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Condizione: New.

Paperback. Condizione: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback Apr 25, 2018. Condizione: gebraucht; wie neu. ungebraucht.

Paperback. Condizione: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condizione: gut. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften In deutscher Sprache. pages.

Compact Disc. Condizione: new. Compact Disc. English summary: Like the majority of Felix Exner's collection (published as Series 15/1 in 2016), the Phonogramme made by Hilko Wiardo Schomerus were recorded in Madras (Chennai), although some 25 years later and presumably in another location. Since then, they have been preserved in the Phonogrammarchiv, but unlike Exner's Phonogramme, which were studied by Kirste (1908) and Felber & Geiger (1912), they have not been described in the scholarly literature or edited before. The CD publication features 30 sound recordings from 1929, chiefly recitations of classical Tamil poetry. Today, these recordings are of great historical interest, as can be read in the detailed introduction. Alongside Schomerus' professional career, his commitment to Tamil culture and his interests, which repeatedly took him to that part of the world, the documents unearthed also allow insights into his contact with the Phonogrammarchiv, his itinerary and his research methods. Thanks to the meticulous study of the texts, numerous references to contemporary issues and Schomerus' painstaking method of working came to light. The texts also explain the project of the Complete Historical Collections and its editorial guidelines as well as the techniques of re-recording and signal processing. The transcriptions are linked to mp3 files, which makes simultaneous reading and listening easy and comfortable. Further information concerns the biographical data of those reciting. The original protocols have been included as digital image files. Since Schomerus' handwriting is not easy to decipher, transcriptions of the German translations have also been provided, even though the publication is in English. In this publication, the sources (i.e., the sound recordings and the original protocols) are presented alongside the commentaries, which contain references to similar research projects of the time and subsequent decades, as well as reflections on the value of sound recordings for modern research. German description: Wie viele von Felix Exners Aufnahmen (publiziert als Series 15/1, 2016) entstanden die Aufnahmen von Hilko Wiardo Schomerus ebenfalls in Madras (Chennai), allerdings 25 Jahre spater. Seit damals sind sie im Phonogrammarchiv bewahrt, aber bis jetzt fur wissenschaftliche Arbeiten weder benutzt noch ediert worden - im Gegensatz zu Exners Aufnahmen, die von Kirste (1908) und Felber & Geiger (1912) untersucht wurden. Die 30 Tonaufnahmen von 1929 haben hauptsachlich Rezitationen aus der klassischen tamilischen Dichtung zum Inhalt. Sie sind heute von grossem historischen Interesse, woruber in der ausfuhrlichen Einleitung zu lesen ist. Neben dem beruflichen Werdegang, Schomerus' Engagement in der tamilischen Kultur sowie seinen Interessen, die ihn wiederholt in diese Gegend fuhrten, werden auch sein Kontakt mit dem Phonogrammarchiv, der Reiseverlauf sowie seine Forschungsmethoden beschrieben. Die detaillierte Beschaftigung mit den Texten forderte so manche Bezuge zum Tagesgeschehen sowie zu Schomerus' penibler Arbeitstechnik zutage. Der Textteil gibt auch allgemeine Auskunft uber das Projekt der Gesamtausgabe der Historischen Bestande, dessen editorische Richtlinien, sowie bezuglich des Re-Recording und der Signalverbesserung. Die Transkriptionen sind mit mp3-Files verknupft, sodass eine einfache und schnelle Verbindung zwischen Mitlesen und Horen hergestellt werden kann. Weitere Informationen betreffen