Ghatak ritwik (17 risultati)

Condizione: New. pp. 224.

Condizione: New. pp. 224 1st Edition.

Condizione: New.

Condizione: New. pp. 224.

Condizione: New.

Paperback. Condizione: Very Good. One of 1200 copies. Lower left corner of back cover and last few page corners bent. Text in English and Dutch. 74pp.

Condizione: New.

Soft cover. Condizione: New. 1st Edition. Ritwik Ghatak, the famous filmmaker, is known all over India and abroad for some of the greatest films made in India, which set the scene for future film making. But his short stories works of miniaturist art in their own right are less known. The stories collected in this volume speak well for themselves as much as they remind his audience of another facet of his versatility which was eclipsed by the more obvious virtuosity of his filmography. The stories reflect his protest against 'the wickedness, villainy and oppression' he saw around him, his romantic nostalgia for a lost El Dorado, his intense feeling for man's natural environment the land, the sea and the sky. While the stories mirror the ethos of the tumultuous decade of India in the 40s, they go beyond that to reveal a vision of life that encompasses a compassion for human frailties and a deep commitment to humanism. Deftly crafted, easily rivalling the best in the genre, these stories are not only a living part of his development as a creative artist-as a writer and as a filmmaker-they are also essential for an understanding of the totality of being that went into the making of his films. The volume claims our attention as an important addition to the Ghatak archive, as a substantial source material for any ongoing research on his films.…

Hardcover. Condizione: New. 1st Edition. Ritwik Ghatak perhaps remains the most celebrated auteur of Partition narratives-not only has he completed eight masterly feature films before his premature death, his brilliance and eccentrics also got reflected as a film-theorist, critic, author and a theatre writer-practitioner. In this collection of plays, his writings specifically act as a cultural sign bearing the remnants of one catastrophic history-the Partition of Bengal. Ritwik details the visual and aural realization of a fragmented Bengal in such a socio-political and cultural milieu of Indian history where we can trace both dystopian and utopian features. Plays like Dalil (translated as Charter), Sanko (translated as Communications) and few more are narratives that focus on the post-Independence socio-historical observations of the Indian subcontinent with a sustained critique of the impact of Partition and functioning of political malpractices in the lives of the refugees from East Bengal. Drawing from various sources, as disparate as folk music and Indian classical music, folk theatre as well as Indian classical dramaturgy, the Vedas, the Upanishads and mythology-Ritwik has portrayed the tragic predicament of the innumerable, hapless immigrants amalgamating the cultural richness with the social reality of that time.…

Soft cover. Condizione: New.

N.A. Condizione: New. ISBN:9789386906434,224pp.

Broché. Condizione: Bon état. in-8 Description :314 pp. Langue : Français Nb de volumes : 1.

1990, paperback, 74 pp., TijgerReeks 2, 1200 copies only, text in English and Dutch, in very good condition.

BINDING - Card covers with som. Condizione: CONDITION - Used/ Good. 2nd Edition. 326 Pages. Corners Bumped.

Condizione: Neuf.

Condizione: very good. Couverture défraichie, cornée, contenu en bon état. vendeur professionnel; envoi soigne en 24/48h.

soft cover. Condizione: fine. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Le présent simple par Sylvie Pierre - Au travers des oliviers par Abbas Kiarostami - La forme de cinéma la plus passionnante par Ritwik Ghatak - Cher Monsieur Krost, Cher Monsieur Smith par Marguerite Duras - De CNN à JFK par W.J. Thomas Mitchell - Bizarrerie phonographique par Carlo Dossi - Lemoyen de s'entendre par Michel Bonnemaison - Barbe-Bleue (2) par Jean-Claude Biette - Nuit de cinéma, nuit de bêtes de cinéma par Peter Handke - Ce ne sont pas des souvenirs. Plutôt un mouvement inverse? par Leslie Kaplan - La scène par Raymond Bellour, Marie Redonnet - À pied d'oeuvre par Jean-Claude Biette - Les racines dans le désert ou retour à Ithaque par Jonas Mekas.…