Gerardo mosquera (190 risultati)

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Very Good. light shelfwear, NICE! Oversized.

Paperback. Condizione: Very Good+. Limited to 2000 Copies. Oversize paperback. Binding sound, text clean, extremely light shelfwear; 96 pages including multiple color plates. Heavy book: priority or international shipping may require additional charges. Size: Folio - approx 12". Book.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. (multimedia, exhibition catalog).

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Fine.

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Paperback. Condizione: Very Good.

Softcover, 96 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. One of the most important Latin American artists of the last decade, Jose Antonio Hernandez-Diez creates candid, poetic, and at times disturbing and irreverent multi-media installations inspired by the vernacular culture and traditions of his home country. Commenting upon the paradoxical effects of globalization, Hernandez-Diez has turned such tricks as writing the names of great Western thinkers using the logos of four expensive, trendy, and colourful sneakers. This publication accompanies the Venezuelan artist's first major exhibition in the United States, and is complemented by scholarly essays from New Museum curator Dan Cameron, adjunct curator Gerardo Mosquera, and Venezuelan critics Jesus Fuenmayor and Monica Amor.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. 174 pages,: illustrations (chiefly colour); 25 cm. Firm binding, clean text. Previous owner's ink stamp/half-title page, otherwise unmarked. Dust jacket with a sunned spine. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "An examination of Cuban art at the start of the twenty-first century, presenting one hundred full-color plates of works by more than sixty artists, and essays by leading Cuban art critics and historians." - Publisher. *** CONTENTS: Introduction: Remembering why, by Holly Block; New Cuban art Y2K, by Gerardo Mosquera; Trajectories of a rumor: Cuban art in the postwar period, by Eugenio Valdes Figueroa; The pleasure of reference, by Orlando Hernandez; Culture and society in the work of Cuban artists, by Antonio Eligio (Tonel). Size: 4to.…

Paperback. Condizione: Very Good. 1st. 1 volume (unpaged), colour illustrations; 30 cm. Exhibition schedule: Palm Beach Institute of Contemporary Art, Lake Worth, Florida, September 13 to November 17, 2002; Site Santa Fe, Santa Fe, New Mexico, January 24 to April 6, 2003; New Museum of Contemporary Art, New York, NY, July 8 to September 21, 2003. With essays by Gerardo Mosquera, et al. Edition of 2000 copies. Firm binding, clean inside copy. One corner bumped. Another copy available. *** Born in Caracas, Venezuala, Hernandez-Diez lives and works in Spain. He is one of the most interesting sculptors to have emerged in recent years. *** CONTENTS: Arroz con Mango, by Gerardo Mosquera; The Absent, Spectral, & Gigantic in the Work of Jos Antonio Hern ndez-Diez, by Monica Amor; The Brotherhood, by Dan Cameron; Chronicle of an Oeuvre, by Jes s Fuenmayor. Size: 4to.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Used - Very Good. The poetic birth of Cuba, and of the character of its culture, might be found in a phrase placed in the mouth of an aborigine of the island and included in a book by the Cuban writers Cintio Vitier and Fina Garcia Marruz, who traced and assembled such outbursts of inadvertent poetry. As is well known, the Spaniards arrived in America by way of the Antilles, which have always formed a sort of aquatic frontier of the continent. In addition to a thirst for gold, the peculiar geography of the area awakened another obsession in Christopher Columbus and his followers that was to last for years: to know if the landscape they were seeing was an island or terra firma. Cuba's elongated shape and its relatively considerable size tended to disorient them. An obscure historian of the nineteenth century, the priest of the Cuban village of Los Palacios, tells us that when Columbus asked the natives of Cuba if the place was island or continent, they answered him that it was 'an infinite land of which no one had ever seen the end, although it was an island'. Cuba was thus born for the West as quandary, aporia, bluff. In addition, it was to impose the mystery of its aboriginal name over the almost kitschy name Juana, given by the Europeans. The paradox of an infinite island remains as an image of the hyperbolical destiny of Cuba, always out of proportion in comparison to its material bases. Perhaps it is als worthwhile to stress that peculiar and fluid juncture between an insularity that always looks within ('the cursed circumstance of water everywhere', as another writer said) and an opening toward the universal characteristic of Cuban art and culture. Used copy with an inscription inside. Binding is tight no interior marks.…

Condizione: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. The Fall 1995 issue of Aperture magazine, No. 141, focusing on photographers in Cuba and Cubans living in the US, with: portfolios of work by Eduardo Munoz, Silvia Lizama, Abelardo Morell, Maria Martinez-Canas, Marta Maria Perez, Adalberto Roque, and Juan Carlos Alom; photographs by others; essays by Antonio Jose Ponte, Elizabeth Hanly, Antonio Molina, and Gerardo Mosquera; interviews with Bill Viola and Juan Antonio Molina; and more. Edited by Michael Sand. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Hardcover with dust jacket. Bottom corner bumped with small tear to jacket otherwise minimal wear. Interior is pristine. No writing or markings of any kind.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: Good. CHENELIERE MCGRAW-HILL. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. y First edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condizione: Fine. 1st. 1 volume (unpaged), colour illustrations; 30 cm. Exhibition schedule: Palm Beach Institute of Contemporary Art, Lake Worth, Florida, September 13 to November 17, 2002; and other venues. With essays by Gerardo Mosquera, et al. Edition of 2000 copies. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Born in Caracas, Venezuala, Hernandez-Diez lives and works in Spain. *** CONTENTS: Arroz con Mango, by Gerardo Mosquera; The Absent, Spectral, & Gigantic in the Work of Jos Antonio Hernandez-Diez, by Monica Amor; The Brotherhood, by Dan Cameron; Chronicle of an Oeuvre, by Jesus Fuenmayor. Collectible. Size: 4to. Collectible. …

Paperback. Condizione: Very Good. 1st. USA) with label of MIT press but inIVA imprint to the copyright page. Three phrases are underlined in pen to page 91, no other markings, otherwsie Very Good. Wraps, 343pp, glossary, colour plates, B&W illus. This book brings together a selection on influential essays that have informed critical discourse on the visual arts in Latin America. (2.6 JM LVR 201/1 Size: 8vo - over 7¾" - 9¾".…