Gerhard artist (18 risultati)

Oversized Hardcover. Condizione: Very Good.

Stapled wraps. Condizione: Near Fine. First Edition; First Printing. Near Fine gold-brown stapled wraps with slight spine fading. Names of Florian & Inge Karsch written above the gallery address inside the back cover. 48 pages, unmarked. "Nummer 34 der KUNSTBLATTER erschien im Dezember 1975 in einer einmaligen Auflage von 2000 Stücken. "; U3U; 8vo 8" - 9" tall; 48 pages.…

Hardcover. Condizione: Very Good. Quarto, 59pp, black and white photographic illustrations, pulbisher's gray cloth lettered in black (a few marginal pencil markings by Donald Kuspit, from whom the book was acquired, minor wear, a few darker spots lower portion of front cover, very good). Laid-in: Invitation card for exhibits in the North American tour organized by the St. Louis Art Museum. …

Paperback. Condizione: Very Good.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Fine hardcover in a Fine dust jacket. Clean and bright, as new. Still sealed in the publisher's plastic wrap.

Hardcover. Quarto, 122 pages. In Good minus condition with a Very Good dust jacket. Spine is white with black print. Boards in cream cloth with black print. Text block has yellow highlighting to text. Illustrated: color plates. Exhibition catalog: Marian Goodman Gallery, New York, 7 May through 25 June 2016. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QD (ND-QD). 1383472. FP New Rockville Stock.…

Hardcover. Condizione: New in publisher's shrink wrap. Quarto. 99,(5)pp. Illustrated color dust jacket, white spine lettered in gray. Gerhard Richter donated 41 paintings to his hometown of Dresden. These include such important works as 11 Panes of Glass (2004), Mirrors (1986) and Eight Sisters (1971). All of these works are illustrated in large format and in color in the book. In a conversation with Jan Thorn-Prikker, the artist explains his connections to Dresden in an often surprising way. In his essay, Jürgen Becker, who himself comes from Thuringia, aptly describes Richter's motives for leaving the former GDR. Fine copy.…

First Edition. Very good paperback copy; edges slightly dust-dulled and -toned, with minor bumps to corners. Remains well-preserved; tight, bright, clean and especially sharp-cornered. Series; Arts Council exhibition catalogues ; 364. Physical description; 257 pages : illustrations (some color) ; 27 cm. Notes; "Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster 13.12.1981-28.2.1982, Kunsthalle Tübingen 26.3.1982-31.5.1982, Hayward Gallery, London (Arts Council of Great Britain) 14.7.1982-22.8.1982, Kunstmuseum Luzern 31.8.1982-31.10.1982"--Page 1. Includes bibliographical references and index. Translation from the German. Subjects; Soutine, Chaim (1894-1943) ; Exhibitions. Soutine, Chaim (1893-1943) ; Catalogues. Soutine, Chaim (1893-1943) Criticism and interpretation. Soutine, Chaim (1893-1943) ; Exhibitions. Hayward Gallery, (London) 1982. Painting, Russian. Painting, French ; Exhibitions. Painters France 20th century ; Exhibitions. Jewish painters France 20th century ; Exhibitions. Chaim Soutine (1893-1943). Painters - [Early 20th Century - France]. French paintings Soutine, Chaim Catalogues. Soutine, Chaim Exhibitions. Soutine Chaim Russian painting. Genres; Bibliography. Catalogue. Exhibition catalogs. Exhibitions. Illustrated. 2 Kg.…

First Edition. Very good paperback copy; edges slightly dust-dulled and -toned, with minor bumps to corners. Remains well-preserved; tight, bright, clean and especially sharp-cornered. Series; Arts Council exhibition catalogues ; 364. Physical description; 257 pages : illustrations (some color) ; 27 cm. Notes; "Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster 13.12.1981-28.2.1982, Kunsthalle Tübingen 26.3.1982-31.5.1982, Hayward Gallery, London (Arts Council of Great Britain) 14.7.1982-22.8.1982, Kunstmuseum Luzern 31.8.1982-31.10.1982"--Page 1. Includes bibliographical references and index. Translation from the German. Subjects; Soutine, Chaim (1894-1943) ; Exhibitions. Soutine, Chaim (1893-1943) ; Catalogues. Soutine, Chaim (1893-1943) Criticism and interpretation. Soutine, Chaim (1893-1943) ; Exhibitions. Hayward Gallery, (London) 1982. Painting, Russian. Painting, French ; Exhibitions. Painters France 20th century ; Exhibitions. Jewish painters France 20th century ; Exhibitions. Chaim Soutine (1893-1943). Painters - [Early 20th Century - France]. French paintings Soutine, Chaim Catalogues. Soutine, Chaim Exhibitions. Soutine Chaim Russian painting. Genres; Bibliography. Catalogue. Exhibition catalogs. Exhibitions. Illustrated. 2 Kg.…

Hardcover. Condizione: Brand New. reprint edition. 324 pages. 10.00x8.50x1.00 inches. In Stock.

