Gendre kevin le (88 risultati)

Condizione: New.

Hardcover. Condizione: new. Hardcover. Kevin Le Gendre brings his considerable knowledge and experience to The Philosophy of Jazz, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century.This is not a straight history of this genre of music but an exploration of what it means to be a jazz musician and the alchemy between players and audience during a live-music session. While drawing on historical references, in terms of cultural touchstones in Black music and the Black experience, this fascinating book very much immerses itself in the current jazz scene and the interesting directions being explored. Along the way the greats of jazz are all covered Joplin, Morton, Billie, Miles and Monk along with their influence and legacy. Kevin Le Gendre brings his considerable knowledge and experience to The Philosophy of Jazz, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. 1°. Kevin Le Gendre brings his considerable knowledge and experience to The Philosophy of Jazz, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century.This is not a straight history of this genre of music but an exploration of what it means to be a jazz musician and the alchemy between players and audience during a live-music session. While drawing on historical references, in terms of cultural touchstones in Black music and the Black experience, this fascinating book very much immerses itself in the current jazz scene and the interesting directions being explored. Along the way the greats of jazz are all covered Joplin, Morton, Billie, Miles and Monk along with their influence and legacy.…

Hardback. Condizione: New. 1°. Kevin Le Gendre brings his considerable knowledge and experience to The Philosophy of Jazz, interpreting the mindset, outlook and ambition of the jazz musician and a form of music that has captured the imagination of international audiences for over a century.This is not a straight history of this genre of music but an exploration of what it means to be a jazz musician and the alchemy between players and audience during a live-music session. While drawing on historical references, in terms of cultural touchstones in Black music and the Black experience, this fascinating book very much immerses itself in the current jazz scene and the interesting directions being explored. Along the way the greats of jazz are all covered Joplin, Morton, Billie, Miles and Monk along with their influence and legacy.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: Very Good. Never read, no marks or highlighting in the book. Our copy is hardback, with printed covers, showing bumps at the corner tips.

hardcover. Condizione: Good. Bump to back top right corner so listing as used. Inside pages are clean, tight and unread.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Brand New. 112 pages. 7.40x5.32x0.59 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Paperback. Condizione: new. Paperback. Volume 2 of this outstanding history of Black British music covers the period from the late 1960s through to the end of the 1980s, explores the points of transition from the playing of Black musics in Britain that originated elsewhere to the emergence of an indigenously Black British music that responded to the situation of being born, or at least growing up in Britain, of the experience of the virulent racism in schools and in the wider society when, after Enoch Powells rivers of blood speech, dockers marches and the regrouping of racist and fascist organisations, both white xenophobes and Black settlers realised the latter were here to stay. Le Gendre sees the emergence of the indigenous in the blending of Caribbean and rock and pop in the music of the Peddlars, Eddie Grant and the Equals, Blue Mink, the jazz-blues rock fusion of CCS, the jazz, reggae funk of Cymande; the experimental music of mixed Black and white groups such as Rip, Rig and Panic and African Head Charge; the Britishing of West African music in Osibisa, the British reggae of Dennis Bovell, Matumbe, Misty in Roots, Aswad, Linton Kwesi Johnson, and Lovers Rock; and in jazz, Courtney Pine and the Jazz Warriors. There are discussions of the impact of gatekeepers such as the BBC on Black musics, the opportunities and limitations offered by clubs and other music venues, and the debates around the performance of Black musics by white British performers. Volume 2 takes the story of Black Music Britain from the mid-1960s to the 1990s Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Volume 2 of this outstanding history of Black British music covers the period from the late 1960s through to the end of the 1980s, explores the points of transition from the playing of Black musics in Britain that originated elsewhere to the emergence of an indigenously Black British music that responded to the situation of being born, or at least growing up in Britain, of the experience of the virulent racism in schools and in the wider society when, after Enoch Powell's 'rivers of blood' speech, dockers marches and the regrouping of racist and fascist organisations, both white xenophobes and Black settlers realised the latter were here to stay. Le Gendre sees the emergence of the 'indigenous' in the blending of Caribbean and rock and pop in the music of the Peddlars, Eddie Grant and the Equals, Blue Mink, the jazz-blues rock fusion of CCS, the jazz, reggae funk of Cymande; the experimental music of mixed Black and white groups such as Rip, Rig and Panic and African Head Charge; the Britishing of West African music in Osibisa, the British reggae of Dennis Bovell, Matumbe, Misty in Roots, Aswad, Linton Kwesi Johnson, and Lovers Rock; and in jazz, Courtney Pine and the Jazz Warriors. There are discussions of the impact of gatekeepers such as the BBC on Black musics, the opportunities and limitations offered by clubs and other music venues, and the debates around the performance of Black musics by white British performers.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 4-5 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: as new. Wie neu/Like new.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

hardcover. Condizione: New. 1st.

hardcover. Condizione: New. 1st.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2024. Standard Edition. paperback. . . . . .

Condizione: As New. Unread book in perfect condition.