George wesley bellows (9 risultati)
Editore: San Diego Museum of Art, San Diego, CA, 1996
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- Prima edizione
Da: Monroe Street Books, Middlebury, VT, U.S.A.Monroe Street Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Quasi ottimo
EUR 9,92
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Condizione: Near Fine. None. 86 pages. Written w/D. Scott Atkinson. Reproductions of B/W lithographs by George Wesley Bellows. Like new. Record # 801971. George Wesley Bellows (illustratore).
Editore: San Diego Museum of Art, San Diego, CA, 1996
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- Prima edizione
Da: Monroe Street Books, Middlebury, VT, U.S.A.Monroe Street Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Quasi ottimo
EUR 9,92
EUR 4,38 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Condizione: Near Fine. None. 86 pages. Written w/D. Scott Atkinson. Reproductions of B/W lithographs by George Wesley Bellows. Like new. Record # 801972. George Wesley Bellows (illustratore).
Editore: Mann Galleries c. 1970, Miami, 1970
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- Prima edizione
Da: Charles Lewis Best Booksellers, San Diego, CA, U.S.A.Charles Lewis Best Booksellers
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EUR 18,05
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: In quite good condition. first impression. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 8. Fully illustrated with 2 color and 3 b-w halftone plates. Please feel free to inquire as to particulars and/or additional photographs. . George Wesley Bellows was an American realist painter,… known for his bold depictions of urban life in New York City, becoming, according to the Columbus Museum of Art, "the most acclaimed American artist of his generation".
Editore: San Diego Museum of Art, 1999
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Da: Always Superior Books, marietta, GA, U.S.A.Always Superior Books
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EUR 16,24
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Paperback. Condizione: VG+. First Editiion. short crease to top edge of front cover else near fine. Book.
Editore: New York and London: Alfred A. Knopf, Inc., January 1928., 1928
- Rilegato
Da: David Hallinan, Bookseller, Columbus, MS, U.S.A.David Hallinan, Bookseller
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 27,07
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Revised edition (i.e. second edition updating original book issued October 1927). 279 pages. Hardcover: H 31.75cm x L 24.25cm. No dust jacket (i.e. lacking). Brown cloth well toned and soiled; some cloth loss at frayed spine ends; boards' beveled edges worn at corners. Birmingham, Alabama artist Max Heldman's copy with his ink s…ignature at top of front free endpaper (book acquired directly from the estate of his son Alan Wohl Heldman). Studio Book Shop, Birmingham, Alabama bookseller ticket at ffep's bottom left. Toning/foxing, soiling, and some stains to interior leaves. Binding shaken at front hinge and at book center between plates 88-89 and 104-105 with that interlaying quire slightly pulled. Only a good copy at best. LoC catalog cites their 1927 edition has only having 254 pages so evidently this second edition has some notable additions/revisions. Please note that this large book has an approximate shipping weight of 5 pounds (2.26 kg) and may require additional postage for any postal class other than domestic Media Mail.
George Bellows : an artist in action [The boy from Columbus -- "The boss" -- The city -- The academy -- The associate -- The bridegroom -- Chaos in Columbus -- Down East -- The "Little Renaissance" -- Explosion in the armory -- Interlude: down to the sea again -- The carpenter -- The reporter -- The sketch hunter -- Westward Ho! -- The warrior -- The second city -- Woodstock -- The architect -- Twilight -- On the death of George Bellows.]
Haverstock, Mary Sayre. ; Columbus Museum of Art. ; George Wesley Bellows (1882-1925) ; Nikolas Muray (1892-1965) ; Joseph Russell Taylor
- Rilegato
Da: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 41,50
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 160 pages : illustrations (some color), portraits ; 29 cm ; ISBN: 1858943930; 9781858943930; National Library: 013640273 ; LC: ND237.B45; Dewey: 759.13 ; OCLC: 77797439 ; brown cloth in color photographic dustjacket ; Contents: The boy from Columbus -- "The boss" -- Th…e city -- The academy -- The associate -- The bridegroom -- Chaos in Columbus -- Down East -- The "Little Renaissance" -- Explosion in the armory -- Interlude: down to the sea again -- The carpenter -- The reporter -- The sketch hunter -- Westward Ho! -- The warrior -- The second city -- Woodstock -- The architect -- Twilight -- On the death of George Bellows. ; "George Wesley Bellows (1882-1925) painted American life in action. From prizefights and polo matches to children playing on the banks of a river, his subjects reflect his vivacious approach to the world around him. A major realist painter, his vigorous brushstrokes also compose landscapes of remote areas of natural beauty, scenes of bustling city streets, and intimate portraits of society figures, friends, and family. All dynamics of early twentieth-century America fill Bellows's canvases and prints. Bellows studied at the New York School of Art under Robert Henri and became one of the leading artists of the Ashcan school. His technical brilliance and vibrant realism were celebrated from early in his career, and at the age of twenty-six he became one of the youngest artists ever to be elected to the National Academy of Design in New York. Bellows exhibited often, to great acclaim, and completed many significant commissions, achieving a powerfully impressive body of work before his sudden death in his early forties. This book brings together the most important works of Bellows's short but prolific career, combining them with an in-depth biography of the artist. Photographs of family and friends, as well as of Bellows himself throughout his life, illuminate the text and complete this portrait of George Bellows, the artist and the man." ; FINE/FINE. Book.
