Garrison eliza (46 risultati)

Condizione: Very Good. 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Record # 353546.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. Middlebury. 2015. September 2015. Middlebury College Museum of Art. 1st Edition. Very Good in Wrappers. 9781928825104. 116 pages. paperback. keywords: Art Germany Austria. DESCRIPTION - In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this naked truth was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and K the Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever. inventory #48134.…

Paperback. Condizione: New. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever. The book will appeal to students and scholars of German and Austrian art and culture.…

Paperback. Condizione: Fine. 1st. 111 pages, illustrations (colour); 26 cm. Published on the occasion of the exhibition "Naked Truth: Approaches to the Body in Early-Twentieth-Century German-Austrian Art," on view at the Middlebury College Museum of Art from September 11 through December 6, 2015. Firm binding, clean inside copy. *** "In 1899 Gustav Klimt's painting 'Nuda Veritas' shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this 'naked truth' was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever." - Publisher. *** CONTENTS: Introduction: a sketch of early-twentieth-century German and Austrian prints and drawings, by James A. van Dyke; Body matters: approaches to the human body in early-twentieth-century German discourse and practice, by Bettina Matthias; States of the body in the work of Georg Grosz and Otto Dix, by Eliza Garrison; On the grotesque body in a double-sided drawing by Otto Dix, by James A. van Dyke; Checklist of the exhibition and artist biographies, by Peter Moore. Size: 4to. Collectible. …

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 240.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 240.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 240.

Paperback. Condizione: Brand New. 240 pages. 9.69x6.85x0.75 inches. In Stock.

Kartoniert / Broschiert. Condizione: New. Eliza Garrison is Assistant Professor of Art History at Middlebury College, USA.Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Hen.

Taschenbuch. Condizione: Neu. Ottonian Imperial Art and Portraiture | The Artistic Patronage of Otto III and Henry II | Eliza Garrison | Taschenbuch | Englisch | Routledge | EAN 9781138107786 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. …

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 236 72 Illus. (12 Col.).

Condizione: New. pp. 236 Index.

Hardcover. Condizione: Brand New. new edition edition. 236 pages. 9.96x7.20x0.71 inches. In Stock.

Condizione: New. Eliza Garrison is Assistant Professor of Art History at Middlebury College, USA.Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Hen.

Condizione: New. pp. 236.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Buch. Condizione: Neu. Neuware - Represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). This title analyzes liturgical artworks created for both rulers, addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of portraits.…