gerstner karl markus kutter (18 risultati)

Hardcover. Condizione: Very Good Minus. No Jacket. First Edition. hardcover, cloth-backed paper-covered boards., minor bits wear to spine. old, faint spotting to some endpapers and bottom edge. lacks cardboard sleeve. no markings or bumps. strong binding.; parallel text german/english/french., 247pp., 432 illustrations, mostly b/w, some color. classic title. Size: Square 8vo.

hard cover. Condizione: Very Good. No jacket. Teufeb AR, Switzerland:Arthur Niggli Ltd. (1959). 247pp. Illustrated, with 12 in full color.  Text in English, French and German. Hardcover with slipcase.  Book covers lightly soiled and shelfworn, with wear along edges, spine ends and bottom edge points worn to boards. The spine strip is soiled and worn with wear along gutter edges.  Internally, end pages are age-toned but free of previous owners marks or signatures.  The pages are slightly age-toned but clean throughout. The binding is tight with hinges intact.  The slipcase is in fair condition, soiled and shelfworn with bottom strip starting to separate. .

Hardcover with slipcase. Condizione: Near Fine. First edition. Small quarto. Pp. 247. 432 illustrations including 12 color. Cloth spine over boards. Housed in cardboard box with yellow printed title label to one side. Fine, slightest wear to spine, in Very Good+ slipcase, light soiling, price mark. Uncommon. "This international pictorial survey takes modern graphic art from its origins through the present-day achievements and concludes with a look into the future".

Hardcover. Condizione: Very Good. Condizione sovraccoperta: issued without. First edition. Square octavo, 248 pages, clothbacked boards, rear joint repaired, in publisher's worn slipcase. Scarce. "This international pictorial survey takes modern graphic art from its origins through the present-day achievements and concludes with a look into the future. Although 'graphic art' is limited here to art in the service of advertising, there is no limit to the artistic value of the means employed - this is a selection of the best work in the field, past and present. Contemporary graphic art - work done since the end of the World War II - is presented in the second and more comprehensive, part of the book. It includes a wide range of media and techniques, among which are: Newspaper advertisements, leaflets, catalogues, posters, displays, lettering, packages, business stationery, trade markes and devices." Trilingual text, in Englilsh, German and French. 432 illustrations of which 12 are in full colour. Printed in Switzerland. "Gerstner is one of the most important innovators in typography, commercial art and corporate design - Swiss National Library." Includes treatments of trade marks, book jackets, posters, magazines etc.

Softcover. Gerstner, Karl (illustratore). 1. Auflage. Arthur Niggli, Teufen. First edition. Pages 94. Size: 22.5 x 15 cm Single, slight sings of use, otherwise in very good condition.

Hardcover. Gerstner, Karl (illustratore). Hastings House / Teufen, Ar., A. Niggli, New York / Basel. Clothbacked boards. Pages 248. Size: 23.5 x 23.5 cm Single signs of use, otherwise in good condition. Clothbacked boards. Hardcover in slipcase.

Softcover with dustjacket. Schutzumschlag. Gerstner, Karl (illustratore). Arthur Niggli, Teufen. Pages 50. Size: 27.5 x 15 cm Dust jacket with minimal signs of use, otherwise in very good condition.

Hardcover. Schutzumschlag. Gerstner, Karl (illustratore). Arthur Niggli Teuffen. Pages 216. Size: 24,2 x 16,2 cm Dustjacket irregularly brownish, single tear and slight spots, otherwise good. Hardcover with original dustjacket.

Condizione sovraccoperta: mit Schutzumschlag. Erste Ausgabe. 16,5 x 24 cm. Erste Auflage, 213 S. Geprägte OLwd, OU. OU gebräunt, ansonsten tadellos. 1957 als schönstes Schweizer Buch ausgezeichnet. Gilt als Erster Auftritt der Schweizer Typographie.

