gillo pontecorvo (19 risultati)

Magazine. 52p., 8.5x11 inches, articles, reviews, interviews, stills, small stain at bottom corner else a very good film critique magazine in stapled pictorial wraps.

Condizione: NEW.

In-16° pp. 193 con 16 tav. f.t. Bross. edit. Ill. Manca il CD allegato al volume.

Condizione: buono. Cinema e Tv Sceneggiature Entertainment Cinema and TV Scripts bross. edit. ill. - prima edizione - illustrazioni in b.n. fuori testo OTTIME CONDIZIONI.

DVD. Condizione: Very Good. Region 1 - USA & CanadaSet of documentaries charting American crime in the first half of the Twentie th century. 'The Roaring Twenties' is a look at the effect immigration and Prohi bition had on the early years of the century. Two young first generation immigra.

Condizione: As New. **Per foto ed ulteriori informazioni contattateci** . Perfetto (Mint). Book.

Condizione: new.

Condizione: OTTIMO USATO. ITALIANO Brossura pocket, copertina flessibile, illustrata da una fotografia in nero in cornice, integra e priva di imperfezioni, l'interno del volume, appare in ottime condizoni, con fogli immacolati e come nuovi, tomo a cura di Antonio Medici, traduzioni di Angela Castellano, Serena Greci Green e Aurora Palandrani, la dicitura in IV parla di libro e VHS, non vendibili separatamente, videocassetta comunque non presente nella confezione. N. pag. 193.

Tapa dura/ Tela. Condizione: Muy buena. The complete scenario, interviews with the director and screenwriter, edited and with introduction by Pernico Solinas, contains numerous photograps inside the text 16 X 23 Cms. 209 Pp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. THE BATTLE OF ALGIERS-GILLO PONTECORVO-THE COMPLETE SCENARIO-1973. FIRST. NY: SCRIBNER'S (1973). FINE IN NEAR FINE DJ (small tear).

Condizione: Fair. Grade: Fair+. Est. Dimension: Approximately (22.5"x 32"(inches)) Year Printed: 1972 Director: Gillo Pontecorvo Original: Yes Shipped: Rolled Product & Description Synopsis: In 1844, a British mercenary helps the revolting slaves of an Antilles island colony gain independence from Portugal, but later returns to hunt down a local rebel leader and former protà gà . (Action) Condition Specifics: Poster rolled in fair+ condition and shipped rolled. Poster formerly folded, but now stored rolled and shipped rolled. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, chipping to edges of the poster not affecting the image of the poster, some tearing to the poster mainly at the corners or folds, see photos. But overall the poster is in good condition for age. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

Script Format, reprint. Condizione: As New. / 1966 DRAFT / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

First Edition. Laid in is an long Autograph Letter Signed from Gillio Pontecorvo written in Italian on printed stationery headed ÒCommunist Youth Federation of Italy ÐNational Constitutional Committee,Ó sent from Rome on March 20, 1949 to the film director Andrea Forzano. The letter is written in ink entirely in PontecorvoÕs hand, 25 lines on the front only, in well legible writing and with sprawling signature. ÒDear ForzanoÉ I happened to hear a few days ago that you, too, are a Ôcomrade,Õ and I thought that maybe you could help us. I am writing to you today in the name of the Communist Youth Federation to ask you to facilitate the realization of a documentary about the constitutional congress of the F.G.C.I. [Communist Youth Federation of Italy] which, as you probably know, will take place in Livorno from March 29 to April 2, with all the leadership members present.Ó After specifying that they have 400.000 lire at their disposal, he lists a series of technical requests of support. A complete English translation of the letter is included. An excellent original autograph document of the famous filmmaker and script-writer. Gillo Pontecorvo (1919-2006). Of Jewish background, Pontecorvo left Italy after the enactment of the Fascist racial laws and, in exile with his brother Bruno, famous nuclear physicist of the Via Panisperna group. Pontecorvo joined the communist party. He became a famous director working as assistant of Monicelli and Steno and in 1966 winning the Golden Lion at the International Cinema Festival in Venice with the film ÒThe Battle of Algiers.Ó Andrea Forzano (Viareggio, 1914-1992) director and screenwriter, was the son of the comedy-writer Gioacchino, who was among others PucciniÕs libretto writer. The document holds particular interest because it attests to PontecorvoÕs attention to the cinematographic world well over four years before his debut documentary in 1953, ÒMission Timiriazev.Ó The book is the complete scenario and interviews with director Gillo Pontecorvo and screenwriter Franco Solinas. The acclaimed film was a realistic, documentary-like recreation of the Algerian rebellion against the French. issued paperbound, this is one of the uncommon hardbound issue. Fine in a fine dust jacket. Pontecorvo autograph material is rare.

Condizione: Very good. First Edition. First edition; 12 x 9 1/2; pp. [6]; illustrated wraps; numerous black and white illustrations; small rubbed spots to tips of spine; lower back corner with a chip and small loss of paper; in about very good condition.A photoplay for the French release of Kapo, an Italian-French co-production, filmed in former Yugoslavia, nominated for the Academy Award in the Best Foreign Language Film category. Starring Susan Strasberg (1938 - 1999), as a 14-year-old Jewish girl, the movie followed her life in a concentration camp, where she had lost her parents and would eventually become a Kapo (one put in charge of other prisoners).

