gilliam bryan editor (8 risultati)

softcover. Condizione: Fine copy. 2nd prt. 8vo, 425 pp.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Kowalke, Seven degrees of separation: music, text, image, and gesture in The Seven Deadly Sins. Hutcheon, The "phenomenal image" in opera. Paley, Zwischenreden für Zwischenakte: Egmont and the melodramatic supplement. Fauser, Visual pleasures - musical signs: dance at the Paris Opera. Levitz, Syvilla Fort's Africanist modernism and John Cage's gestic music: The story of Bacchanale. Lerner, "Look at that big hand move along": clocks, containment, and music in High Noon. 9.0" tall; 176 pages.

Princeton University Press trade paperback, 1992; unread and carefully stored, No marks/creases or other defects; Fine (like New). We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+ Dust Jacket. First Edition. Very good hardcover with DJ, from a personal collection (NOT ex-library). Signed by contributing author James Hepokoski on half-title page (book is from his collection). Binding is tight, sturdy, and square. Unclipped dust jacket looks great. 1st printing. Full title is "Richard Strauss: New Perspectives on the Composer and His Work". Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Signed by Contributor.

Hardcover. black boards w/ silver spine printing. book xiv, 220 pgs. red dustjacket w/ white printing & illustration; protective plastic. From a college library. Pages appear clean, but, may have instances of marginalia, notations, etc. A nice, bright copy. "Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism, and ultimately expressionism, served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent post in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s not only offers deeper insights into Weimar culture itself but sheds light on our contemporary musical world."--WorldCat. VG (ex-library w/ stamps to textblock edges, internal stamps, usual markings, etc. dustjacket has ID to lower spine, taped to cover edges).

hardcover. Condizione: Fair. Some wear to dust jacket, text is unmarked.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!