Gavin hipkins (21 risultati)
- Brossura
Da: PsychoBabel & Skoob Books, Didcot, Regno UnitoPsychoBabel & Skoob Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 11,44
EUR 14,61 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. Paperback in very good condition, with one or two instances of minor exterior shelfwear. Pages are clean, binding is sound - content is clear throughout. TS. Used.
Editore: Wellington: Adam Art Gallery Victoria University, 2000
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 17,63
EUR 4,28 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoftcover staple bound exhibition catalog, 20 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.
Lingua: Inglese
Editore: Aberhart, Laurence ; Hipkins, Gavin, 1999
- Brossura
- Prima edizione
Da: Vintage Books of Dunedin, Dunedin, Nuova ZelandaVintage Books of Dunedin
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 7,90
EUR 25,68 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Near Fine. First Edition. Folded card into 8p With essay by Gavin Hipkins 'Delayed Action', 8 images of man-made structures, including war memorials.
Lingua: Inglese
Editore: Te Herenga Waka University Press, Wellington, 2017
- Rilegato
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 43,49
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it…, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 39,68
EUR 4,28 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Softcover, 36 pages, very good condition, except museum library stamp to front cover; no internal marks. (black and white spine). Foreign shipping may be extra.
Editore: Adam Art Gallery, Victoria University of Wellington, Wellington, 2009
- Brossura
Da: Book Express (NZ), Shannon, Nuova ZelandaBook Express (NZ)
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 3,69
EUR 26,54 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. 31 pages.
Editore: Artspace /Sarjeant Gallery, New Zealand, 1998
- Brossura
Da: Book Express (NZ), Shannon, Nuova ZelandaBook Express (NZ)
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 5,80
EUR 26,54 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Good. tidy copy.
Editore: Rim Books 2006, 2006
- Brossura
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova ZelandaHard to Find Books NZ (Internet) Ltd.
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato
EUR 11,86
EUR 20,71 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSuper octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.
Editore: Adam Art Gallery 2009, 2009
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova ZelandaHard to Find Books NZ (Internet) Ltd.
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato
EUR 7,38
EUR 20,71 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSuper octavo light card covers (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.
- Rilegato
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 56,59
EUR 2,26 spedizioneSpedito in U.S.A.Quantità: Più di 20 disponibili
Condizione: As New. Unread book in perfect condition.
- Rilegato
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 58,02
EUR 2,26 spedizioneSpedito in U.S.A.Quantità: Più di 20 disponibili
Condizione: New.
- Rilegato
Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 60,36
Spedizione gratuitaSpedito in U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is… a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.
Editore: Rim Books 2006, 2006
- Rilegato
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova ZelandaHard to Find Books NZ (Internet) Ltd.
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato
EUR 18,44
EUR 20,71 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSquare super octavo hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable co6ndition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
Lingua: Inglese
Editore: Te Herenga Waka University Press, Wellington, 2017
- Rilegato
Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 48,65
EUR 31,67 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it…, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Te Herenga Waka University Press, Wellington, 2017
- Rilegato
Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 43,33
EUR 43,24 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it…, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Victoria University Press 2017, 2017
- Rilegato
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova ZelandaHard to Find Books NZ (Internet) Ltd.
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato
EUR 31,62
EUR 20,71 spedizioneSpedito da Nuova Zelanda a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloImperial octavo, illus heavy boards, white lettering to spine, 240pp, illus/photos, VG+ (light bruising & scuffing to board edges & extrems, light creasing to sleeve on rear board).
Editore: Rim Books, Auckland, 2006
- Brossura
Da: Dromanabooks, Newstead, VIC, AustraliaDromanabooks
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato - Molto buono
EUR 13,28
EUR 40,23 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. Glossy paper, b/w & colour illustrations with essay and selected biography of the photographer. 300gms weight; Color Illustrations; Large 8vo 9" - 10" tall; 72 pages.
- Rilegato
Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 62,89
EUR 42,80 spedizioneSpedito in U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is… a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.
Editore: Rim Books, 2006
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 57,31
EUR 4,28 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Softcover, 70 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
- Rilegato
Da: moluna, Greven, Germaniamoluna
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 67,06
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: Più di 20 disponibili
Condizione: New. Accompanying a major survey of Gavin Hipkins work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins ever-evolving practic.
Da: INDOO, Avenel, NJ, U.S.A.INDOO
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 49,43
Spedizione gratuitaSpedito in U.S.A.Quantità: Più di 20 disponibili
Condizione: New. Brand New.