Original borderless oversize reference photograph from the 1960 film, showing actress Susan Strasberg, with two Nazi officers in the background. A Jewish women is sent to a concentration camp during World War II, but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo, largely overshadowed by what would become his best-known film, "The Battle of Algiers" (1966). Nominated for an Academy Award for Best Foreign Language Film. Shot on location in Yugoslavia. 14.5 x 9.5 inches. Very Good plus, with light wear at the corners.

Collection of 18 vintage borderless single weight studio still photographs from the 1960 film. Starring actress Strasberg is seen in all photographs, before and after a buzz cut, always in pinstripes, with a candid image of director Pontecorvo discussing aspects of Strasberg's trimmed hair. Numerical annotations in manuscript pencil on the versos of all but one, and five with Contino's rubber-stamp on the versos. Strasberg portrays a Jewish women sent to a concentration camp during WWII, leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents, albeit overshadowed by what would become his most accomplished film, "The Battle of Algiers" (1966). Nominated for an Academy Award (Best Foreign Language Film). Shot on location in Yugoslavia. 8 x 10 inches. Near Fine, slight curling.

Collection of 21 original borderless double weight still photographs from the 1960 film. Starring actress Susan Strasberg is seen in several photographs, always in pinstripes, and several feature costar Terzieff, with striking images of laboring women, a death pit, and German soldiers. Numerical annotations in manuscript pencil, and Contino's rubber-stamp, on the versos. An impressive showcase in landscape format of a life behind barbed wire and the conditioning of inmates. Strasberg portrays a Jewish women sent to a concentration camp during WWII, leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents, albeit overshadowed by what would become his most accomplished film, "The Battle of Algiers" (1966). Nominated for an Academy Award (Best Foreign Language Film). Shot on location in Yugoslavia. 9.5 x 14 inches. Very Good plus overall, light curling, brief foxing, a few with small dampstains and corresponding bruises on the rectos.

Collection of vintage black-and-white negatives, contact sheets, and mounted slides and transparencies from the 1969 Italian-French film, "Burn!," here under the original Spanish title "Quemada." From the collection of Sam Gilman, with his name on several of the film processing envelopes in manuscript ink. Gilman did not work in this film, but worked with Brando on earlier films like "One-Eyed Jacks" (1961) and "The Young Lions " (1958), as well as later on "The Missouri Breaks" (1976). Over 130 images representing on-the-set production, featuring Marlon Brando on a lunch break, director Pontecorvo riding a mule, and members of the cast and crew, as well as images of locals likely used as extras. Formats include 35mm color slides, 35mm negative filmstrips, medium-format negatives and mounted color transparencies, and three 8 x 10 contact sheets. Based loosely on the life of Sir William Walker (1824-1860). Walker (Brando) is a professional mercenary who ignites a slave revolt on an island in the Caribbean, where the British sugar trade is in turmoil. After a successful mission, Walker returns to Britain, where he remains for ten years. The same slave revolt he helped initiate is now at war with the replacement regime, and he is sent back to quell the revolt. Seen as a traitor to the natives, Walker is subsequently assassinated, riddled with guilt upon his death. Shot on location in Colombia, Morocco, Italy, and France. All items Near Fine overall, with slides, transparencies, and negatives still in the original film processing envelopes and boxes from the Emidela processing company in Barranquilla, Colombia.

Tokyo, Shinsen-sha, octobre 1970-septembre 1973, 258x182mm, 120-160pp, couvertures illustrées ainsi que les vignettes par Genpei Akasegawa du n°1 au n°24, puis par Fujio Akatsuka du n°25 au n°36, textes critiques, 6 planches imprimées en photogravures en frontispice du no.1 au no.24Broché, dos carré, couverture illustrée.Revue critique du cinéma d'avant-garde, expérimental. Textes sur : J-L Godard, Buñuel, Pasolini, J-P Sartre, Gillo Pontecorvo, Satyajit Ray, Dziga Vertov, Luchino Visconti, Mikhail Il'ich Romm, Giuliano Montaldo, Robert Enrico, Louis Malle, Pier Paolo Pasolini, Joseph Losey, Kijû Yoshida, Toshio Matsumoto, Kôji Wakamatsu, Kaneto Shindô, Masahiro Shinoda, Akio Jissôji, cinéma russe, cinéma grecque et d'autres, chroniques, articles de fond sur l'Histoire, la Sociologie, ou la Politique du monde entier.Frontispice en photogravure :No.4-no.9, Takuma Nakahira et Masao Matsuda.No.10-no.13, Takuma Nakahira et Genpei Akasegawa.No.14 : Genpei Akasegawa, Kôji Wakamatsu, Masao Adachi.No.15 : Genpei Akasegawa. No.16-no.24, Chronique « Sakura Graph » texte, manga et photos par Genpei Akasegawa.Réf.The 70s in Japan 1968-1982, Museum of Modern Art, Saitama, 2012, p.140-141. (103260).