Gidal peter (159 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. A critical close-up of Warhol's famous film and its cultural impactIn Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. Sometimes the young actor looks bored, sometimes as if he is thinking, sometimes as if he is aware of the camera, sometimes as if he is not. Like the protagonists of other Warhol films, he is apparently left to his own devices. Warhol's 16mm films (including Blow Job, Sleep, Empire, and Henry Geldzahler), with their take on boredom, voyeurism, and the supposedly unmoving camera, continue to be influential today. In their own era of the early 1960s, they forced avant-garde film away from various forms of romantic illusionism and onto the reality of the specific film-as-projected. The film process itself became inseparable from the act of the viewer's viewing. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques--the use of the close-up, the general use of camera movement, and the complete theatrical mis-en-scene--(especially when compared to the Godardian cinema verit' of the time) make the materiality of the film process, its making and viewing, ineluctably present. Peter Gidal has written books on the works of Samuel Beckett, Andy Warhol, and Gerhard Richter, as well as on avant-garde materialist film. An experimental filmmaker himself, Gidal has had retrospectives at the London Film Co-op, LUX, the National Film Theatre, Centre Pompidou, and the Institute of Contemporary Arts, London. Andy Warhol (1928-1987) was one of the twentieth century's most important artists and cultural icons.…

Paperback. Condizione: Near Fine. Remainder mark on one edge. A nice, bright copy. ; Afterall Books / One Work; B&W and color reproductions; 8.0 X 5.9 X 0.5 inches; 86 pages.

hardcover. Condizione: Very Good. Flare Out: Aesthetics 1966-2016 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Very Good. A critical close-up of Warhol's famous film and its cultural impactIn Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. Sometimes the young actor looks bored, sometimes as if he is thinking, sometimes as if he is aware of the camera, sometimes as if he is not. Like the protagonists of other Warhol films, he is apparently left to his own devices. Warhol's 16mm films (including Blow Job, Sleep, Empire, and Henry Geldzahler), with their take on boredom, voyeurism, and the supposedly unmoving camera, continue to be influential today. In their own era of the early 1960s, they forced avant-garde film away from various forms of romantic illusionism and onto the reality of the specific film-as-projected. The film process itself became inseparable from the act of the viewer's viewing. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques--the use of the close-up, the general use of camera movement, and the complete theatrical mis-en-scene--(especially when compared to the Godardian cinema verit' of the time) make the materiality of the film process, its making and viewing, ineluctably present. Peter Gidal has written books on the works of Samuel Beckett, Andy Warhol, and Gerhard Richter, as well as on avant-garde materialist film. An experimental filmmaker himself, Gidal has had retrospectives at the London Film Co-op, LUX, the National Film Theatre, Centre Pompidou, and the Institute of Contemporary Arts, London. Andy Warhol (1928-1987) was one of the twentieth century's most important artists and cultural icons.…

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. 158 pages, edges and corners crisp, no markings or stains, black cover scuffed.

Soft cover. Condizione: Good. Good paperback. Overall a great reading copy. Scattered underlining, though the majority of the text is clean and bright. Illustrated throughout. 158 pp.

Hardcover. Condizione: new. Hardcover. A collection of essays by filmmaker and theorist Peter Gidal that includes the seminal "Theory and Definition of Structural/Materialist Film" and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Therese Oulton, Gerhard Richter and Andy Warhol. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New.

Paperback. Condizione: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Studio Vista, 1970. Octavo. Paperback. Book is very good with light shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. clean, unmarked copy. USPS TRACKING.

Hardcover. Quarto. Hardcover. Yellow paper bound boards with red lettering, in a pictorial jacket. 216 pages : color illustrations ; 31 cm. "Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket. G. Ex-lib with typical markings. Jacket in sleeve, shows signs of soiling and wear. Binding still strong. Boards have wear and soiling along the bottom edge. Primary text block is clean. Good reference copy. …

Hardcover. Condizione: Brand New. 282 pages. 5.20x1.06x7.72 inches. In Stock.

Softcover, 160 pages; very good condition; light wear to covers; crease to spine; no internal marks. Foreign shipping may be extra.

Softcover, 158 pages; very good condition, clean and crisp, institutional donation stamp on inside front cover; from the estate of Henry Geldzahler ; no other internal marks. Foreign shipping may be extra.

Hardcover. Quarto. Hardcover. Yellow paper bound boards with red lettering, in a pictorial jacket. 216 pages : color illustrations ; 31 cm. "Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket. VG. Only light touches of shelf wear. …

Softcover, 216 pages, in German, good condition,1-inch crease to upper right corner of last 50 pages, no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. P.B.Very Good.160pp.(VVTV2/2).

Soft cover. Condizione: As New.

Condizione: New. 2016. hardcover. . . . . .

hardcover. Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 3 working days.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.