Lingua: Inglese
Editore: Musee d'Art Contemporain de Nimes and Scalo, 1996
ISBN 10: 2907650203 ISBN 13: 9782907650205
Da: ANARTIST, New York, NY, U.S.A.
Well-illustrated (illustratore). Hardcover without dustjacket as issued, 156 pages; in French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Cantz Verlag, Ostfildern-Ruit, 2002
Da: Bücher-Insel Antiquariat Rolf Selbert, Kassel, Germania
EUR 25,00
Quantità: 1 disponibili
Aggiungi al carrello155 S. 3. unveränderte Auflage. Mit 100 farbigen Repros der Gemälde und Texten dazu. Kunstband guter Qualität. Guter Zustand.
Lingua: Tedesco
Editore: Cantz Verlag, Ostfildern-Ruit, 1996
ISBN 10: 3893228543 ISBN 13: 9783893228546
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
8vo. 156pp. Translated from the German. Gray cloth lettered in black. Illustrated with 103 color plates. A fine, as new copy, still in publisher's original shrinkwrap. "Released on the occasion of an exhibition of Gerhard Richter's 'private paintings' at the Carré d'Art in Nîmes"--Page 5./ Includes bibliographical references.
Lingua: Tedesco
Editore: Cantz Verlag, Ostfildern-Ruit, Germany, 1996
ISBN 10: 3893228543 ISBN 13: 9783893228546
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine condition. First English language edition. Octavo. 153 (1)pp. Original tan cloth with black lettering on cover and spine. "Richter's approach long appeared disorienting, incoherent, even absurd: the artist developed an extraordinary diversity of forms, moving from "photo-realist" pictures to others that seemed to run the gamut of abstraction, from concrete art to action painting. More than twenty years of hindsight were needed to grasp the dialectical movement that structures his research, determining its unprecedented attempt at an ontological exploration of painting's foundations and limits, and making it one of the most remarkable artistic experiences of the last three decades. The initial observations the "painting has never painted anything but itself" forms the basis of Richter's oeuvre. Complex, multifariousranging from photo-realist representation to gray monochromesit constitutes the analysis, the methodical critique (the sublimation?) of all the forms that painting can take." (Preface). illustrated with 100 color photographs of Richter's paintings by Friedrich Rosenstiel, covering the wide range of Richter's oeuvre.