Garncarz joseph (53 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Good. This volume tells the story of the cinema of Germany in 24 essays, each concerning an individual film, in a fresh and concise way. It describes a 'national' film industry which successfully met the demand of a 'national' audience from the 1910s to the 1960s. The book represents this system by focusing on films which were very popular with contemporary German audiences such as Metropolis (1927), Three from the Filling Station (1930), The Great Love (1942), The Heath is Green (1951) and The Treasure of Silver Lake (1962). As a consequence of World War I, the system of popular German cinema declined during the 1960s and early 1970s. Films from these decades such as Yesterday Girl (1966) and Germany in Autumn (1978) broke with the film form as well as with the mode of production that the popular narrative cinema had established. From the 1980s on, a new generation has tried to re-establish a popular German cinema with films such as The Boat (1981), Run Lola Run (1998) and Goodbye Lenin (2003).…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Editor(s): Garncarz, Joseph. Series: 24 Frames. Num Pages: 288 pages, black & white halftones. BIC Classification: 1DFG; APF. Category: (G) General (US: Trade). Dimension: 235 x 191 x 17. Weight in Grams: 592. Series: 24 Frames. 288 pages, illustrations. Editor(s): Garncarz, Joseph. Cateogry: (G) General (US: Trade). BIC Classification: 1DFG; APF. Dimension: 235 x 191 x 17. Weight: 592. . 2012. Paperback. . . . . …

Paperback. Condizione: New. New essays re-evaluating Weimar cinema from a broadened, up-to-date perspective.Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles onfilm spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W.McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College.…

Paperback. Condizione: New. New essays re-evaluating Weimar cinema from a broadened, up-to-date perspective.Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles onfilm spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W.McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College.…

Condizione: New. Editor(s): Garncarz, Joseph. Series: 24 Frames. Num Pages: 288 pages, black & white halftones. BIC Classification: 1DFG; APF. Category: (G) General (US: Trade). Dimension: 235 x 191 x 17. Weight in Grams: 592. Series: 24 Frames. 288 pages, illustrations. Editor(s): Garncarz, Joseph. Cateogry: (G) General (US: Trade). BIC Classification: 1DFG; APF. Dimension: 235 x 191 x 17. Weight: 592. . 2012. Paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. In English.

Paperback. Condizione: New.

Condizione: New. Digital tools are increasingly used in media studies, opening up new perspectives for research and analysis, while creating new problems at the same time. Suitable for media scholars and computer scientists who intend to use digital tools in their research, this book provides information on applications, standards, and problems. Editor(s): Freisleben, Bernd; Garncarz, Joseph; Grauer, Manfred; Ross, Michael, MA. Series: Media Upheavals. Num Pages: 196 pages. BIC Classification: JFD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 225 x 150 x 15. Weight in Grams: 268. . 2009. Paperback. . . . .…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. Digital tools are increasingly used in media studies, opening up new perspectives for research and analysis, while creating new problems at the same time. Suitable for media scholars and computer scientists who intend to use digital tools in their research, this book provides information on applications, standards, and problems. Editor(s): Freisleben, Bernd; Garncarz, Joseph; Grauer, Manfred; Ross, Michael, MA. Series: Media Upheavals. Num Pages: 196 pages. BIC Classification: JFD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 225 x 150 x 15. Weight in Grams: 268. . 2009. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 264 pages. 9.25x7.50x0.75 inches. In Stock.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condizione: Brand New. reprint edition. 354 pages. 9.00x6.00x1.00 inches. In Stock.

Softcover. Condizione: neuwertig. In deutscher Sprache. 245 S. pages. 21,5 x 15 cm.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This volume tells the story of the cinema of Germany in 24 essays, each concerning an individual film, in a fresh and concise way. It describes a national film industry which successfully met the demand of a national audience from the 1910s to the 1960s. The book represents this system by focusing on films which were very popular with contemporary German audiences such as Metropolis (1927), Three from the Filling Station (1930), The Great Love (1942), The Heath is Green (1951) and The Treasure of Silver Lake (1962). As a consequence of World War II, the system of popular German cinema declined during the 1960s and early 1970s. Films from these decades such as Yesterday Girl (1966) and Germany in Autumn (1978) broke with the film form as well as with the mode of production that the popular narrative cinema had established. From the 1980s on, a new generation has tried to re-establish a popular German cinema with films such as The Boat (1981), Run Lola Run (1998) and Goodbye Lenin! (2003).…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Num Pages: 288 pages, Illustrations. BIC Classification: 1DFG; APF. Category: (G) General (US: Trade). Dimension: 240 x 195 x 22. Weight in Grams: 732. Series: 24 Frames. 288 pages. Editor(s): Garncarz, Joseph. Cateogry: (G) General (US: Trade). BIC Classification: 1DFG; APF. Dimension: 240 x 195 x 22. Weight: 732. . 2012. Hardcover. . . . . …

Paperback. Condizione: New. New essays re-evaluating Weimar cinema from a broadened, up-to-date perspective.Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles onfilm spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W.McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College.…

Hardback. Condizione: New. Illustrated.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. This volume tells the story of the cinema of Germany in 24 essays, each concerning an individual film, in a fresh and concise way. It describes a national film industry which successfully met the demand of a national audience from the 1910s to the 1960s. Th.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In English.