georgina cole (21 risultati)

Kartoniert / Broschiert. Condizione: New. A collection of ten studies which examine New Deal and Great Society programmes from the Works Progress Administration and Civilian Conservation Corps to Social Security and Medicare. They also draw attention to private sector organizations, such as the Sal.

Condizione: new.

hardcover. Condizione: Fine.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art history's attentiveness to form and meaning with material culture's concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object' is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired.

Hardcover. Condizione: new. Hardcover. This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art historys attentiveness to form and meaning with material cultures concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired. A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 288 pages. In Stock.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art historys attentiveness to form and meaning with material cultures concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired. A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st ed., 1st printing ; xxxv, 193 p., [1] fold. leaf of plates ; 23 cm.; LCCN 75308915 ISBN 9780198224242, 0198224249 OCLC 1324975 LC DA190.D7 G28 Dewey 333.3/22/0942 ; blue cloth, in pictorial dustjacket ; SIGNED presentation by author on front endpaper to Professor Howard Shealy (1949-2023) of Kenesaw State University; also laid in is an airmail letter from the author's wife, G. R. Galbraith dated March 1977 in which she details the dissolution of the author's library following his death, and includes a color card of the Rokeby Venus by Velasquez ; also laid in is a copy of the funerary remembrance presented by fellow Oxford historian, R. W. Southern ; Contents: Domesday research from 1833 to the end of the First World War (1918) -- The sources of the Domesday survey -- The mode of execution -- Domesday book -- The 'Satellite' surveys -- After Domesday: Herefordshire Domesday and the breviate Domesday book in the thirteenth and fourteenth centuries -- The ancient Demesne --Domesday statistics -- Towns, boroughs, and cities -- The Geld fallacy and summary ; FINE/FINE. Signed by Author(s). Book.

Hardback. Condizione: New. This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art history's attentiveness to form and meaning with material culture's concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object' is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired.

Buch. Condizione: Neu. Neuware - This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art history's attentiveness to form and meaning with material culture's concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object' is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired.

Hardcover. Condizione: new. Hardcover. This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object offers a material intervention into Australian art and cultural histories by highlighting objects that expand definitions of art, nationhood and identity. It employs an object-led approach that combines art historys attentiveness to form and meaning with material cultures concern for use, materials and patterns of movement, incorporating methodologies from Aboriginal and Torres Strait Islander Knowledge systems, art-making, museology, post- and de-colonialism, ecology, design and theology. Focusing on the useful, mobile and multi-sensory aspects of objects, contributors follow their trajectories across cultures, times and places, and through international networks of trade and migration, connecting Australia with China, Vietnam, Iran, England, France and the USA.The book is divided into five thematic sections: Living Objects, Collecting Objects, Migrating Objects, Monumental Objects and Immaterial Objects. Rather than chronological or geographical groupings, these sections articulate the shared material qualities of objects and their place in a network of makers and users. Furniture, ceramics, photo-montage, signage and boardgames are newly examined as material agents shaping social, cultural, political and religious life in Australia and beyond. Accordingly, the very term 'Australian object is called into question as writers propose divergent frameworks that emphasise connection and interchange, bringing to light the material culture that Australia has shaped, denied and inspired. A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

LeatheBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 324. A perfect gift for your loved ones. Reprinted from 1925 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 324.

LeatherBound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 326. A perfect gift for your loved ones. Reprinted from 1925 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 326.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1925. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 326, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 326 326.