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Da: Ursus Books, Ltd., New York, NY, U.S.A.Ursus Books, Ltd.
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EUR 58,65
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Spangenberg, Kristen L. GEORGE BELLOWS: American Life in Print. 184 pages, including 115 color plates. 4to, cloth. Giles, 2024. A major new volume celebrating the lithographs of George Wesley Bellows (1882-1925), regarded as one of America's greatest artists.
An American Pulse: the Lithographs of George Wesley Bellows
Atkinson, D. Scott; Engel, Charlene S. ; Bellows, George Wesley
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Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contatta il venditoreVenditore con 1 stelleCondizione: Nuovo
EUR 1782,87
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Paperback. Condizione: New.
Altre immagini- Brossura
- Prima edizione
- Firmato
- Manoscritto
Da: Arader Books, New York, NY, U.S.A.Arader Books
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EUR 67.669,65
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No binding. Condizione: Very good. GEORGE BELLOWS ILLUSTRATES H.G. WELLS. BREAKFAST IS SERVED: Conté crayon on card. Sheet: 26 5/16" x 20 5/8" (669mm x 526mm) Ruled: 554mm x 449mm Signed "Geo Bellows" at lower left (within the image) Titled as above and numbered ("-7-") in graphite (below the image) 1922. MR. BARNSTAPLE AWAKES:C…onté crayon on card (blind-stamped at upper right: "STRATHMORE DRAWING BOARD"). Sheet: 29 1/8" x 22 1/4" (741mm x 563mm) Ruled: 555mm x 449mm Signed "Geo Bellows." at upper right (within the image) Titled ("Mr Barnstable Awakes.") and numbered ("-7-") in graphite (below the image) 1922.Publications:George Bellows Record Book B, p. 292 (no. 8: Mr Barnstaple Awakes., no. 9: Breakfast is Served), Hearst's International vol. XLIII (January, 1923) pp. 36 (Breakfast) and 37 (Barnstaple).Provenance:H.V. Allison & Co., ca. 1941;Charles Shipman Payson, likely before 1965;Virginia Kraft Payson (his widow). [Condition report available.] One of the most dynamic American artists of the early XXc, George Wesley Bellows (1882-1925) enjoyed significant acclaim during his lifetime. These two Conté (graphite or charcoal in a clay medium, formed into rectangular prisms) drawings were commissioned to illustrate H.G. Wells's 1923 novel Men Like Gods, which was serialized in Hearst's International magazine (beginning with vol. XLIII, January 1923, pp. 32-38, 124-125). The International, which would be subsumed by Cosmopolitan in 1925, made literature available to a vast audience; in the same issue were pieces by Bernard Shaw, Somerset Maugham and Edith Wharton. These drawings were reproduced on pp. 36 (Breakfast is Served) and 37 (Mr. Barnstaple Awakes) of the first part of Men Like Gods: the disillusioned journalist Mr. Barnstaple is transported from the XXc "Age of Confusion" to a parallel utopian world governed by reason, peace, and cooperation; there is no war, no religion, no poverty or disease. Aldous Huxley's Brave New World was a direct response to the novel, mocking its optimism. Bellows's illustrations for this story have an unusually refined serenity; the seemingly perfect world is a striking contrast to Bellows's better-known rough-hewn city scenes. The drawings were made during Bellows's vibrant lithographic period between 1921 and 1924, when he installed a press in his studio and collaborated closely with master printer Bolton Brown. The "crayon" effect of Conté is well-translated to lithography. Bellows's partnership with Brown yielded more than one hundred lithographs, helping to advance the cause of the medium as a respected fine art form. The present works, however, appear never to have been sold as lithographs. Of note is the preparatory sketch for Barnstaple's head -- in a slightly altered pose -- on the verso of Mr. Barnstaple Awakes; perhaps Bellows began the drawing on that side and abandoned it, or else used the otherwise blank space to work out an idea. Following Bellows's death in 1925, these drawings were entrusted to Harry V. Allison, who worked Bellows's widow Emma to manage the artist's estate. Allison established H.V. Allison & Co. in 1941 with his son Gordon, which sold American paintings and prints as well as representing the Bellows estate. Sometime between 1941 and 1985, the works were acquired by Charles Shipman Payson (1898-1985) -- husband of Joan Whitney Payson (1903-1975), Whitney family heiress and a co-founder of the New York Mets, noted philanthropist, and distinguished art collector. The drawings were probably displayed at Greentree, the Whitneys' 600-acre estate in Long Island, a candidate for the Gatsby mansion in F. Scott Fitzgerald's Great Gatsby. Designed by William Delano (architect of metropolitan haunts such as the Knickerbocker Club), Greentree was a wedding gift from Joan's parents. While the house's contents -- excluding the artwork -- were sold through Doyle in 1984, the drawings remained in the Payson collection. After Payson's death, the drawings passed to his widow Virginia Kraft Payson.