biografische Daten zu den Rezitatoren. Die Originalprotokolle sind als Bild-Files enthalten. Da Schomerus' Handschrift nicht leicht zu entziffern ist, werden auch die deutschen Ubersetzungen als Transkripte zur Verfugung gestellt, obwohl die Publikationssprache Englisch ist. In der Publikation werden die Quellen (Tone und Originalprotokolle) den Kommentaren gegenuberstellt, die Verweise auf ahnliche Forschungsvorhaben der Entstehungszeit un Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. Vorwort Preface 1. BEITRAGE Feldforschungen zu den Kalmucken und ihrer Kultur: Ziele und Inhalte eines neuen Dokumentationsorjektes Thede KAHL & Ioana NECHITI Bemerkungen zum Nahen Osten als ethnographisches Untersuchungsfeld Gebhard FARTACEK Spaces of interaction: an intersectional approach to dancing in mortuary ceremonies in Southwest Madagascar Cornelia GRUBER Hornbostel and me. Expectations towards historical recordings of the Ewondo drum language (South Cameroon) Susanne FURNISS A multi-perspective analysis of videographic data on the perfomance of spirit possession in Dominican Vodou Yvonne SCHAFFLER & Bernd BRABEC DE MORI Transferring archival research collections into the digital domain: a special challenge Christiane FENNESZ-JUHASZ & Nadja WALLASZKOVITS 2. FELDFORSCHUNGSBERICHT Digitalisierung der longitudinalen Spontansprachdaten eines Kleinkindes aus dem Raum Wien Katherina KORECHKY-KROLL 3. REZENSION Anja Brunner, Cornelia Brunner, August Schmidhofer (eds.), 2015. Transgression of a musical kind. Feschrift for Regine Allgayer-Kaufmann on the occasion of her 65th birthday. Aacher: Shaker Verlag 2015 Helmut KOWAR Tatigkeitsbericht des Phonogrammarchivs fur das Jahr 2014 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. The present series contains a unique collection of 23 Phonogramme featuring various Romagnol dialects. They were recorded between July and August 1914 in Ravenna and Forli, Italy, by Friedrich Schurr, the Vienna-born Romance scholar. His pioneering research into Romagnol, cut short by the outbreak of World War I, was preceded by comparative diachronic investigations which he conducted during several stays in Italy from 1910 onwards. Primarily aiming at a comprehensive account of stressed vowels in Romagnol dialects, Schurr eventually decided to make use of the phonograph, which enabled the recorded text to be listened to and checked repeatedly. His subsequent application to the Phonogrammarchiv was granted, and an Archivphonograph put at his disposal. The recordings comprise not only Schurr's 57 so-called Normalsatze (standardised sentences created for his research purposes), but also the names of weekdays and months, individual phrases and proverbs as well as dialect poems or prose. Schurr's approach of using the phonograph in documenting the dialects of Romagna is the more important since it constitutes the first sound documentation ever made in the field of dialectology as regards Italy. The publication at hand is the result of the fruitful cooperation between the Phonogrammarchiv and the Centro per il Dialetto Romagnolo of the Fondazione Casa di Oriani. Thanks to the latter's successful efforts, the Fondazione Cassa di Risparmio di Ravenna, with its library preserving the legacy of Friedrich Schurr, finally agreed to fund this project. The present multimedia publication consists of an audio CD, a data CD and a booklet (with a substantial contribution by dialectologist Sanzio Balducci). In addition to digital images of the original documentation accompanying the recordings, the data CD also provides scans of Schurr's publication of 1917 (resulting from his phonographic field research) and relevant correspondence as well as Italian translations of most of the booklet texts, making it a more or less bilingual edition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

