Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
Condizione: very_good.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Grand Rapids Art Museum, Grand Rapids, Mich., 1989
ISBN 10: 0942159098 ISBN 13: 9780942159097
Da: Carothers and Carothers, Albany, CA, U.S.A.
Soft cover. Condizione: Good. 1 folded sheet ([5] pages) : color illustrations. Light wear to corners, residue of stamp to front panel; contents fine. Catalog of an exhibition held at the Grand Rapids Art Museum, Feb. 17-Apr. 2, 1989. 30 grams.
Da: BOOKER C, Kalamazoo, MI, U.S.A.
Soft cover. Condizione: Very Good. Softcover book, barely cover wear. 18 Plates.
Lingua: Inglese
Editore: The John Hopkins University Press, Baltimore, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: Small World Books, Rochester, NY, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No DJ. 1st Edition. Full number line. Signed by Gretchen Gardner on title page below author's name. Author's short inscription off to side of page. Boards clean, some scuffing and light shelf wear. Spine square and clean. Binding sound. Contents unmarked & clean. Signed by Author(s).
Da: Visible Voice Books, Cleveland, OH, U.S.A.
Paperback. Condizione: Very Good. Grand Rapids Art Museum January 1989 Binding: Trade Paperback.
Lingua: Inglese
Editore: Grand Rapids Art Museum, Grand Rapids, MI, 1989
ISBN 10: 0942159101 ISBN 13: 9780942159103
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. Published in conjunction with a show that ran June 2 through July 30, 1989. Introduction by guest curator Gretchen Garner. Includes black and white images by Russell Lee, Berenice Abbott, Phillipe Halsman, Francis Frith and numerous others. A fine copy in wrappers.
Da: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Editore: Tweed Museum of Art, University of Minnesota, Duluth, Minnesota U. S. A., 1988
Da: Lowry's Books, Three Rivers, MI, U.S.A.
Paperback. Condizione: Good. No Jacket. Various (Photographs) (illustratore). This tall thin catalogue has little creasing, some light rubbing of the covers. Interior text is clean and tight in it's binding. Small biographies of the photographers and examples of their work, most in black and white. Size: 4to - over 9¾" - 12" tall.
PAPERBACK. Condizione: cover wear otherwise very good. First edition. 64pp. b/w illustrations quarto paper s. includes A Conversation with John Pfahl by keith Davis and William Kay , Peter Hales the Hidden Hand Jacob Riis and the rhetoric of Reform, etc.
Editore: Society for Photographic Education, Chicago, IL, 1982
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcovers. 37 pages. This issue features a conversation with John Kouwenhoven by Jan Zita Grover and several other articles. A near fine copy in stapled wrappers with some light wear.
Editore: Society for Photographic Education, Chicago, IL, 1982
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcovers. 51 pages. This issue features a conversation with Van Deren Coke by Jan Zita Grover. Mark Johnstone on "The Workshop Idea at Colorado College." Also includes John G. Morris "A Photographic Memoir." A near fine copy in stapled wrappers.
Editore: Society for Photographic Education, Evanston, IL, 1981
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. 53 pages. Volume 19, Number 4. Includes images from: Imogen Cunningham, William Henry Fox Talbot, Max Yavno, Lee Friedlander, Ellen Land-Weber, Bill Owens, Abigail Perlmutter, Richard Avedon, Richard Estes. A near fine copy in stapled wrappers.
Editore: Society for Photographic Education, Chicago, IL, 1982
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcovers. 63 pages. This issue features an interview of Larry Viskochil by Gretchen Garner and a article by James Kaufmann on the photographs of Mark Goodman. A near fine copy in stapled wrappers.
Editore: Center for Photography at Woodstock, Woodstock, NY, 1988
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. 30 pages. Features articles by Gretchen Garner, Julia Ballerini, and John Matturri. Also Includes a portfolio and text by Shelby Lee Adams. A fine unused copy in stapled wrappers.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.
Lingua: Inglese
Editore: Gretchen Garner, Columbus, Ohio, 2011
Da: Carothers and Carothers, Albany, CA, U.S.A.
Copia autografata
Soft cover. Condizione: Near Fine. 187 p. Pictorial paper wrappers fresh, corners sharp, spine uncreased; contents as new. Inscribed by author. 370 grams. Inscribed by Author(s).
Lingua: Inglese
Editore: Gretchen Garner, Columbus, Ohio, 2011
Da: Carothers and Carothers, Albany, CA, U.S.A.
Copia autografata
Soft cover. Condizione: Fine. Unpaginated. Poems and photographs on facing pages. Light shelfwear to pictorial paper wrappers; author's signature to title-page, else contents as new. 290 grams. Signed by Author(s).
Editore: Johns Hopkins University Press, Baltimore, 2003
Da: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
Hardcover. Condizione: Very good. Hardcover. xix, 293pp+ index. Previous owner's blindstamp on front free endpaper, else a very good hardback in a very good dustjacket.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: Majestic Books, Hounslow, Regno Unito
EUR 45,20
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. xix + 305 Illus.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 40,89
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: new.
Editore: Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota, 1987
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Putty-colored pictorial wraps; 64 pp.; 26 color and bw photos. From a traveling exhibition that feature photos by Berenice Abbott, Mary Beth Edelson, Laura Gilpin, Marion Patterson, Geraldine Sharpe, Vida, and others. VG-, ex-library, with a label on upper cover.
Editore: Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota, 1987
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Putty-colored pictorial wraps; 64 pp.; 26 color and bw photos. From a traveling exhibition that feature photos by Berenice Abbott, Mary Beth Edelson, Laura Gilpin, Marion Patterson, Geraldine Sharpe, Vida, and others.
Lingua: Inglese
Editore: Johns Hopkins University Press, US, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 57,85
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New. American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice.In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.