing together works on paper of superb quality, foregrounding issues of artistic process and collaboration, technical innovation, and creative ingenuity. Featuring over 170 prints and drawings by such artists as Albrecht Durer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt van Rijn, and William Blake, this catalogue is a rich narrative introduction to the compelling, yet understudied, relationship between drawing and printmaking.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 43,01
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 43,14
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: New.
EUR 43,26
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 230 pages. 10.51x8.51x10.50 inches. In Stock.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 51,73
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 49,46
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: New.
Lingua: Inglese
Editore: Lund Humphries Publishers Ltd, London, 2018
ISBN 10: 1848222645 ISBN 13: 9781848222649
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. This book is the first full-length study into the multifarious influence of Renaissance prints on maiolica and bronze. Focusing on designs by major artists such as Andrea Mantegna, Antonio del Pollaiuolo, Raphael, Michelangelo, Parmigianino, and Albrecht Duerer, the book tells the story of how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs, creating a shared visual canon across artistic media and geographical boundaries. Prized by princes and popes, and collected by scholars and diplomats, brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. They are also among the least familiar, even to lovers of early modern art. Although seemingly unrelated and usually exhibited in isolation, ceramics and bronzes are in fact bound by the complex network of connections they share with prints and illustrated books. Sharing Images provides a comprehensive introduction to different aspects of the phenomenon, from the role of 15th-century prints and the rediscovery of ancient art to the importance of illustrated books and the artistic exchanges between Italy and northern Europe. Sharing Images provides a comprehensive introduction to how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs during the Renaissance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.