george thomas robert venturi (10 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Small tear to d/j at bottom spine. Heavy/oversize item - additional shipping charges may be required depending on speed/destination requested. ; 10.90 X 8.70 X 1.40 inches; 362 pages.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Near Fine. 362 pages. Hardcover. Texts in English. Mild shelfwear to the edges of the jacket, but otherwise in fine condition with a tight binding, sharp edges, bright jacket, and clean interior. Many illustrations 21 in full color. Includes acknowledgments, bibliography, chronology, and index. Purple cloth with blindstamped letters to the cover, gilt letters to the spine. Dustjacket is protected with a mylar cover. Book.

Hardcover. Condizione: Used - Like New. Architect George Howe thought there were three pioneers of American architecture: Louis Sullivan, Frank Lloyd Wright, and William L. Price. Although history has borne out Howe's observation on Sullivan and Wright, Will Price still awaits discovery. Architect George Howe thought there were three pioneers of American architecture: Louis Sullivan, Frank Lloyd Wright, and William L. Price. Although history has borne out Howe's observation on Sullivan and Wright, Will Price still awaits discovery. Price, a disciple of Frank Furness who practiced in Philadelphia from 1833 to 1916, established the architectural character of the two of the nation's greatest resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his biggest and best-known projects, the Art Deco Traymore Hotel in Atlantic City and the Chicago Freight Terminal, are both destroyed, his arts and crafts utopian community in Arden, Delaware survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railway stations, and commercial structures stretching from Atlantic City to Chicago and from Canada to Florida taht were widely emulated and reacall the best works of Frank Lloyd Wright and Greene &Greene. In addition, Price was accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's 'The Craftsman.' Price's role in shaping American architecture in uncovered in this lavishingly illustrated volume, which documents the architects complete works--including over 350 hotels, houses, and pieces of furniture--bringing to light this unknown American master. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.

HARD BACK PURPLE. Condizione: VERY GOOD. JACKET: GOOD DJ. Book Condition: Very good, very light shelf wear, good binding, clean body and unmarked text. Dust Jacket Condition: Good, general shelf wear, lightly rubbed cover, rubbed extremities, few creases in corners. Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

HARD BACK PURPLE. Condizione: GOOD+. JACKET: GOOD DJ. like new, unmarked, clean text and Dj, tight binding, minor creasing at head of spine Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

HARD BACK PURPLE. Condizione: GOOD. JACKET: GOOD DJ. small 2inch tear at head of spine, unmarked, clean text and Dj, tight binding Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

28.5x22cm. First Edition. The life and works of William L. Price (1861-1916), pioneer along with Louis Sullivan and Frank Lloyd Wright of American architecture; including Price's own writings, a chronology and catalogue of his works, and an essay on his Arts & Crafts furniture. ppXIII(1)362 with colour plates, numerous monochrome & other illustrations, bibliography, and index. Hardback / hard cover: maroon cloth, backstrip titled in gilt, front cover with blindstamped title. FINE copy in VERY GOOD unclipped dust jacket nicked and a little creased at foot of fold between front panel and flap, and with a few minor indentations on rear panel. (Heavy item, overseas shipping at cost.).

HARD BACK PURPLE. Condizione: GOOD+. JACKET: GOOD DJ. like new, unmarked, clean text and Dj, tight binding, minor creasing at head of spine, lightly rubbed cover. DATE PUBLISHED: 2000 EDITION: 362.

Hardcover in Dust Jacket. Condizione: Very Good. First Edition. First American Edition. A very good copy in an unclipped dust jacket.

Hardcover. Condizione: Fine. 1st Edition. EXCELLENT Unmarked PAGES And BINDING And DUST JACKET. Hardback. As Shown. Not Ex-library or Facsimile reprint. Published/printed by Princeton Architectural Press,1991. Approximately 8 1/2 X 11 1/2. 385 pages.