george haggarty (7 risultati)

hardcover. Condizione: Very Good.

paperback. Condizione: Very Good.

Booklet - Unbound Pages. Condizione: Very Good. 19 pages, 13 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 17 x 24 cms. Category: Society of Antiquaries of Scotland; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Booklet - Unbound Pages. Condizione: Very Good. 4 Pages and 2 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: Quarto (19 x 25 cms). Category: Society of Antiquaries of Scotland; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Booklet - Unbound Pages. Condizione: Very Good. 20 pages and 17 illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: Quarto (19 x 25 cms). Category: Society of Antiquaries of Scotland; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

paperback. Condizione: Very Good. 59pp. (blue spine) 4to. large sized. 2008. First edition. Rare. Published to accompany an exhibition held in 2008. The text supported by numerous photographic reproductions in colour. Some shelf wear to the front card cover and a light bump/crease to the leading edge of the front card cover. A very good, clean, tight and bright copy.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book catalogues (with extensive photography) more pieces from The Alastair Leslie Collection. The first volume of the Leslie collection covered porcelain produced at West Pans in Scotland during the third quarter of the 18th century. Volume two moves on to cover Scottish folk art as represented as much as possible by Scottish east-coast pottery mugs and jugs produced prior to 1840. George Haggarty has been extremely cautious with his attributions, but it is clear that the majority of the mugs and many of the jugs have strong east coast connection especially with the Fife and Perthshire areas. Many recorded the betrothal, marriage or birth of individuals and are often decorated with the tools of their trade. While there are no mugs with factory marks, the book highlights the similarity of painted flowers, style and inscriptions which can enable the identification of groups that came from different factories and even individual artists.