gail s davidson (22 risultati)

Paperback. Condizione: Very Good. First Edition. 128 pp., bw ill., 4to. : Bright copy, no ownership markings, top fore-edge corner bumped. : Well packaged, ships with tracking.

Hardcover w/DJ. Condizione: Very Good+/Very Good+. Color Illustrations (illustratore). First Edition. New York, NY: Cooper Hewitt, Smithsonian Design Museum. Very Good+/Very Good+. (2008). First Edition. Hardcover w/DJ. 4to., 160 pp., shelfwear .

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. Cloth, xii, 180 pages, illustrations (some colour); 29 cm. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19 to October 29, 2006. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. Richly illustrated with colour plates. *** "Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape is published in conjunction with a major exhibition mounted by the Smithsonian's Cooper-Hewitt, National Design Museum that will showcase, for the first time in over two decades, the museum's extraordinary collection of American art, including the largest holdings of works by Homer and Church in the world. Five original essays will accompany the two hundred illustrations to show how these artists' depictions helped create a notion of America as a land of purity and beauty, harmony, and opportunity. / Barbara Bloemink is Cooper-Hewitt's Curatorial Director; Gail Davidson is Head of Cooper-Hewitt's Drawings, Prints, and Graphic Design; Floramae McCarron-Cates is Associate Curator of Drawings, Prints, and Graphc Design." - Publisher. *** Foreword, by Paul Warwick Thompson; Introduction, by Barbara Bloemink; Landscape Icons, Tourism, and Land Development in the Northeast, by Gail S. Davidson; The Best Possible View, by Floramae McCarron-Cates; The Pastoral Ideal: Winslow Homer's Bucolic America, by Sarah Burns; America Inside Out: The View from the Parlor, by Karal Ann Marling; Historical and Cultural Timeline; Sources; Selected References; Plate List. Size: 4to. Collectible.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 180 pages; Description: xii, 180 p. : ill. (some col.) ; 29 cm. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. Includes bibliographical references (p. 157-163) and index. Subjects: Church, Frederic Edwin (1826-1900) --Homer, Winslow (1836-1910) --Moran, Thomas (1837-1926) --Cooper-Hewitt Museum --Tourism and art --United States --Exhibitions. Summary: The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century. 3 Kg.

Hardcover. Glossy yellow boards; color-pictorial dust jacket with cream lettering. xii, 180 pp. with color and other images throughout. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. "Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape is published in conjunction with a major exhibition mounted by the Smithsonian's Cooper-Hewitt, National Design Museum that will showcase, for the first time in over two decades, the museum's extraordinary collection of American art, including the largest holdings of works by Homer and Church in the world. Five original essays will accompany the two hundred illustrations to show how these artists' depictions helped create a notion of America as a land of purity and beauty, harmony, and opportunity."--Jacket. Contents as follows: Foreword /; Paul Warwick Thompson --; Introduction /; Barbara Bloemink --; Landscape icons, tourism, and land development in the Northeast /; Gail S. Davidson --; The; best possible view : pictorial representation in the American West /; Floramae McCarron-Cates --; The; pastoral ideal : Winslow Homer's bucolic America /; Sarah Burns --; America inside out : the view from the parlor /; Karal Ann Marling --; Selected timeline /; Athena Preston. VG+/VG+. Dust jacket may show minimal edge wear.

hardcover. Condizione: fine. Illustrated with color images throughout. 160 pages. Thin 4to, brown cloth, d.w. New York: Cooper Hewitt, Smithsonian Design Museum, (2008). A fine copy in a near fine dust wrapper with just a touch of sunning to head.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 180 pages; Description: xii, 180 p. : ill. (some col.) ; 29 cm. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. Includes bibliographical references (p. 157-163) and index. Subjects: Church, Frederic Edwin (1826-1900) --Homer, Winslow (1836-1910) --Moran, Thomas (1837-1926) --Cooper-Hewitt Museum --Tourism and art --United States --Exhibitions. Summary: The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century. 1 Kg.

Hardcover. Condizione: Fine. Fine hardcover copy with dustjacket, 180 pp, illustrated throughout with 200 B/W and color illustrations,

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. New York: Bulfinch Press, 2006. 180 pages; 200 illustrations, b&w and color. Prepared for the exhibition mounted by the Smithsonian's Cooper Hewitt, National Design Museum. Post Civil War the three painters participated with other in painting, thereby advertising, the landscape of the United States, especially its wonders. National pride took hold and landscape tourism followed. Clean throughout; tight binding. . First Edition. Glossy Printed Boards. Fine/Fine. 11" x 8.75". Exhibition Catalogue. Language: ENG.