Hardcover. Condizione: Good. 1st Edition. 8° - 247pp - 432 illustrations. First edition of The New Graphic Art by Karl Gerstnet (1930-2017) Swiss designer, typographer, author, and artist. Representing an extensive survey of modern graphic design from its' 19th-century origins until the later 1950s. The design of the book is traditional Swiss Modern -- immaculately typeset and laid out on a consistent 3-column grid, a single type family [Univers] set with a minimum of scale and weight changes. THE NEW GRAPHIC ART was the first graphic design conspectus published as an ideological programme. Text in German, English and French language. Original boards and original slipcase. In very good condition.

Gebunden. Condizione: New. Auf 100 Exemplare limiertierte, nummerierte Sonderausgabe - in leinenbezogener Kassette mit SiebdruckMarkus Kutters Roman Schiff nach Europa - optisch organisiert von Karl Gerstner - nimmt frueh eine experimentelle Position ein, die in der Buchgestalt.

4° (27.5 x 15 cm), 8, 11 u. 6 Bl., Brosch. m. OU, Transp.-Ou m. kleiner Fehlstelle, etwas gebräunt. Buchblock an einer Ecke min gestaucht, sonst gutes Exemplar. 3-teilige typographische Extravaganz in Aphorismen zum Werkgedanken. Gestaltung von Karl Gerstner. 700 gr. Schlagworte: Buchwesen - Buchdruck, Typo.

8°, 213 S., Broschur, OU min gebräunt, minimalst fleckig, sonst sehr schönes Exemplar. DAS ORIGINAL!! - Ein Roman, dessen Typographie sich dem Text anpasst. Typographie-Illustration. Von Gerstner optisch organisiert. 1100 gr. Schlagworte: Buchwesen - Buchdruck, Typo.

Teufen, Niggli 1959. Kl.4°.quadr. 247 S. mit zahlr. Abb. Original Halbleinen. Ohne Schuber. Gutes Exemplar.

Teufen, Verlag Arthur Niggli, 1959, 1st ed., 247,(1) pag., b/w illustrations, text in German, Englsih and French, original grey clothbacked boards stamped in white, black and red, original board slipcase, quarto, = The New Graphic Art is the first book of its kind and offers a comprehensive overview of modern graphic design, tracing its development from 19th-century origins through to the late 1950s. The book's design exemplifies traditional Swiss Modern styl and is meticulously typeset and structured on a consistent three-column grid, using a single typeface (Univers) with minimal variation in scale and weight. The New Graphic Art was the first graphic design survey to be published as an ideological manifesto. Fine copy from the library of Kees Broos, Dutch graphic designer and co-editor of Dutch Graphic Design. A Century, with his owner's entry in penil "Broos".

In-8, 248pp., 432 illustr., texte en allemand, anglais et francais, reliure demi-toile de l'editeur avec son emboitage d'origine, Nb-0107,

Brosch. 8°, 54 S., 1 Bl. Kapitale u. Ecken etw. berieben, wellig, Schnitte u. Blattränder tlw. stockfleckig (äusserste Bl. etw. stärker), leichter Kellergeruch. EA (W/G 18 für Max Frisch). (= Basler politische Schriften, [Nr.] 2). Mit der Antwortkarte auf der hinteren Umschlagklappe. «Diese Broschüre ist das Ergebnis einer Diskussion zwischen Lucius Burckhardt, Max Frisch und Markus Kutter, unter Zuzug der Architekten Rolf Gutmann und Theo Manz sowie zweier Vertreter der Wirtschaft, eines Staatsbeamten und eines kantonalen Parlamentariers. [. . .]; die graphische Gestaltung besorgte Karl Gerstner.».

Brosch. Quer-8°, o. P.: 23 Bl. u. 6 Doppelbl. mit Tafeln (wovon 9 farbig, wovon 3 doppelblattgross), Textabb. Einband etw. unfrisch, Vorderdeckel min. lichtrandig, Hinterdeckel etw. fleckig, das farbige Papier an den Rändern etw. gebräunt. EA. (= Ad rem; Veröffentlichungen zu Fragen künstlerischer Gestaltung; herausgegeben von Markus Kutter, [Nr.] 1).