paperback. Condizione: New. Special order direct from the distributor.

Compact Disc. Condizione: new. Compact Disc. English summary: The historical holdings preserved in the Phonogrammarchiv also include recordings of Indian origin, among them two collections published in the present edition: The collection compiled by the meteorologist Felix Exner was established 1904/05; its total of 68 recordings contain primarily recitation samples of Sanskrit and Vedic literature, but additionally a few works in Malayalam, Telugu, Marathi, Hindustani, and Tamil. The recordings were used for further research by the musicologist Erwin Felber and the Indo-Iranicist Bernhard Geiger. In 1918, eight recordings were made in the Phonogrammarchiv; they feature Har Dayal and Umrao Singh Sher-Gil, two outstanding personalities in the anti-colonial movement of India, reciting literature in Sanskrit, Hindi, Urdu, Braj Bhasha and Awadhi. With the present edition, the results of the Phonogrammarchiv's early phonographic field research in India are for the first time made publicly audible. The enclosed documentation provides information about the time, the places and the institutions of their origin, about the texts chosen, as well as about the Indian reciters and other persons involved. German description: Zu den historischen Bestanden des Phonogrammarchivs zahlen auch Aufnahmen indischer Herkunft, von denen in der vorliegenden Edition zwei Sammlungen veroffentlicht werden: Die Sammlung des Meteorologen Felix Exner verdankt sich einer Forschungsreise durch Indien 1904/05. Sie umfasst 68 Aufnahmen von Rezitationen, zumeist von Werken der vedischen und der Sanskrit-Literatur, zudem aber auch von Werken in Malayalam, Telugu, Marathi, Hindustani und Tamilisch. Die Aufnahmen wurden zu ihrer Zeit durch den Musikwissenschaftler Erwin Felber und den Indo-Iranisten Bernhard Geiger schriftlich dokumentiert und bearbeitet. Acht weitere Phonogramme wurden 1918 im Phonogrammarchiv in Wien aufgenommen. Auf ihnen sind Textproben literarischer Werke in Sanskrit, Hindi, Urdu, Braj Bhasha und Awadhi zu horen, rezitiert von Har Dayal und Umrao Singh Sher-Gil, zwei bekannten Aktivisten der Antikolonialbewegung Indiens. Mit dieser Edition werden die historischen indischen Aufnahmen des Phonogrammarchivs erstmals veroffentlicht und damit horbar gemacht. Die beigefugte Dokumentation bietet weitere Informationen zu Zeit und Ort der Aufnahmen, zu den Texten und ihrer Auswahl, zu den indischen Sprechern sowie anderen beteiligten Personen und Institutionen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condizione: new. Compact Disc. This edition - comprising the collections of Matija Murko, made in 1912 and 1913 - releases all his recordings preserved in the Phonogrammarchiv; it also aims to shed light on Murko's research and phonographic fieldwork in Bosnia and Herzegovina, which he carried out just before the outbreak of World War I. Murko was convinced that his research into epic singing could be improved considerably by using a recording device. Although Murko's activities are quite well known, e.g. from his publications (1913 and 1915), his sound recordings are still waiting to be noticed and distributed. Murko was supported by the Balkan Commission and the Phonogrammarchiv (both part of the former Imperial Academy of Sciences in Vienna); moreover, Murko's results can be considered the basis for Milman Parry's ground-breaking research in the field of orality, since his meeting with Murko in Paris in 1928 stimulated Parry's studies in former Yugoslavia. This edition could not have been prepared had it not been for the fruitful cooperation with the University of Sarajevo, Academy of Music, Department of Musicology and Ethnomusicology. The two ethnomusicologists, Jasmina Talam and Tamara Karaca Beljak, have been known to us for years and so it was a welcome opportunity to have them as specialists for this publication. It is to their efforts that we owe the transcriptions of the (partly rather bad) recordings and the insightful comments concerning Murko's research and results in relation to contemporary and later scholars. Moreover, Muhamed Arnaut compiled a dictionary of old and lesser known Bosnian words found in Murko's recordings for better understanding of the epic songs as recited more than 100 years ago. For ethnomusicologists and researchers of folk literature, Murko's recordings are extremely valuable because they represent a manner of performing epic songs which one can no longer find in contemporary live folk musical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Condizione: New.

Softcover/Taschenbuch. Condizione: Sehr gut. kA (illustratore). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Paperback - Gewicht: 450 - Illust.: kA - Zustand: Sehr gut - neuwertig.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Gebunden. Condizione: New. Jaros, Monika, ed|Stockert, Alexandra, edJuergen E. Schmidt (1937-2010), langjaehriger Produzent und Aufnahmeleiter beim Wiener Traditionslabel Preiser Records, initiierte und betreute unter anderem die Serien Kabarett aus Wien und Lebendige Vergangenh.

Condizione: As New. Unread book in perfect condition.