Condizione: Very Good. Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home. Record # 350541.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. Size: 11 1/2" x 9 1/4". Text body is clean, and free from previous owner annotation, underlining and highlighting. Brown cloth over boards, 159 pages, extensively illustrated. This book "commemorates the recent gift of a group of eighty-five nineteenth-century watercolor interior drawings -- the largest collection of its kind in America -- to Cooper-Hewitt, National Design Museum by Eugene V. and Clare E. Thaw. In an illustrated dust jacket. Quantity Available: 1. Shipped Weight: 3 lbs 12 oz. Category: Art & Design; ISBN/EAN: 9780910503907. Pictures of this item not already displayed here available upon request. Inventory No: 015096.

Hardcover. brown cloth boards w/ white printing. 160 pgs w/ color illustrations. pictorial dustjacket w/ white printing. A nice, bright and sharp copy. "In the nineteenth century, it became highly fashionable for aristocratic and upper-class homeowners in Europe to commission watercolor paintings of their domestic interiors and to collect them in albums to be passed on to children, given as gifts to visiting royalty, and displayed in drawing rooms. House Proud commemorates the recent gift of a group of eighty-five nineteenth-century watercolor interior drawings--the largest collection of its kind in America--to Cooper-Hewitt, National Design Museum by Eugene V. and Clare E. Thaw. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home."--Worldcat. VG+/VG (light wear to cloth boards. very tightly bound; likely unread. dustjacket has light edge-wear, small divet to cover flap).

Softcover. Condizione: VG, slight exterior wear. White wraps. 16 pp. 10 bw plates. Accompanied an exhibition of drawings from the collection of the Cooper-Hewitt Museum, including pieces by Frederic Edwin Church, William Trost Richards, Winslow Homer, and others. Includes an essay by Gail S. Davidson.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 180 pages, illustrated throughout with 200 plates in color and b&w. Light edgewear, scuffing to dust jacket. Clean, tight copy. Record # 855270.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. Overall a bright and attractive copy. No major signs of aging or wear. Color and b&w illustrations. 266 pp.

Hardcover. Condizione: Very Good. 263PP. Hundreds of colour illustrations. Published to acompany a Cooper-Hewitt exhibition.

Softcover. VG+. 245pp, clear pages with many color illustrations. Soft cover, large and heavy.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Couverture rigide. Condizione: Bon. Condizione sovraccoperta: Bon. Petit In4 relié sous jaquette en bon état, 215 pages, 2012 (légères marques ou traces sur la jaquette). Envoi soigné.

Couverture rigide. Condizione: Comme neuf. Condizione sovraccoperta: Comme neuf. Edition originale. Paris 2012. 1 Volume/1. -- Comme Neuf Reliure éditeur cartonnée sous jaquette illustrée. Format in-8°( 25,3 x 18,2 cm )( 914 gr ). ------- 215 pages . *********************** "" Le musée de la Vie romantique s'associe au Cooper Hewitt, National Design Museum de New York pour présenter sa remarquable collection de quelque quatre-vingts " vues d'intérieurs " du XIXe siècle, réunies par le célèbre collectionneur Eugene Thaw qui les lui a offertes en 2007. L'exceptionnelle qualité et la richesse inattendue de cet ensemble d'aquarelles et gouaches sur papier invite à pénétrer dans l'intimité des intérieurs européens les plus raffinés. L'évolution du goût doit alors beaucoup à l'émergence d'une société nouvelle, confrontée, après le siècle des Lumières et la Révolution française, à d'ambitieux défis politiques, économiques et sociaux. A travers toute l'Europe - France, Angleterre, Allemagne ou Autriche - mais aussi jusqu'en Russie, voire en Amérique du Nord, s'impose un genre pictural trop longtemps considéré comme mineur, et pourtant très séduisant : celui de la ('vue d'intérieur". À la cour (la reine Marie Louise au château de Neuilly ou de Eu, l'impératrice Victoria à Buckingham Palace ou à Windsor.) comme à la ville, des galeries italiennes aux retraites en Bavière, des halls à Mayfair aux chambres avec vue sur la Neya, la haute bourgeoisie aime recevoir dans l'enfilade de ses appartements : grands salons, bibliothèques, antichambres, bureaux, salons de musique et jardins d'hiver., où rivalisent d'inventions architectes et décorateurs à la mode. Richement illustré, cet ouvrage, à travers un large panorama de l'art décoratif du XlXe siècle, invite à la découverte d'un nouvel art de vivre - plaisirs de la conversation, mais aussi de la correspondance, de la musique de chambre ou de la peinture intimiste - s'épanouissant dans la diversité des salons, où le milieu de la finance et du pouvoir se mêle au monde des arts et des lettres. "" ************************* réf 506BS.