Hardcover. Condizione: Very Good. INSCRIBED and SIGNED in pencil by artist at ffep. Folio, approx 13 1/8 inches tall, 327pp, mostly color with some black and white photographic reproductions, publisher's plastic laminate covers with images within varied layers of the laminate, lettered in black on clear spine so one sees yellow stained mesh that backs the page signatures (moderate wear, abrasions, very good). An unusual production. Signed by Author(s).…

Hardcover. Condizione: Brand New. 01 edition. 144 pages. German language. 8.75x6.00x0.75 inches. In Stock.

Condizione: Good. 4to. 167 pp. Blue paper-covered boards with black and white illustrated plate and brown cloth spine with black titling. Fair with chipping and fraying along cloth spine, edgewear along wraps and soiling and toning along interior pages, including end-papers. Half-title page inscribed in blue ink and dated by previous owner: "Peter Selz, 1958." Auf Deutsch. From the Collection of the Art Historian Peter Selz.…

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. Near Fine in oatmeal cloth with black titles, inset photo on the front board.1st Printing.

Oblong-8vo. (100 : 150 mm). 1 p. Signed and extensively inscribed card of the German cabaret artist, actor and writer, with a portrait image affixed. From the collection of the late Kurt Schimmelpfennig, Düsseldorf. Polt became known for satirical portrayals of everyday life, language and social attitudes, particularly in Bavaria.…

Graz: Pool, 1973. Octavo (23.7 × 22.8 cm). Original pictorial wrappers; [54] pp. with numerous reproductions of video stills, exhibition photographs, and Installations. Binding slightly finger-stained; else good or better. Catalog of the early exhibition of experimental works by Richard Kriesche, published as the eighth issue of the artist journal "Pfirsich". For this exhibition, Kriesche conceived, among other things, his well-known "Video Installation 1", which displays gallery visitors on two monitors. The visitors activate two video cameras by pressing a bell: one camera is placed outside the room, the other inside. These record the visitor as they enter, allowing them to see themselves entering the exhibition space from the front and from behind. Not least because of such works, which reflect critically on the art world itself, Kriesche is regarded today as an important pioneer and theorist of contemporary media art. (Cf. Helmut Kronthaler, AKL LXXXII, 2014, 18). The journal "Pfirsich" was published in 18 nos. between 1970 and 1976 by the three media artists Karl Neubacher, Richard Kriesche, and Horst Gerhard Haberl as a periodical of their artists' association "Pool", which was founded in 1969. The group was modeled on the "Artist Placement Group" in London, which sought to blur the boundaries between the art world and society by placing artists in other social and institutional contexts. This interdisciplinarity was particularly evident in the career of Neubacher, who worked primarily as a commercial artist. The journal appeared at irregular intervals. The thematic focuses were primarily on actionism, body art, design, media art, and advertising graphics. (Cf. Cat. Neubacher, Graz 2014) Cat. Neubacher, Graz 2014, pp. 228f. As of September 2025, KVK, OCLC list three copies in North America. …

Oblong-8vo. (100 : 150 mm). 1 p. Signed and dated card of the German painter and visual artist, with a portrait image affixed. From the collection of the late Kurt Schimmelpfennig, Düsseldorf. Richter became one of the most internationally significant post-war German artists, working across photo-based painting, abstraction, portraiture and landscape.…

199 gelatin silver prints on baryta paper, mounted on light cardboard. Ca. 265 x 179 mm each, paper ca. 293 x 208 mm. Loosely stored in original wooden coffer. 1 of 25 numbered sets, signed by the sitters almost throughout and annotated by the photographer. An important collection of nearly 200 artists' portraits, including Joseph Beuys, Fernando Botero, Arno Breker, Paul Flora, Ernst Fuchs, Karl Otto Götz, Keith Haring, Jörg Immendorff, Loriot, Heinz Mack, Georg Muche, Meret Oppenheim, Gerhard Richter, H. A. Schult, Roland Topor, Günther Uecker, Tomi Ungerer, Wolf Vostell, Dondi White, Shizuko Yoshikawa and many more. - Heinz-Günter Mebusch, a student of Otto Steinert, one of Germany's most important postwar photographers, was active in more than 40 countrys in Europe, Africa, and America. His longest and most extensive project was his series of ca. 200 artists' portraits, created between 1978 and 2000 in close collaboration with the sitters. A limited set of 25 copies was produced in the years 1979-1992, often with additional signatures (and an overpainting by Ford Beckman), titled "Reise zum Planeten ARS". Almost all of the present prints are signed by the sitters. They are numbered 22 (of a total run of 25) and are presented in an elaborate wooden casket; all are annotated by Mebusch on the reverse and bear his fingerprint. - Now an obscure name, Mebusch in his day was acquainted with all notable artists of his time, exhibiting in Costa Rica, Luxembourg, Vienna, Hollywood ("Polytoxicomania"), Düsseldorf ("Schatzsuche"), San Francisco (Goethe Institute, 1998), and Venice (Biennale, 1999), taught at the Folkwangschule in Essen, and organised or curated numerous art and photo projects, including the 1991 Beuys Festival in Düsseldorf. A small selection of his works was recently shown by the documenta archive, which owns its own copy of the portrait series: "Taken at very close range, the headshots captivate the viewer through the sitters' intense, direct gaze". - Rarely encountered complete in the original coffer: the only copy sold at auction within the last decades comprised merely 179 portraits. A detailed list is available on request.…