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Aggiungi al carrelloPaperback. Condizione: New. A cooperative reflection on how to teach art. How should art be taught? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process? In other words, how can a non-artist become an artist? Such programmatic questions articulated by acclaimed Polish artist Artur Zmijewski were at the heart of the workshop "How to Teach Art?" Zmijewski invited a group of graduate and doctoral students from three Zurich universities-the Swiss Federal Institute of Technology, the University of Zurich, and the Zurich University of the Arts-to collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises induced by Zmijewski himself. This book retraces the workshop and its process by showing inconclusive, fragmentary results between theory and practice. How to Teach Art? presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, "How to teach art?".
Lingua: Inglese
Editore: Scheidegger und Spiess AG, Verlag, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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Lingua: Inglese
Editore: Scheidegger und Spiess AG, Verlag, CH, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
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Aggiungi al carrelloHardback. Condizione: New. The book's title - Taking Measures - has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action.This book - which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich - addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved? In what way can artistic practice not only make these involvements visible but challenge and test them? How can technologies of measurement in art be used politically and be made operative for the public sector? How can formats themselves, as the measures of art, be exhibited? How can they be put in relation to exhibition spaces and their economies of valorisation, and how can this relationship be assessed? These questions are explored in illuminating and richly illustrated essays.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 192 pages. 11.50x8.25x0.75 inches. In Stock.
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Lingua: Inglese
Editore: Scheidegger und Spiess AG, Verlag, Zurich, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The book's title - Taking Measures - has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action. This book - which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich - addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved? In what way can artistic practice not only make these involvements visible but challenge and test them? How can technologies of measurement in art be used politically and be made operative for the public sector? How can formats themselves, as the measures of art, be exhibited? How can they be put in relation to exhibition spaces and their economies of valorisation, and how can this relationship be assessed? These questions are explored in illuminating and richly illustrated essays. AUTHORS: Fabienne Liptay is a professor of film studies at the University of Zurich, where she directed the research project Exhibiting Film: Challenges of Format. Carla Gabri and Laura Walde were members of the research project Exhibiting Film: Challenges of Format as PhD students at the Department of Film Studies, University of Zurich. SELLING POINTS: . An insightful read on film and video as measuring devices to test the effectiveness of art in public space . Essays by renowned scholars and researchers explore a wide range of questions about political possibilities and means of artistic practice . Richly illustrated, the book addresses issues of measures and formats in both content and design 160 colour illustrations An insightful read on film and video as measuring devices to test the effectiveness of art in public space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: New. Film und Video als Instrumente zur Erprobung der Wirksamkeit von Kunst Taking Measures - der Titel dieses Buches birgt eine doppelte Bedeutung: Er verweist einerseits auf die Praxis des Messens und anderseits auf das politische Pote.
Lingua: Inglese
Editore: Scheidegger & Spiess Mär 2023, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware - The book's title-Taking Measures-has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action. This book-which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich-addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved In what way can artistic practice not only make these involvements visible but challenge and test them How can technologies of measurement in art be used politically and be made operative for the public sector How can formats themselves, as the measures of art, be exhibited How can they be put in relation to exhibition spaces and their economies of valorization, and how can this relationship be assessed These questions are explored in illuminating and richly illustrated essays.; Taking Measures - der Titel dieses Buches birgt eine doppelte Bedeutung: Er verweist einerseits auf die Praxis des Messens und anderseits auf das politische Potenzial von Macht und Widerstand durch das Ergreifen von Massnahmen. Film und Video haben seit ihrer Erfindung als Medium und Messinstrument für wissenschaftliche, wirtschaftliche, politische und andere Zwecke gedient und wurden vielfach auch ausserhalb künstlerischer Bereiche eingesetzt. Genau darin liegen jedoch auch Möglichkeiten für Kunst, ihre eigene Wirksamkeit im öffentlichen Raum zu erproben und Widerstandspotenziale im künstlerischen Handeln aufzudecken. Die Beiträge dieses englischsprachigen Sammelbandes, der aus einer Reihe von Dialogen zwischen Forscherinnen und Künstlern im Rahmen des Forschungsprojekts Exhibiting Film: Challenges of Form an der Universität Zürich hervorging, erkunden diese Möglichkeiten. An welchen Praktiken der Vermessung, der Produktion von Wissen und von Beweisen im Dienst der Forschung sind Film und Video beteiligt Auf welche Weise kann künstlerische Praxis solche Verstrickungen nicht nur sichtbar machen, sondern auch hinterfragen und erproben Wie können Technologien des Messens in der Kunst politisch genutzt und für den öffentlichen Sektor nutzbar gemacht werden Solchen Fragen und ihren Implikationen wird hier in erhellenden Essays nachgegangen.
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Aggiungi al carrelloPaperback. Condizione: New. A cooperative reflection on how to teach art. How should art be taught? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process? In other words, how can a non-artist become an artist? Such programmatic questions articulated by acclaimed Polish artist Artur Zmijewski were at the heart of the workshop "How to Teach Art?" Zmijewski invited a group of graduate and doctoral students from three Zurich universities-the Swiss Federal Institute of Technology, the University of Zurich, and the Zurich University of the Arts-to collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises induced by Zmijewski himself. This book retraces the workshop and its process by showing inconclusive, fragmentary results between theory and practice. How to Teach Art? presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, "How to teach art?".
Lingua: Inglese
Editore: Scheidegger und Spiess AG, Verlag, Zurich, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. The book's title - Taking Measures - has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action. This book - which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich - addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved? In what way can artistic practice not only make these involvements visible but challenge and test them? How can technologies of measurement in art be used politically and be made operative for the public sector? How can formats themselves, as the measures of art, be exhibited? How can they be put in relation to exhibition spaces and their economies of valorisation, and how can this relationship be assessed? These questions are explored in illuminating and richly illustrated essays. AUTHORS: Fabienne Liptay is a professor of film studies at the University of Zurich, where she directed the research project Exhibiting Film: Challenges of Format. Carla Gabri and Laura Walde were members of the research project Exhibiting Film: Challenges of Format as PhD students at the Department of Film Studies, University of Zurich. SELLING POINTS: . An insightful read on film and video as measuring devices to test the effectiveness of art in public space . Essays by renowned scholars and researchers explore a wide range of questions about political possibilities and means of artistic practice . Richly illustrated, the book addresses issues of measures and formats in both content and design 160 colour illustrations An insightful read on film and video as measuring devices to test the effectiveness of art in public space. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloBuch. Condizione: Neu. Taking Measures | Usages of Formats in Film and Video Art | Fabienne Liptay (u. a.) | Buch | 320 S. | Englisch | 2023 | Scheidegger & Spiess | EAN 9783858818881 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: Scheidegger und Spiess AG, Verlag, CH, 2023
ISBN 10: 3858818887 ISBN 13: 9783858818881
Da: Rarewaves.com UK, London, Regno Unito
EUR 45,49
Quantità: 16 disponibili
Aggiungi al carrelloHardback. Condizione: New. The book's title - Taking Measures - has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action.This book - which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich - addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved? In what way can artistic practice not only make these involvements visible but challenge and test them? How can technologies of measurement in art be used politically and be made operative for the public sector? How can formats themselves, as the measures of art, be exhibited? How can they be put in relation to exhibition spaces and their economies of valorisation, and how can this relationship be assessed? These questions are explored in illuminating and richly illustrated essays.