Georgia b barnhill (30 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Prints in the collection of the Adirondack Museum. Dark green 1/4 cloth, tan paper covered boards. Oblong format. As issued. Illus. w/ wood engravings, color lithographs, etc. xix,99 pp., illus. in color, b&w. Size: 8vo - over 7¾" - 9¾" tall. Book. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. oblong 4to, hard cover, black & white & colored prints, nice clean text, some minor shelf wear to dj, 99.pp. w/index.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Prints in the collection of the Adirondack Museum. Color and black and white illustrations throughout. First edition. As new in like dust jacket.

Introduction by David Tatham. small square quarto, 99 pp., index, notes. b&w and color plates faithfully reproduced from prints in the Museum's collection. very good copy in d.j.

Hardcover with dust jacket. Handsome copy! 277 pp.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 226pp. Hardback with DJ, VG, index, b&w illustrations, Papers prepared for The Cultivation of Artists in Nineteenth Century America, a conference held in 1993.

Hardcover. Condizione: Fine. 1st Edition. Colonial Society of Massachusetts hardcover in dust jacket, blue cloth binding, 2012- first edition/1st printing; clean/tight, blacked out name on front endpaper else unmarked, no signs of use, jacket has a 1/8" closed tear at top of spine; (Fine/Near Fine). We will add a custom fitted mylar cover, bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Colonial Society of Massachusetts hardcover in dust jacket, blue cloth binding, 2012- first edition/1st printing; clean/tight, blacked out name on front endpaper else unmarked, no signs of use, jacket has a 1/8" closed tear at top of spine; (Fine/Near Fine). We will add a custom fitted mylar cover, bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.…

Condizione: Very Good. . . Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. All orders guaranteed and ship within 24 hours.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Publisher's original tan cloth with spine lettering gilt, octavo, pp. 226. Black and white illustrations.

paperback. 8.5 x 11 inches. paperback. 100 pages. First edition. A near fine copy. With a French Accent: American Lithography to 1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill, Lauren B. Hewes, Catherine Wilcox-Titus, Marie-Stéphanie Delamaire, and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together, the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans, New York, Philadelphia, and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market, and there is a selection of sentimental prints and portraits that were printed in the United States, but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study, Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next, the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil, Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences, he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints, this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. …

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. 277 pages, illustrated in b&w. "Eleven essays written by histoians, archaeologists, art and architectual historians, and literary scholars recast our understanding of New England by setting its material and visual cutlure in new contexts." FINE HARDCOVER, FINE DUST JACKET. Dust jacket protected with a clear plastic acid-free jacket. Size: 8vo - over 7¾" - 9¾" tall.…

Hardcover. Condizione: New. brand new clean fine unread copy with new dust jacket - enjoy.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

,wraps,ill,99pgs, stated FIRST EDITION,VG.

paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis, 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill, Lauren B. Hewes, Catherine Wilcox-Titus, Marie-Stéphanie Delamaire, and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together, the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans, New York, Philadelphia, and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market, and there is a selection of sentimental prints and portraits that were printed in the United States, but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study, Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next, the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil, Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences, he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints, this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped.…

Condizione: New. Brand New.

paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis, 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill, Lauren B. Hewes, Catherine Wilcox-Titus, Marie-Stéphanie Delamaire, and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together, the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans, New York, Philadelphia, and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market, and there is a selection of sentimental prints and portraits that were printed in the United States, but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study, Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next, the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil, Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences, he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints, this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States.…

1995 Barnhill, Georgia B WILD IMPRESSIONS: THE ADIRONDACKS ON PAPER Boston: The Adirondack Museum & David R Godine, c1995 First edition 99pp, notes, bibliography, index, Long 8vo, As new hardbound in d/w.

Hardcover. Condizione: new. Hardcover. Beautifully illustrated, this collection of essays will introduce the reader to a rich, surprising, thought-provoking and entirely new view of early New England. Eleven essays written by historians, archaeologists, art and architectural historians, and literary scholars recast our understanding of New England by setting its material and visual culture in new contexts. Essays on the archaeology of seventeenth-century Maine settlements, the geographical knowledge of Salem sailors and ship captains, the mid-eighteenth-century cartographic depictions of Boston, and the built environment of Maine in the early nineteenth century all place New England into the broader purview of a transoceanic movement of people, ideas, and objects. Beautifully illustrated, this collection of essays will introduce the reader to a rich, surprising, thought-provoking and entirely new view of early New England. Eleven essays written by historians, archaeologists, art and architectural historians, and literary scholars recast our understanding of New England by setting its material and visual culture in new contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: Near Fine. 1st Edition. Cape Ann Museum, 2018. Oblong 4to, 105 p., original wraps. First edition of this profusely illustrated work with foreword by Martha Oaks. Faint scratch to rear wrap else VG+.

VG/VG; minor rubbing on lower dj edge. Topography, history and splendor of the Adirondack landscape documented by graphic arts dating from the 19th c. Notes,index. Illustrated by Prints, paintings, drawings. 1st edition. Binding is 1st prtg.

hardcover, sewn. 10 x 7 inches. hardcover, sewn. 248 pages. 66 full-color illustrations. What do today's collectors and scholars know about the conditions that existed in a nineteenth-century commercial lithography shop? Most of what we do know comes from the prints themselves - places of publication, dates, names of publishers and artists/draftsmen appearing below the images. That information is supplemented by bare-bones information found in city directories and occasional advertisements for lithography firms and specific prints. But there is one very important primary resource that Peter Marzio introduced to print scholars in his book, The Democratic Art (1979), namely the unpublished manuscript, Lithography: Its Theory and Practice by Charles Hart, which is held by the New York Public Library. Hart worked in the commercial firm established by George Endicott in New York City for twenty years from 1839 to 1859. His manuscript provides personal accounts of many aspects of that firm's business, including observations about the lithographic process and commercial printers and artists who worked during this period and later. Georgia Barnhill edited and annotated Hart's manuscript that the late Jay Last had had transcribed, and additionally, she has provided images of lithographic prints, copies of which are among the pages of Hart's manuscript.…

Hardcover. Condizione: Brand New. 279 pages. 11.30x1.90x8.80 inches. In Stock.

Condizione: Brand New.

Gebunden. Condizione: New. Beautifully illustrated, this collection of essays will introduce the reader to a rich, surprising, thought-provoking and entirely new view of early New England. Eleven essays written by historians, archaeologists, art and architectural historians, and lite.

Buch. Condizione: Neu. Neuware - Beautifully illustrated, this collection of essays will introduce the reader to a rich, surprising, thought-provoking and entirely new view of early New England. Eleven essays written by historians, archaeologists, art and architectural historians, and literary scholars recast our understanding of New England by setting its material and visual culture in new contexts.…

Condizione: Brand New. Brand new.

Hardcover. Dust Jacket Included. oblong 8vo. pp. xix, 99. many illus. (several colour). biblio. index. quartercloth. dw. First Edition.