gaines jane ed (24 risultati)

Soft cover. Condizione: Very Good. Good condition collection of quinitessential film theory readings.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0822312999.

Softcover. Condizione: Fair. First Edition. [THEORY]. Ed. WJT Mitchell. Contributors: Georges Canguilhem, Michel Foucault, EP Thompson, Jacques Bouveresse, Jane Gaines, Goffredo Diana, John Beverly, Susan Buck-Morss, OK Werckmeister, Eve Kosofsky Sedgwick, Adam Frank, Arnold I. Davidson. "Critical Inquiry, Winter 1995, Vol. 21, No. 2." Chicago: University of Chicago Press, 1994. First edition. English language. Softcover. Nonfiction academic journal with articles. 9 x 6 x 0.5 in. 14 oz. 275-567 pp. Plastic laminate on covers developed ridges across covers. Front cover bows out. Corners creased. Rubbing at bottom of page block. Small stain on title page and inside front cover. Bottom corner of page block stubbed. Text clean. Reading copy. Acceptable. No ISBN. ISSN: 0093-1896. ASIN: B0018BKPSC. "In putting together these three short essays by Georges Canguilhem, I hope to be able to give some indication of the remarkable intellectual fruitfulness of the exchanges between Canguilhem and Michel Foucault. Canguilhem's own work in the history and philosophy of science, which Foucault always recognized as an important source for some of his own books, contains a specific orientation and kind of analysis that has perhaps not yet been sufficiently exploited in the Anglo-American disciplines of science studies. More specifically, these essays by Canguilhem allow us to see the continuing importance and extraordinary density of Foucault's 'Histoire de la folie,' which, it is still hard to believe, has never been fully translated into English.".

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:082231276X.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:082231276X.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

First Edition. Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here-representing the work of some of the most innovative theorists writing today-challenge this paradigm. Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989) , these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty. Classical Hollywood Narrative invites students of film, television, and video to reevaluate the basic tenets of the field and introduces film studies to literary scholars. Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson. An exceptional copy; fine in the original title-blocked cloth. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 351 pages; Description: vi, 351 p. : ill. ; 23 cm. Originally published as vol. 88, no. 2 (spring 1989) , of South Atlantic quarterly. With additional chapters and index. Includes bibliographical references and index. Subjects: Motion pictures --Philosophy. Motion pictures --Social aspects 3 Kg.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

First Edition. Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here-representing the work of some of the most innovative theorists writing today-challenge this paradigm. Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989) , these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty. Classical Hollywood Narrative invites students of film, television, and video to reevaluate the basic tenets of the field and introduces film studies to literary scholars. Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson. An exceptional copy; fine in the original title-blocked cloth. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 351 pages; Description: vi, 351 p. : ill. ; 23 cm. Originally published as vol. 88, no. 2 (spring 1989) , of South Atlantic quarterly. With additional chapters and index. Includes bibliographical references and index. Subjects: Motion pictures --Philosophy. Motion pictures --Social aspects 1 Kg.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: Good. No Jacket. 10 books -- The Documentary Conscience: A Casebook in Film Making. Rosenthal, Alan. Published by University of California Press, 1980. 436p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked + Documentary: A History of the Non-Fiction Film. Erik Barnouw. Oxford University Press, 1977, 360p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked- + The Autobiographical Documentary in America. Jim Lane. University of Wisconsin Press, 2002. 246p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, very good condition + Observations: Essays on Documentary, ed. Featherstone, Friends of Photography Bookstore, 1991, 118p, trade pb, covers bumped/scuffed/small tears, text clean, solid binding + Collecting Visible Evidence (Volume 6). Gaines, Jane. Univ Of Minnesota Press, 1999. 339p. trade paperback, covers lightly bumped/scuffed, binding tight, text has highlighting in 2 chapters only, rest of text clean/unmarked + Theorizing Documentary. Renov, Michael [Editor] Routledge, 1993. 260p. trade paperback, covers lightly bumped/scuffed, binding tight, text has highlighting 3 chapters only, rest of text clean/unmarked + Ideology and the Image : Social Representation in the Cinema and Other Media. Nichols, Bill. Indiana University Press, 1981. 334p. Trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, date/price stamp front endpaper + The Documentary Idea : A Critical History of English-Language Documentary Film and Video. Jack Ellis. Prentice Hall, 1989. 310p. trade paperback, covers bumped/scuffed/stained, binding tight, text clean+ Documentary Expression and Thirties (1930s ) America. Stott, William, Oxford Univ Press 1986, 361P, trade paperback, covers bumped/scuffed, binding tight, text has underlinong and highlighting on about 20 pages, rest of text clean/unmarkedcovers bumped/scuffed, CLEAN text, solid binding + Documenting the Documentary: Close Readings of Documentary Film and Video. Grant, B.K. & Sloniowski, J. (Eds.) Wayne State University Press, 1998. 488p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked--50.00 for all! Save on shipping!