Getty sir paul (14 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. Stiff color pictorial wraps, perfect bound. Catalogue to accompany 1999 exhibition at Pierpont Morgan Library, New York. Slight shelf wear, two creases along a firm binding showing a slight lean. Clean, unmarked interior. xii,278 pp., w/ 106 selections, each illus. by at least one color plate, and occasionally several, accompanied by extensive commentary. Size: 4to - over 9¾" - 12" tall. Book.…

Condizione: Very Good. 16 pages, 16 plates. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Category: Book Collector; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.…

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.…

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.…

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance: presentation copy. Physical description: xii, 278 pages: color illustrations; 30 cm. Notes: Catalogue of an exhibition held at the Pierpont Morgan Library, New York, 27 January-2 May 1999. Illustrated endpapers. Subjects: Getty, Paul Sir 1932-2003- Library; Exhibitions. Getty, Paul 1932-2003. Getty, Paul Sir 1932- Library Exhibitions. Wormsley (House: Buckinghamshire, England). Library; Catalogues. Wormsley Library. Wormsley Library Exhibitions. Bible Manuscripts; Catalogues. Bible Manuscripts Exhibitions. Bookbinding; Catalogs. Illumination of books and manuscripts; Catalogs. Illustration of books; Catalogs. Rare books England; Catalogs. Illumination of books and manuscripts. Illumination of books and manuscripts, Medieval; Exhibitions. Illumination of books and manuscripts, Renaissance; Exhibitions. Illumination of books and manuscripts Private collections England; Exhibitions. Fine bindings Private collections England; Exhibitions. Illustrated books Private collections England; Exhibitions. Early printed books Private collections England; Exhibitions. Rare books Private collections England; Exhibitions. Illuminated Manuscripts Private collections British Isles. 1 Kg.…

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Slightly rubbed, otherwise Very Good.…

Condizione: Very Good. 1999. Paperback. Folio.Good clean copy. First edition. . . . . Books ship from the US and Ireland.

Condizione: Very Good. 1999. Paperback. Folio.Good clean copy. First edition. . . . .

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Near Fine.…

273 pp including index, quarto, pictorial end-papers, coloured plates and illustrations, fine copy in illustrated, limp wrappers. . Excellent catalogue.

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Very Good.…

Laminated illustrated wrappers, large 8vo, 30 cm, xii, 278 pp. 106 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times." Fine.…

Soft cover. Condizione: Very Good. No Jacket. GETTY, Sir Paul, K.B.E. [a Personal Selection by] [278] pp. Published for the Wormsley Library by Maggs Bros. in co-operation with The Morgan Library & Museum, New York 1999 11 1/2" x 8" 113 entries. Catalogue of an exhibition held at The Pierpont Morgan Library, New York, 27 January-2 May 1999. From the introduction: "The books reflect some of their collector's catholic enthusiasms. Early purchases include examples of fine printing in rich array, from incunables to modern private-press books, many on vellum, English hand-coloured aquatint books, chiefly travel and scenery, the flower of French illustrated books from Verard to Vollard, and, above all, a spectacular assemblage of fine bindings from medieval times to today.There are also splendid manuscripts, tike the magnificent Gradual from the monastery of Ottobeuren, the unique pages from the life of St. Thomas Becket, repatriated from Belgium some fifteen years ago, exquisite Books of Hours from France, Flanders, and England, and works that especially delight the English like the Psalter of Queen Anne Boleyn; there is also the jewel-like Renaissance psalter, once ascribed to Giulio Clovio, which belonged to Lord Arundel and Dr. Mead and was entombed in its inlaid and painted wooden box by Horace Walpole, the delicious little volumes of Songs of Innocence and of Experience that "William Blake coloured so singularly, and Cobden-Sanderson's binding of Marx's Das Kapital for "William Morris and friends". As a collector, Sir Paul has focussed on his chosen areas with admirable discipline and thoroughness, rarely allowing himself to be seduced by works that might feel lonely on his shelves. In the field of bindings he has allowed himself greater latitude, and almost every manifestation of the bookbinder's art is there in splendid exemplars, from twelfth-century Limoges enamel, rude medieval coverings of hairy deer and greasy sheep, magnificent painted strapwork from the Renaissance, dazzling interlaces a la fanfare, glorious Restoration bindings by Mearne and Cleeve and their contemporaries, and work by all the great masters and innovators in Europe up to our own times.".…